Gifts for the Home

Thoughtful antique, vintage and decorative gifts for the home, chosen to bring character, craftsmanship and individuality to everyday interiors. All items in this collection are beautifully Christmas wrapped and ready to gift.

Gifts for the Home

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{"id":10931429834911,"title":"Denmead Pottery Rabbit Cotton Wool Holder","handle":"bunnt-cotton-ball-holder-denman","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis Denmead rabbit has a practical purpose behind its rather endearing appearance. Cotton wool is stored inside the hollow body and pulled through the opening at the back, giving it the white tail that completes the design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMade in England, circa 1970s, with a rich treacle-brown glaze. Its rounded body and oversized ears give it plenty of personality—a useful piece for a bathroom or dressing table, and an unusual gift for someone who enjoys vintage pottery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003ePlease note that the price is for one Rabbit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBased in Hampshire, Denmead produced domestic pottery alongside animal novelties, including money boxes and spectacles holders. This rabbit makes particularly good use of the idea: the cotton wool is both its function and its finishing detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorldwide Shipping: We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","published_at":"2026-10-25T19:37:15+00:00","created_at":"2026-08-30T12:17:25+01:00","vendor":"Eclectic Design ","type":"Cotton Ball Holder","tags":["1970s pottery","cotton wool holder","Denmead Pottery","rabbit pottery","vintage bathroom accessory"],"price":2500,"price_min":2500,"price_max":2500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62856458993823,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Denmead Pottery Rabbit Cotton Wool Holder","public_title":null,"options":["Default Title"],"price":2500,"weight":1000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7141.png?v=1790540688","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7151.png?v=1790540695","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7154.png?v=1790540699","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7152.png?v=1790540722"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7141.png?v=1790540688","options":["Title"],"media":[{"alt":null,"id":54590022353055,"position":1,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7141.png?v=1790540688"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7141.png?v=1790540688","width":4032},{"alt":null,"id":54590022418591,"position":2,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7151.png?v=1790540695"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7151.png?v=1790540695","width":4032},{"alt":null,"id":54590022779039,"position":3,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7154.png?v=1790540699"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7154.png?v=1790540699","width":4032},{"alt":null,"id":54590023270559,"position":4,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7152.png?v=1790540722"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7152.png?v=1790540722","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis Denmead rabbit has a practical purpose behind its rather endearing appearance. Cotton wool is stored inside the hollow body and pulled through the opening at the back, giving it the white tail that completes the design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMade in England, circa 1970s, with a rich treacle-brown glaze. Its rounded body and oversized ears give it plenty of personality—a useful piece for a bathroom or dressing table, and an unusual gift for someone who enjoys vintage pottery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003ePlease note that the price is for one Rabbit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBased in Hampshire, Denmead produced domestic pottery alongside animal novelties, including money boxes and spectacles holders. This rabbit makes particularly good use of the idea: the cotton wool is both its function and its finishing detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorldwide Shipping: We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e"}
Denmead Pottery Rabbit Cotton Wool Holder

Denmead Pottery Rabbit Cotton Wool Holder

£25.00

This Denmead rabbit has a practical purpose behind its rather endearing appearance. Cotton wool is stored inside the hollow body and pulled through the opening at the back, giving it the white tail that completes the design. Made in England, circa 1970s, with a rich treacle-brown glaze. Its rounded body and oversized ears give it plenty of perso...


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{"id":10941409689759,"title":"Murano Sommerso Ruby Red Glass Cigar Ashtray, c. 1960s","handle":"red-sommerso-mcm-ashtray-cigar","description":"\u003cp\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003evintage Murano sommerso glass cigar ashtray\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dating to around the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1960s\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, is a wonderfully substantial piece of mid-century Venetian art glass. A deep ruby-red interior is encased within a thick layer of clear glass, creating the strong colour, depth and optical distortion associated with the sommerso technique. Measuring approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e15.5 × 15 × 6 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eand weighing an impressive \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1.7 kg\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, it has real presence for a relatively compact object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eSommerso\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, meaning “submerged”, became one of the most recognisable techniques of post-war Murano glass. Layers of coloured glass were enclosed within clear glass, allowing colour to appear suspended inside the finished piece. Makers including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCenedese, Seguso and other Murano workshops\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e produced heavy sculptural ashtrays and bowls of this type during the 1950s and 1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis example has a particularly satisfying four-lobed form. The rim has been pulled and shaped while hot, creating broad rests large enough to take \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecigars as well as cigarettes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which makes its original purpose as an ashtray especially clear. The thick clear casing magnifies and distorts the ruby centre beneath, while the outer glass forms heavy sculptural feet around the coloured core.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is unsigned and no original factory label survives, so I would resist attributing it to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFlavio Poli, Seguso or another individual maker\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e without firmer evidence. The form, weight and construction are consistent with the Murano sommerso tradition, but several Venetian factories produced related designs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Very good vintage condition. There are \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eno chips, cracks or repairs\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Light surface marks and base scratches are present, consistent with age and normal use. These do not detract from the overall appearance and are entirely in keeping with a substantial piece of mid-century glass of this age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e What I like about this piece is how successfully something as practical as a cigar ashtray was turned into a small sculpture. In subdued light the centre appears almost wine-dark, while stronger light brings out a remarkably rich ruby red. At \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1.7 kg\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, it has that wonderfully solid quality found in the best mid-century decorative glass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-25T07:32:47+00:00","created_at":"2026-10-25T07:32:45+00:00","vendor":"Eclectic Design ","type":"Ashtrays","tags":["Cigar Ashtray","Mid Century Modern","Murano Glass","Ruby Red","Sommerso"],"price":12000,"price_min":12000,"price_max":12000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62896308617375,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Murano Sommerso Ruby Red Glass Cigar Ashtray, c. 1960s","public_title":null,"options":["Default Title"],"price":12000,"weight":2500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4592.jpg?v=1792913622","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4589.jpg?v=1792913740","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4593.jpg?v=1792914086","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4591.jpg?v=1792914147","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4590_57f9839c-2792-471a-838d-5ef469c4ac0d.jpg?v=1792913693","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4594.jpg?v=1792913918","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4595.jpg?v=1792913976","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4588.jpg?v=1792913781"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4592.jpg?v=1792913622","options":["Title"],"media":[{"alt":"Vintage Murano sommerso ruby-red glass cigar ashtray viewed from above, showing its four-lobed shape and clear glass rim.\n","id":54632755527839,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2861,"width":2861,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4592.jpg?v=1792913622"},"aspect_ratio":1.0,"height":2861,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4592.jpg?v=1792913622","width":2861},{"alt":"Vintage Murano glass cigar ashtray with a deep ruby-red bowl encased in thick clear glass, viewed at an angle.","id":54632755626143,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2540,"width":2540,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4589.jpg?v=1792913740"},"aspect_ratio":1.0,"height":2540,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4589.jpg?v=1792913740","width":2540},{"alt":"Vintage Murano glass cigar ashtray with a deep ruby-red bowl encased in thick clear glass, viewed at an angle.","id":54632755495071,"position":3,"preview_image":{"aspect_ratio":1.0,"height":2700,"width":2699,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4593.jpg?v=1792914086"},"aspect_ratio":1.0,"height":2700,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4593.jpg?v=1792914086","width":2699},{"alt":"Low side view of a ruby-red Murano sommerso cigar ashtray, showing the curved rim and clear glass detailing around the base.","id":54632755560607,"position":4,"preview_image":{"aspect_ratio":1.703,"height":1876,"width":3194,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4591.jpg?v=1792914147"},"aspect_ratio":1.703,"height":1876,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4591.jpg?v=1792914147","width":3194},{"alt":"Ruby-red Murano glass cigar ashtray viewed from the front, showing a broad cigar rest and thick clear glass casing.","id":54632755593375,"position":5,"preview_image":{"aspect_ratio":1.0,"height":2541,"width":2541,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4590_57f9839c-2792-471a-838d-5ef469c4ac0d.jpg?v=1792913693"},"aspect_ratio":1.0,"height":2541,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4590_57f9839c-2792-471a-838d-5ef469c4ac0d.jpg?v=1792913693","width":2541},{"alt":"Underside of a vintage Murano ruby-red glass ashtray, showing its circular base and light surface scratches.","id":54632755462303,"position":6,"preview_image":{"aspect_ratio":1.0,"height":2767,"width":2767,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4594.jpg?v=1792913918"},"aspect_ratio":1.0,"height":2767,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4594.jpg?v=1792913918","width":2767},{"alt":"Side profile of a vintage Murano sommerso ashtray, showing its dark ruby-red core and sculptural clear glass base.","id":54632755429535,"position":7,"preview_image":{"aspect_ratio":1.503,"height":2155,"width":3238,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4595.jpg?v=1792913976"},"aspect_ratio":1.503,"height":2155,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4595.jpg?v=1792913976","width":3238},{"alt":"Three-quarter view of a vintage Murano sommerso cigar ashtray with a ruby-red interior and rounded clear glass rim.","id":54632755658911,"position":8,"preview_image":{"aspect_ratio":1.0,"height":2745,"width":2745,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4588.jpg?v=1792913781"},"aspect_ratio":1.0,"height":2745,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4588.jpg?v=1792913781","width":2745}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003evintage Murano sommerso glass cigar ashtray\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dating to around the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1960s\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, is a wonderfully substantial piece of mid-century Venetian art glass. A deep ruby-red interior is encased within a thick layer of clear glass, creating the strong colour, depth and optical distortion associated with the sommerso technique. Measuring approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e15.5 × 15 × 6 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eand weighing an impressive \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1.7 kg\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, it has real presence for a relatively compact object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eSommerso\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, meaning “submerged”, became one of the most recognisable techniques of post-war Murano glass. Layers of coloured glass were enclosed within clear glass, allowing colour to appear suspended inside the finished piece. Makers including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCenedese, Seguso and other Murano workshops\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e produced heavy sculptural ashtrays and bowls of this type during the 1950s and 1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis example has a particularly satisfying four-lobed form. The rim has been pulled and shaped while hot, creating broad rests large enough to take \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecigars as well as cigarettes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which makes its original purpose as an ashtray especially clear. The thick clear casing magnifies and distorts the ruby centre beneath, while the outer glass forms heavy sculptural feet around the coloured core.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is unsigned and no original factory label survives, so I would resist attributing it to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFlavio Poli, Seguso or another individual maker\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e without firmer evidence. The form, weight and construction are consistent with the Murano sommerso tradition, but several Venetian factories produced related designs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Very good vintage condition. There are \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eno chips, cracks or repairs\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Light surface marks and base scratches are present, consistent with age and normal use. These do not detract from the overall appearance and are entirely in keeping with a substantial piece of mid-century glass of this age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e What I like about this piece is how successfully something as practical as a cigar ashtray was turned into a small sculpture. In subdued light the centre appears almost wine-dark, while stronger light brings out a remarkably rich ruby red. At \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1.7 kg\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, it has that wonderfully solid quality found in the best mid-century decorative glass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
Vintage Murano sommerso ruby-red glass cigar ashtray viewed from above, showing its four-lobed shape and clear glass rim.

Murano Sommerso Ruby Red Glass Cigar Ashtray, c. 1960s

£120.00

This vintage Murano sommerso glass cigar ashtray, dating to around the 1960s, is a wonderfully substantial piece of mid-century Venetian art glass. A deep ruby-red interior is encased within a thick layer of clear glass, creating the strong colour, depth and optical distortion associated with the sommerso technique. Measuring approximately 15.5 ...


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{"id":10941424959647,"title":"Czech Blue Art Glass Vase, Škrdlovice, c. 1965–1975","handle":"vintage-czech-blue-art-glass-vase-skrdlovice-c-1965-1975","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis Mid Century\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eCzech turquoise art glass vase\u003cspan\u003e, dating to around \u003c\/span\u003e1965–1975\u003cspan\u003e, has a tall slender body with clear glass worked into broad lobes at the shoulder and pulled into thorns around the lower section. It stands approximately \u003c\/span\u003e28 cm highand weighs 1.33 kg.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis kind of strongly modelled form belongs to the tradition \u003c\/span\u003eŠkrdlovice had been developing since the 1950s\u003cspan\u003e, when colour, weight and direct manipulation of the glass became central to the factory’s identity. I have not found a factory drawing that matches this exact silhouette closely enough to name the designer or pattern, so I would keep the attribution to\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eŠkrdlovice without forcing a more specific identification.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe underside has a circular ground and polished base with light shelf wear and scratching consistent with age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Very good vintage condition. There are \u003c\/span\u003eno chips, cracks or repairs to the main body of the vase\u003cspan\u003e. Light surface wear is present to the base.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The strength of this piece is the balance between the beautiful turquoise body and the more expressive clear glass around it. It has the weight, colour and sculptural confidence associated with the best post-war Czech glass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-25T20:07:23+00:00","created_at":"2026-10-25T20:07:22+00:00","vendor":"Eclectic Design ","type":"Vase","tags":["Czech art glass","Glass vase","Mid Century Modern","Turquoise glass","Škrdlovice"],"price":9500,"price_min":9500,"price_max":9500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62896494510239,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Czech Blue Art Glass Vase, Škrdlovice, c. 1965–1975","public_title":null,"options":["Default Title"],"price":9500,"weight":2500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9862.png?v=1792960684","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9867.png?v=1792960177","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9866.png?v=1792960139","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9864.png?v=1792960254","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9845.png?v=1792959936","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9846.png?v=1792959985","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9869.png?v=1792960081","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9872.png?v=1792960042"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9862.png?v=1792960684","options":["Title"],"media":[{"alt":"Škrdlovice Czech turquoise art glass vase with a tall slender body, clear shoulder lobes and thorn-shaped base details.","id":54633733128351,"position":1,"preview_image":{"aspect_ratio":0.684,"height":3752,"width":2565,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9862.png?v=1792960684"},"aspect_ratio":0.684,"height":3752,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9862.png?v=1792960684","width":2565},{"alt":"Side view of the Škrdlovice blue glass vase showing raised clear glass decoration along the slender body.","id":54633758064799,"position":2,"preview_image":{"aspect_ratio":0.818,"height":3405,"width":2784,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9867.png?v=1792960177"},"aspect_ratio":0.818,"height":3405,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9867.png?v=1792960177","width":2784},{"alt":"Škrdlovice turquoise glass vase showing broad clear shoulder lobes and a sculptural flared base.","id":54633758032031,"position":3,"preview_image":{"aspect_ratio":0.8,"height":3578,"width":2864,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9866.png?v=1792960139"},"aspect_ratio":0.8,"height":3578,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9866.png?v=1792960139","width":2864},{"alt":"Angled view of the Czech blue art glass vase with flowing clear glass ridges and pointed details near the base.","id":54633758097567,"position":4,"preview_image":{"aspect_ratio":0.832,"height":3412,"width":2839,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9864.png?v=1792960254"},"aspect_ratio":0.832,"height":3412,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9864.png?v=1792960254","width":2839},{"alt":"Underside of the Škrdlovice glass vase showing the circular polished base and light surface scratches.","id":54633757900959,"position":5,"preview_image":{"aspect_ratio":0.976,"height":2707,"width":2643,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9845.png?v=1792959936"},"aspect_ratio":0.976,"height":2707,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9845.png?v=1792959936","width":2643},{"alt":"Close-up of the turquoise vase’s lower body showing thick clear glass and sculpted thorn-shaped projections.","id":54633757933727,"position":6,"preview_image":{"aspect_ratio":0.85,"height":3047,"width":2591,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9846.png?v=1792959985"},"aspect_ratio":0.85,"height":3047,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9846.png?v=1792959985","width":2591},{"alt":"View from above of the turquoise Czech glass vase showing its thick rounded rim and broad clear shoulder lobes.","id":54633757999263,"position":7,"preview_image":{"aspect_ratio":0.721,"height":3713,"width":2677,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9869.png?v=1792960081"},"aspect_ratio":0.721,"height":3713,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9869.png?v=1792960081","width":2677},{"alt":"Elevated view of the Škrdlovice blue glass vase showing its rounded opening and clear glass shoulder details.","id":54633757966495,"position":8,"preview_image":{"aspect_ratio":0.885,"height":3182,"width":2815,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9872.png?v=1792960042"},"aspect_ratio":0.885,"height":3182,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9872.png?v=1792960042","width":2815}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis Mid Century\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eCzech turquoise art glass vase\u003cspan\u003e, dating to around \u003c\/span\u003e1965–1975\u003cspan\u003e, has a tall slender body with clear glass worked into broad lobes at the shoulder and pulled into thorns around the lower section. It stands approximately \u003c\/span\u003e28 cm highand weighs 1.33 kg.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis kind of strongly modelled form belongs to the tradition \u003c\/span\u003eŠkrdlovice had been developing since the 1950s\u003cspan\u003e, when colour, weight and direct manipulation of the glass became central to the factory’s identity. I have not found a factory drawing that matches this exact silhouette closely enough to name the designer or pattern, so I would keep the attribution to\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eŠkrdlovice without forcing a more specific identification.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe underside has a circular ground and polished base with light shelf wear and scratching consistent with age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Very good vintage condition. There are \u003c\/span\u003eno chips, cracks or repairs to the main body of the vase\u003cspan\u003e. Light surface wear is present to the base.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The strength of this piece is the balance between the beautiful turquoise body and the more expressive clear glass around it. It has the weight, colour and sculptural confidence associated with the best post-war Czech glass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
Škrdlovice Czech turquoise art glass vase with a tall slender body, clear shoulder lobes and thorn-shaped base details.

Czech Blue Art Glass Vase, Škrdlovice, c. 1965–1975

£95.00

This Mid Century Czech turquoise art glass vase, dating to around 1965–1975, has a tall slender body with clear glass worked into broad lobes at the shoulder and pulled into thorns around the lower section. It stands approximately 28 cm highand weighs 1.33 kg. This kind of strongly modelled form belongs to the tradition Škrdlovice had been devel...


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{"id":10940525740191,"title":"Vera Tollow British Studio Pottery Lidded Stoneware Casserole, c.1960s–70s","handle":"vera-tollow-british-studio-pottery-lidded-stoneware-casserole-c-1960s-70s","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThis is a particularly good example of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eVera Tollow’s functional studio pottery\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — substantial, confidently thrown and made with the expectation that it would actually be used.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe shape is generous, with a broad body, neat side handles and a substantial fitted lid. I especially like the deep, bowl-shaped knob; it gives the lid almost the character of a second vessel and makes the whole form much more interesting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe glaze moves through muted blue-grey and olive tones, with freely applied rust-red iron decoration running around the body. Nothing is mechanically repeated. The brushwork changes as the pot is turned, so there is no single obvious “front”, and the firing has produced subtle changes in colour across the surface. The darker glazed interior provides a nice contrast with the quieter exterior.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt also has the qualities that make good studio pottery so satisfying to use. There is weight in the hands, the handles feel purposeful, and it is substantial enough to take directly to the table. For me, cooking and serving food from a hand-thrown casserole makes the whole experience feel just a little more special.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTollow \u003c\/span\u003e\u003cspan\u003ewas a founder member of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCraftsmen Potters Association\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, as well as a Fellow of the Society of Designer Craftsmen. She worked from studios in Surrey and later Kent and exhibited widely. Her standing among British studio potters of the period is perhaps better indicated by the fact that her work entered the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRoyal Collection\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and was among the contemporary pieces selected for Windsor Castle. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base carries her characteristic hand-painted and underlined \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTOLLOW\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e signature. Comparable signed stoneware with green glazes and iron decoration has been dated by Roseberys to the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1960s\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximately 21 cm wide × 15 cm high. In excellent vintage condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Vera Tollow is an interesting example of a highly accomplished British potter whose name is less familiar today than the quality of her work might suggest. She made pots to live with — bowls, casseroles, jars and other domestic forms — but allowed the throwing, glaze and decoration to make each one individual. This casserole captures that particularly well: unquestionably useful, but far too good to disappear into a kitchen cupboard.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2026-10-19T15:03:30+01:00","created_at":"2026-10-18T20:33:03+01:00","vendor":"Eclectic Design ","type":"Casserole Dish","tags":["British Studio Pottery","Casserole 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rim.","id":54623400329375,"position":11,"preview_image":{"aspect_ratio":1.0,"height":2936,"width":2936,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6943.jpg?v=1792416306"},"aspect_ratio":1.0,"height":2936,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6943.jpg?v=1792416306","width":2936},{"alt":"Overhead view of Vera Tollow casserole lid showing its central hollow knob and concentric rings in the olive-grey glaze.","id":54623400394911,"position":12,"preview_image":{"aspect_ratio":1.0,"height":2889,"width":2889,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6941.jpg?v=1792416402"},"aspect_ratio":1.0,"height":2889,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6941.jpg?v=1792416402","width":2889}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThis is a particularly good example of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eVera Tollow’s functional studio pottery\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — substantial, confidently thrown and made with the expectation that it would actually be used.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe shape is generous, with a broad body, neat side handles and a substantial fitted lid. I especially like the deep, bowl-shaped knob; it gives the lid almost the character of a second vessel and makes the whole form much more interesting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe glaze moves through muted blue-grey and olive tones, with freely applied rust-red iron decoration running around the body. Nothing is mechanically repeated. The brushwork changes as the pot is turned, so there is no single obvious “front”, and the firing has produced subtle changes in colour across the surface. The darker glazed interior provides a nice contrast with the quieter exterior.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt also has the qualities that make good studio pottery so satisfying to use. There is weight in the hands, the handles feel purposeful, and it is substantial enough to take directly to the table. For me, cooking and serving food from a hand-thrown casserole makes the whole experience feel just a little more special.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTollow \u003c\/span\u003e\u003cspan\u003ewas a founder member of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCraftsmen Potters Association\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, as well as a Fellow of the Society of Designer Craftsmen. She worked from studios in Surrey and later Kent and exhibited widely. Her standing among British studio potters of the period is perhaps better indicated by the fact that her work entered the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRoyal Collection\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and was among the contemporary pieces selected for Windsor Castle. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base carries her characteristic hand-painted and underlined \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTOLLOW\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e signature. Comparable signed stoneware with green glazes and iron decoration has been dated by Roseberys to the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1960s\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximately 21 cm wide × 15 cm high. In excellent vintage condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Vera Tollow is an interesting example of a highly accomplished British potter whose name is less familiar today than the quality of her work might suggest. She made pots to live with — bowls, casseroles, jars and other domestic forms — but allowed the throwing, glaze and decoration to make each one individual. This casserole captures that particularly well: unquestionably useful, but far too good to disappear into a kitchen cupboard.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Vera Tollow stoneware casserole with fitted lid, blue-grey and olive glaze, rust-red brushwork and two side handles, on white background

Vera Tollow British Studio Pottery Lidded Stoneware Casserole, c.1960s–70s

£115.00

This is a particularly good example of Vera Tollow’s functional studio pottery — substantial, confidently thrown and made with the expectation that it would actually be used. The shape is generous, with a broad body, neat side handles and a substantial fitted lid. I especially like the deep, bowl-shaped knob; it gives the lid almost the chara...


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At over 30 cm high and weighing more than 3 kilos, it has real sculptural presence and works particularly well as a standalone interior piece.\u003c\/p\u003e\n\u003cp data-end=\"789\" data-start=\"559\"\u003eThe rich red casing against the warm amber core is especially successful here — bold without feeling overly decorative — and the scale makes it considerably more striking than many smaller Murano sommerso examples from the period.\u003c\/p\u003e\n\u003cp data-end=\"828\" data-start=\"791\"\u003eRetaining its original factory label.\u003c\/p\u003e\n\u003cp data-end=\"946\" data-start=\"830\"\u003eA strong mid-century Italian glass piece for collectors of Murano, sommerso glass and sculptural decorative objects.\u003c\/p\u003e\n\u003cp data-end=\"959\" data-start=\"948\"\u003e\u003cstrong data-end=\"959\" data-start=\"948\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-end=\"1060\" data-start=\"960\"\u003e\n\u003cli data-section-id=\"1sakxc8\" data-end=\"974\" data-start=\"960\"\u003eMurano glass\u003c\/li\u003e\n\u003cli data-section-id=\"95wimp\" data-end=\"989\" data-start=\"975\"\u003eItaly, 1970s\u003c\/li\u003e\n\u003cli data-section-id=\"d1wter\" data-end=\"1010\" data-start=\"990\"\u003eSommerso technique\u003c\/li\u003e\n\u003cli data-section-id=\"1ov7gv7\" data-end=\"1035\" data-start=\"1011\"\u003eFaceted geometric form\u003c\/li\u003e\n\u003cli data-section-id=\"1mb73wc\" data-end=\"1060\" data-start=\"1036\"\u003eOriginal label present\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1212\" data-start=\"1062\"\u003e\u003cstrong data-end=\"1075\" data-start=\"1062\"\u003eCondition\u003c\/strong\u003e\u003cbr\u003eVery good vintage condition overall with a small flake to the base edge and light age-related wear consistent with vintage Murano glass.\u003c\/p\u003e\n\u003cp data-end=\"1240\" data-start=\"1214\"\u003e\u003cstrong data-end=\"1240\" data-start=\"1214\"\u003eApproximate Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-end=\"1286\" data-start=\"1241\"\u003e\n\u003cli data-section-id=\"s3vlbq\" data-end=\"1266\" data-start=\"1241\"\u003eHeight: just over 30 cm\u003c\/li\u003e\n\u003cli data-section-id=\"2u3cwz\" data-end=\"1286\" data-start=\"1267\"\u003eWeight: over 3 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1638\" data-start=\"1288\"\u003e\u003cstrong data-end=\"1308\" data-start=\"1288\"\u003eCollector’s Note\u003c\/strong\u003e\u003cbr data-end=\"1311\" data-start=\"1308\"\u003eSommerso (“submerged” in Italian) is a Murano glass technique in which layers of coloured glass are encased within clear crystal, creating depth, light refraction and tonal variation. The technique became particularly popular during the mid-20th century among Murano makers producing bold sculptural forms for modern interiors.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWORLDWIDE SHIPPING \u003c\/span\u003e\u003cspan\u003eWorldwide shipping available. All our items are packed carefully for transit.\u003c\/span\u003e\u003cspan\u003e Please message for additional photographs or delivery information.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-09-28T12:26:02+01:00","created_at":"2024-09-28T11:23:35+01:00","vendor":"Eclectic Design","type":"Vase","tags":["Amber Glass","Collectible Murano Glass","eclecticdesignlondon","Faceted Glass","Geometric Vase","Italian Art Glass Vase","Italian Glass","Italian Mid-Century Decor","Italian Modern","Mid-Century Modern Glassware","Mid-Century Murano Glass","Murano Sommerso Block Vase","Murano Glass","Murano Sommerso","Murano Sommerso Vase","Murano Vase 1960s","Oball","Oball Faceted Vase","Oball Murano Vase","Original Label Murano Vase","Red and Orange Murano Vase","Ruby Glass","Sculptural Glass","Sommerso","Sommerso Glass Technique","vintage","Vintage Glass Decor","Vintage Murano","Vintage Murano 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Sommerso Vase by Oball | Ruby Red \u0026 Amber Glass | Italy 1970s","id":35045307842719,"position":9,"preview_image":{"aspect_ratio":0.75,"height":2000,"width":1500,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_ebqp_57aef778-4bcf-492a-b1b3-da143d1bf361.jpg?v=1727521721"},"aspect_ratio":0.75,"height":2000,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_ebqp_57aef778-4bcf-492a-b1b3-da143d1bf361.jpg?v=1727521721","width":1500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-end=\"253\" data-start=\"131\"\u003eA substantial Murano sommerso vase produced by Oball, Italy, during the 1970s, in layered ruby red, amber and clear glass.\u003c\/p\u003e\n\u003cp data-end=\"557\" data-start=\"255\"\u003eThe sharply faceted form gives the piece an almost architectural quality, with heavy angled cuts that catch and refract light beautifully from every direction. At over 30 cm high and weighing more than 3 kilos, it has real sculptural presence and works particularly well as a standalone interior piece.\u003c\/p\u003e\n\u003cp data-end=\"789\" data-start=\"559\"\u003eThe rich red casing against the warm amber core is especially successful here — bold without feeling overly decorative — and the scale makes it considerably more striking than many smaller Murano sommerso examples from the period.\u003c\/p\u003e\n\u003cp data-end=\"828\" data-start=\"791\"\u003eRetaining its original factory label.\u003c\/p\u003e\n\u003cp data-end=\"946\" data-start=\"830\"\u003eA strong mid-century Italian glass piece for collectors of Murano, sommerso glass and sculptural decorative objects.\u003c\/p\u003e\n\u003cp data-end=\"959\" data-start=\"948\"\u003e\u003cstrong data-end=\"959\" data-start=\"948\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-end=\"1060\" data-start=\"960\"\u003e\n\u003cli data-section-id=\"1sakxc8\" data-end=\"974\" data-start=\"960\"\u003eMurano glass\u003c\/li\u003e\n\u003cli data-section-id=\"95wimp\" data-end=\"989\" data-start=\"975\"\u003eItaly, 1970s\u003c\/li\u003e\n\u003cli data-section-id=\"d1wter\" data-end=\"1010\" data-start=\"990\"\u003eSommerso technique\u003c\/li\u003e\n\u003cli data-section-id=\"1ov7gv7\" data-end=\"1035\" data-start=\"1011\"\u003eFaceted geometric form\u003c\/li\u003e\n\u003cli data-section-id=\"1mb73wc\" data-end=\"1060\" data-start=\"1036\"\u003eOriginal label present\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1212\" data-start=\"1062\"\u003e\u003cstrong data-end=\"1075\" data-start=\"1062\"\u003eCondition\u003c\/strong\u003e\u003cbr\u003eVery good vintage condition overall with a small flake to the base edge and light age-related wear consistent with vintage Murano glass.\u003c\/p\u003e\n\u003cp data-end=\"1240\" data-start=\"1214\"\u003e\u003cstrong data-end=\"1240\" data-start=\"1214\"\u003eApproximate Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-end=\"1286\" data-start=\"1241\"\u003e\n\u003cli data-section-id=\"s3vlbq\" data-end=\"1266\" data-start=\"1241\"\u003eHeight: just over 30 cm\u003c\/li\u003e\n\u003cli data-section-id=\"2u3cwz\" data-end=\"1286\" data-start=\"1267\"\u003eWeight: over 3 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1638\" data-start=\"1288\"\u003e\u003cstrong data-end=\"1308\" data-start=\"1288\"\u003eCollector’s Note\u003c\/strong\u003e\u003cbr data-end=\"1311\" data-start=\"1308\"\u003eSommerso (“submerged” in Italian) is a Murano glass technique in which layers of coloured glass are encased within clear crystal, creating depth, light refraction and tonal variation. The technique became particularly popular during the mid-20th century among Murano makers producing bold sculptural forms for modern interiors.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWORLDWIDE SHIPPING \u003c\/span\u003e\u003cspan\u003eWorldwide shipping available. All our items are packed carefully for transit.\u003c\/span\u003e\u003cspan\u003e Please message for additional photographs or delivery information.\u003c\/span\u003e\u003c\/p\u003e"}
Large Faceted Murano Sommerso Vase by Oball | Ruby Red & Amber Glass | Italy 1970s

Large Faceted Murano Sommerso Vase by Oball — Ruby & Amber Glass, Italy, c.1970s

£395.00

A substantial Murano sommerso vase produced by Oball, Italy, during the 1970s, in layered ruby red, amber and clear glass. The sharply faceted form gives the piece an almost architectural quality, with heavy angled cuts that catch and refract light beautifully from every direction. At over 30 cm high and weighing more than 3 kilos, it has real s...


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{"id":10931533349023,"title":"Antique Gouda N.P. Cachepot by Plateelbakkerij Zuid-Holland, 1922","handle":"gouda-vase","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePlateelbakkerij Zuid-Holland Gouda cachepot\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dated \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, is a particularly attractive example of the factory’s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eN.P. “New Porcelain” decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Hand-painted on a pale ground with stylised chrysanthemums, purple starburst flowers, long green stems and filled foliage, it has the lighter and more refined character that makes this part of Gouda production so appealing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlateelbakkerij Zuid-Holland introduced the N.P. range in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1908\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and it represents quite a different side of Gouda pottery from the darker, denser wares people often associate with the name. The pale ground gave the decorators room to work more delicately, and here the fine outlines, dotted detail and carefully filled leaves give the surface a real sense of movement without making it feel crowded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe form itself is low and broad, approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e15 cm in diameter and 10 cm high\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and that shape suits the decoration particularly well. The chrysanthemums and smaller purple flowers travel naturally around the body, with the long green stems helping to tie the composition together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base is especially satisfying because it tells us so much. The \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLazarus Gate\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e identifies Plateelbakkerij Zuid-Holland, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eN.P.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e marks t\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ehe decorative range, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1856\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is the shape number, and the small \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ediamond-shaped mark dates the piece to 1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. There is also a small painter’s monogram, but I would leave the decorator unidentified unless it can be matched securely to a factory list.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e This is the sort of Gouda piece I find particularly rewarding because the history is all there in the marks. We are not simply saying “early twentieth century” or “in the style of.” We can place it firmly at Zuid-Holland, within the N.P. range, and to the year \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The painting is restrained but very confident, and the floral decoration still carries something of the Art Nouveau taste from which the range developed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-25T10:18:13+00:00","created_at":"2026-08-31T10:16:22+01:00","vendor":"Eclectic Design ","type":"cachepot","tags":["Antique Cachepot","Art Nouveau","Dutch Pottery","Gouda Pottery","Plateelbakkerij Zuid-Holland"],"price":9000,"price_min":9000,"price_max":9000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62856741355679,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antique Gouda N.P. Cachepot by Plateelbakkerij Zuid-Holland, 1922","public_title":null,"options":["Default Title"],"price":9000,"weight":2000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4859.png?v=1792919608","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4862.png?v=1792919548","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4858.png?v=1792919740","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4860.png?v=1792919677","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4873.png?v=1792919262","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4868.png?v=1792919471"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4859.png?v=1792919608","options":["Title"],"media":[{"alt":"1922 Gouda N.P. cachepot by Plateelbakkerij Zuid-Holland, with hand-painted chrysanthemums, purple flowers and green foliage.","id":54632759951519,"position":1,"preview_image":{"aspect_ratio":1.286,"height":2373,"width":3051,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4859.png?v=1792919608"},"aspect_ratio":1.286,"height":2373,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4859.png?v=1792919608","width":3051},{"alt":"Side view of the Gouda cachepot showing ochre and rust-coloured chrysanthemums with curling green stems on a cream ground.","id":54632759918751,"position":2,"preview_image":{"aspect_ratio":1.332,"height":2315,"width":3083,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4862.png?v=1792919548"},"aspect_ratio":1.332,"height":2315,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4862.png?v=1792919548","width":3083},{"alt":"Rounded Gouda pottery cachepot with purple starburst flowers, ochre chrysanthemums and dark green leaves beneath a short flared rim.","id":54632760017055,"position":3,"preview_image":{"aspect_ratio":1.205,"height":2473,"width":2980,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4858.png?v=1792919740"},"aspect_ratio":1.205,"height":2473,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4858.png?v=1792919740","width":2980},{"alt":"Reverse view of the Gouda N.P. cachepot showing a hanging flower bud, scrolling stems and green and ochre leaves.","id":54632759984287,"position":4,"preview_image":{"aspect_ratio":1.22,"height":2440,"width":2977,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4860.png?v=1792919677"},"aspect_ratio":1.22,"height":2440,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4860.png?v=1792919677","width":2977},{"alt":"Top view of the Gouda cachepot showing its circular opening, cream-glazed interior and hand-painted floral decoration around the shoulder.","id":54632759689375,"position":5,"preview_image":{"aspect_ratio":0.999,"height":2655,"width":2653,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4873.png?v=1792919262"},"aspect_ratio":0.999,"height":2655,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4873.png?v=1792919262","width":2653},{"alt":"Underside of the Gouda cachepot showing the painted Lazarus Gate factory mark, N.P. initials, shape number 1856 and diamond date mark.","id":54632759885983,"position":6,"preview_image":{"aspect_ratio":1.0,"height":2658,"width":2657,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4868.png?v=1792919471"},"aspect_ratio":1.0,"height":2658,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4868.png?v=1792919471","width":2657}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePlateelbakkerij Zuid-Holland Gouda cachepot\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dated \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, is a particularly attractive example of the factory’s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eN.P. “New Porcelain” decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Hand-painted on a pale ground with stylised chrysanthemums, purple starburst flowers, long green stems and filled foliage, it has the lighter and more refined character that makes this part of Gouda production so appealing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlateelbakkerij Zuid-Holland introduced the N.P. range in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1908\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and it represents quite a different side of Gouda pottery from the darker, denser wares people often associate with the name. The pale ground gave the decorators room to work more delicately, and here the fine outlines, dotted detail and carefully filled leaves give the surface a real sense of movement without making it feel crowded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe form itself is low and broad, approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e15 cm in diameter and 10 cm high\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and that shape suits the decoration particularly well. The chrysanthemums and smaller purple flowers travel naturally around the body, with the long green stems helping to tie the composition together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base is especially satisfying because it tells us so much. The \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLazarus Gate\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e identifies Plateelbakkerij Zuid-Holland, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eN.P.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e marks t\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ehe decorative range, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1856\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is the shape number, and the small \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ediamond-shaped mark dates the piece to 1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. There is also a small painter’s monogram, but I would leave the decorator unidentified unless it can be matched securely to a factory list.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e This is the sort of Gouda piece I find particularly rewarding because the history is all there in the marks. We are not simply saying “early twentieth century” or “in the style of.” We can place it firmly at Zuid-Holland, within the N.P. range, and to the year \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The painting is restrained but very confident, and the floral decoration still carries something of the Art Nouveau taste from which the range developed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
1922 Gouda N.P. cachepot by Plateelbakkerij Zuid-Holland, with hand-painted chrysanthemums, purple flowers and green foliage.

Antique Gouda N.P. Cachepot by Plateelbakkerij Zuid-Holland, 1922

£90.00

This Plateelbakkerij Zuid-Holland Gouda cachepot, dated 1922, is a particularly attractive example of the factory’s N.P. “New Porcelain” decoration. Hand-painted on a pale ground with stylised chrysanthemums, purple starburst flowers, long green stems and filled foliage, it has the lighter and more refined character that makes this part of Gouda...


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{"id":10939779317919,"title":"Large Scandinavian Crystal Vase with Freehand Abstract Etched Decoration, c.1960s–70s","handle":"vase","description":"\u003cp\u003e\u003cspan\u003eThis is a substantial clear crystal vase, weighing \u003c\/span\u003e2.39 kg\u003cspan\u003e, with a continuous abstract design worked directly around the body. The decoration is the first thing you notice: spirals, circles, dots, star-like marks and long sweeping lines move around the vase without an obvious beginning or end.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat I like about it is the contrast between the weight of the glass and the looseness of the drawing. The vase itself is solid and architectural, while the decoration feels spontaneous. It changes completely as you move around it, so there is no defined front and no one view that tells the whole story.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes it particularly interesting is that the pattern does not appear to have been mechanically repeated. There is \u003c\/span\u003eno visible join or seam in the decoration\u003cspan\u003e, and the drawing changes as the vase is turned. It has the freedom of something worked by hand rather than transferred from a fixed design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe most likely technique is a \u003c\/span\u003efreehand resist process\u003cspan\u003e, with the design drawn directly onto the glass before the exposed surface was finely sandblasted or acid etched. The result is unusually graphic, but still soft enough to work with the heavy, rounded form of the vase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe vase itself is very substantial: \u003c\/span\u003e25.5 cm high × approximately 14 cm diameter\u003cspan\u003e, with a thick clear crystal body and considerable weight. That combination of heavy clear glass, restrained form and experiment\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eal surface decoration points strongly towards \u003c\/span\u003epost-war Scandinavian glass.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI have not found a signed or catalogued example that allows me to name the factory with confidence. The closest technical parallels are found in Swedish glass of the late 1960s and 1970s, including freehand resist-blasted work associated with \u003c\/span\u003eÅfors and the wider Boda group\u003cspan\u003e, although I cannot attribute this vase to either without firmer evidence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCONDITION\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExcellent vintage condition with light surface wear to the base consistent with age and use. No chips or cracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approximately 25.5 cm high × 14 cm diameter\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eWeight:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approximately 2.39 kg\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMaterial:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Clear crystal with resist-etched or finely sandblasted decoration\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ec.1960s–70s\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e I have left the maker open deliberately. The technique, form and weight all point towards Scandinavian production, with Swedish glass providing the closest comparison I have found, but there is not yet enough evidence to attach a factory or designer’s name with confidence. For now, the vase is best understood as a particularly strong piece of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1960s–70s Scandinavian art glass\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, distinguished by its freehand surface decoration rather than by a confirmed attribution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-19T20:33:49+01:00","created_at":"2026-10-10T19:23:44+01:00","vendor":"Eclectic Design ","type":"Vase","tags":["Abstract Design","Crystal Vase","Etched Glass","Scandinavian Art Glass","Vintage Vase"],"price":15000,"price_min":15000,"price_max":15000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62889491234975,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Scandinavian Crystal Vase with Freehand Abstract Etched Decoration, c.1960s–70s","public_title":null,"options":["Default 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base.","id":54622216847519,"position":14,"preview_image":{"aspect_ratio":1.0,"height":2836,"width":2835,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4560_e4fef1c8-7626-4787-97be-1ec8e90d6dee.png?v=1792312261"},"aspect_ratio":1.0,"height":2836,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4560_e4fef1c8-7626-4787-97be-1ec8e90d6dee.png?v=1792312261","width":2835},{"alt":null,"id":54622216814751,"position":15,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4559_e40a508c-1cfb-4a3b-925a-9eadab8a9887.png?v=1792312215"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4559_e40a508c-1cfb-4a3b-925a-9eadab8a9887.png?v=1792312215","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eThis is a substantial clear crystal vase, weighing \u003c\/span\u003e2.39 kg\u003cspan\u003e, with a continuous abstract design worked directly around the body. The decoration is the first thing you notice: spirals, circles, dots, star-like marks and long sweeping lines move around the vase without an obvious beginning or end.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat I like about it is the contrast between the weight of the glass and the looseness of the drawing. The vase itself is solid and architectural, while the decoration feels spontaneous. It changes completely as you move around it, so there is no defined front and no one view that tells the whole story.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes it particularly interesting is that the pattern does not appear to have been mechanically repeated. There is \u003c\/span\u003eno visible join or seam in the decoration\u003cspan\u003e, and the drawing changes as the vase is turned. It has the freedom of something worked by hand rather than transferred from a fixed design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe most likely technique is a \u003c\/span\u003efreehand resist process\u003cspan\u003e, with the design drawn directly onto the glass before the exposed surface was finely sandblasted or acid etched. The result is unusually graphic, but still soft enough to work with the heavy, rounded form of the vase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe vase itself is very substantial: \u003c\/span\u003e25.5 cm high × approximately 14 cm diameter\u003cspan\u003e, with a thick clear crystal body and considerable weight. That combination of heavy clear glass, restrained form and experiment\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eal surface decoration points strongly towards \u003c\/span\u003epost-war Scandinavian glass.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI have not found a signed or catalogued example that allows me to name the factory with confidence. The closest technical parallels are found in Swedish glass of the late 1960s and 1970s, including freehand resist-blasted work associated with \u003c\/span\u003eÅfors and the wider Boda group\u003cspan\u003e, although I cannot attribute this vase to either without firmer evidence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCONDITION\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExcellent vintage condition with light surface wear to the base consistent with age and use. No chips or cracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approximately 25.5 cm high × 14 cm diameter\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eWeight:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approximately 2.39 kg\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMaterial:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Clear crystal with resist-etched or finely sandblasted decoration\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003ec.1960s–70s\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e I have left the maker open deliberately. The technique, form and weight all point towards Scandinavian production, with Swedish glass providing the closest comparison I have found, but there is not yet enough evidence to attach a factory or designer’s name with confidence. For now, the vase is best understood as a particularly strong piece of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1960s–70s Scandinavian art glass\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, distinguished by its freehand surface decoration rather than by a confirmed attribution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
Clear crystal vase with freehand etched spirals, dots and sweeping abstract lines, tapering towards a thick rounded base.

Large Scandinavian Crystal Vase with Freehand Abstract Etched Decoration, c.1960s–70s

£150.00

This is a substantial clear crystal vase, weighing 2.39 kg, with a continuous abstract design worked directly around the body. The decoration is the first thing you notice: spirals, circles, dots, star-like marks and long sweeping lines move around the vase without an obvious beginning or end. What I like about it is the contrast between the wei...


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{"id":10845694394527,"title":"Pair of Art Deco Drip-Glaze Ceramic Cats — European Studio Pottery, c.1930s","handle":"vintage-art-deco-drip-glaze-ceramic-cats-1930s-european-studio-pottery-rare-matching-pair","description":"\u003cp data-end=\"1333\" data-start=\"1194\"\u003eA striking pair of Art Deco ceramic cats with elongated forms and richly expressive drip glazes in deep green, blue and earthy brown tones.\u003c\/p\u003e\n\u003cp data-end=\"1547\" data-start=\"1335\"\u003eLikely European studio pottery, possibly French or German, dating from the 1930s–40s. The glaze quality is particularly beautiful — fluid, layered and slightly unpredictable, giving each figure its own character.\u003c\/p\u003e\n\u003cp data-end=\"1735\" data-start=\"1549\"\u003eThe pale clay body and hollow construction are typical of studio ceramics of the period, while the stylised silhouettes reflect the streamlined modernism associated with Art Deco design.\u003c\/p\u003e\n\u003cp data-end=\"1844\" data-start=\"1737\"\u003eDecorative yet sculptural, they work especially well displayed as a pair on a bookshelf, console or mantel.\u003c\/p\u003e\n\u003cp data-end=\"1927\" data-start=\"1846\"\u003eApprox. 30 cm high\u003cbr data-end=\"1867\" data-start=\"1864\"\u003eExcellent vintage condition with no visible chips or cracks.\u003c\/p\u003e\n\u003cp data-end=\"2186\" data-start=\"1929\"\u003e\u003cstrong data-end=\"1950\" data-start=\"1929\"\u003eCollector’s Note:\u003c\/strong\u003e\u003cbr data-end=\"1953\" data-start=\"1950\"\u003eDrip-glaze ceramics became particularly popular during the Art Deco and early modernist period, when studio potters began experimenting with more organic, expressive surface finishes in contrast to highly formal Victorian decoration.\u003c\/p\u003e\n\u003cp data-end=\"2186\" data-start=\"1929\"\u003e\u003cspan\u003eWORLDWIDE SHIPPING \u003c\/span\u003e\u003cspan\u003eWorldwide shipping available. All our fragile items are packed carefully for transit.\u003c\/span\u003e\u003cspan\u003e Please message for additional photographs or delivery information.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr data-end=\"2191\" data-start=\"2188\"\u003e","published_at":"2026-05-28T19:57:12+01:00","created_at":"2025-07-16T11:21:46+01:00","vendor":"Eclectic Design","type":"Figurine","tags":["1930s Ceramics","Art Deco Cats","Art Deco Ceramics","Ceramic Cats","Collector Ceramics","Decorative Objects","Decorative Sculpture","Drip Glaze Ceramics","European Studio Pottery","French Studio Pottery","German Studio Pottery","Green Drip Glaze","Interior Designer Style","Large Ceramic Cats","Pair of Cats","Vintage Ceramic Cats"],"price":49500,"price_min":49500,"price_max":49500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62407697170591,"title":"Default Title","option1":"Default 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c.1930s\n","id":53389034225823,"position":5,"preview_image":{"aspect_ratio":0.746,"height":3817,"width":2849,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7450.jpg?v=1752657997"},"aspect_ratio":0.746,"height":3817,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7450.jpg?v=1752657997","width":2849},{"alt":"Pair of Art Deco Drip-Glaze Ceramic Cats — European Studio Pottery, c.1930s\n","id":53389017743519,"position":6,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7454.jpg?v=1752657840"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7454.jpg?v=1752657840","width":3024},{"alt":"Pair of Art Deco Drip-Glaze Ceramic Cats — European Studio Pottery, c.1930s\n","id":53395409502367,"position":7,"preview_image":{"aspect_ratio":0.826,"height":3488,"width":2882,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7449_43e734cb-ff92-4fe1-8ca8-56e7ec6e0b4f.jpg?v=1752761968"},"aspect_ratio":0.826,"height":3488,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7449_43e734cb-ff92-4fe1-8ca8-56e7ec6e0b4f.jpg?v=1752761968","width":2882},{"alt":"Pair of Art Deco Drip-Glaze Ceramic Cats — European Studio Pottery, c.1930s\n","id":53389026623647,"position":8,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7444.jpg?v=1752657898"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7444.jpg?v=1752657898","width":3024},{"alt":"Pair of Art Deco Drip-Glaze Ceramic Cats — European Studio Pottery, c.1930s\n","id":53389102088351,"position":9,"preview_image":{"aspect_ratio":1.333,"height":1500,"width":2000,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_8743.png?v=1752659017"},"aspect_ratio":1.333,"height":1500,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_8743.png?v=1752659017","width":2000},{"alt":null,"id":54355048497311,"position":10,"preview_image":{"aspect_ratio":1.736,"height":1664,"width":2888,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7447_782a69c6-b3d3-47d3-9996-84876137432e.jpg?v=1780339880"},"aspect_ratio":1.736,"height":1664,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7447_782a69c6-b3d3-47d3-9996-84876137432e.jpg?v=1780339880","width":2888}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-end=\"1333\" data-start=\"1194\"\u003eA striking pair of Art Deco ceramic cats with elongated forms and richly expressive drip glazes in deep green, blue and earthy brown tones.\u003c\/p\u003e\n\u003cp data-end=\"1547\" data-start=\"1335\"\u003eLikely European studio pottery, possibly French or German, dating from the 1930s–40s. The glaze quality is particularly beautiful — fluid, layered and slightly unpredictable, giving each figure its own character.\u003c\/p\u003e\n\u003cp data-end=\"1735\" data-start=\"1549\"\u003eThe pale clay body and hollow construction are typical of studio ceramics of the period, while the stylised silhouettes reflect the streamlined modernism associated with Art Deco design.\u003c\/p\u003e\n\u003cp data-end=\"1844\" data-start=\"1737\"\u003eDecorative yet sculptural, they work especially well displayed as a pair on a bookshelf, console or mantel.\u003c\/p\u003e\n\u003cp data-end=\"1927\" data-start=\"1846\"\u003eApprox. 30 cm high\u003cbr data-end=\"1867\" data-start=\"1864\"\u003eExcellent vintage condition with no visible chips or cracks.\u003c\/p\u003e\n\u003cp data-end=\"2186\" data-start=\"1929\"\u003e\u003cstrong data-end=\"1950\" data-start=\"1929\"\u003eCollector’s Note:\u003c\/strong\u003e\u003cbr data-end=\"1953\" data-start=\"1950\"\u003eDrip-glaze ceramics became particularly popular during the Art Deco and early modernist period, when studio potters began experimenting with more organic, expressive surface finishes in contrast to highly formal Victorian decoration.\u003c\/p\u003e\n\u003cp data-end=\"2186\" data-start=\"1929\"\u003e\u003cspan\u003eWORLDWIDE SHIPPING \u003c\/span\u003e\u003cspan\u003eWorldwide shipping available. All our fragile items are packed carefully for transit.\u003c\/span\u003e\u003cspan\u003e Please message for additional photographs or delivery information.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr data-end=\"2191\" data-start=\"2188\"\u003e"}
Pair of Art Deco Drip-Glaze Ceramic Cats — European Studio Pottery, c.1930s

Pair of Art Deco Drip-Glaze Ceramic Cats — European Studio Pottery, c.1930s

£495.00

A striking pair of Art Deco ceramic cats with elongated forms and richly expressive drip glazes in deep green, blue and earthy brown tones. Likely European studio pottery, possibly French or German, dating from the 1930s–40s. The glaze quality is particularly beautiful — fluid, layered and slightly unpredictable, giving each figure its own chara...


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{"id":10933085536415,"title":"Ken and Valerie Shelton Pink Tulip Bowl","handle":"ken-and-valerie-shelton-pink-tulip-bowl","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eKen and Valerie Shelton divide their work very clearly: Ken makes the pot and Valerie paints it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHere, Ken’s clean, flared bowl gives Valerie a broad surface for loose pink tulips and dense green leaves. Her brushwork is confident but controlled; the narrow black foot and dark rim give the exuberant painting a crisp graphic structure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eValerie trained in fashion and textiles, which is evident in her instinctive handling of pattern and colour. She paints entirely freehand, without transfers or guidelines, mixing her underglaze colours by eye. No two bowls are identical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSigned “Valerie Shelton” to the base.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDiameter 21 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight 10 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePerfect condition.\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003eCollector’s Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKen and Valerie Shelton have been Selected Members of the Craft Potters Association since 1997. Their work is made entirely by hand in their Cheshire studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eWorldwide Shipping: We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2026-09-05T14:00:11+01:00","created_at":"2026-09-05T13:06:54+01:00","vendor":"Eclectic Design ","type":"Bowl","tags":["Craft Potters Association","hand-painted ceramics","Ken and Valerie Shelton","pink tulip bowl","Shelton pottery","studio pottery"],"price":11000,"price_min":11000,"price_max":11000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62860637307039,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ken and Valerie Shelton Pink Tulip Bowl","public_title":null,"options":["Default Title"],"price":11000,"weight":500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-58.jpg?v=1792961868","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-62_934e652a-db6a-4075-a880-19108049bbf0.jpg?v=1788613082","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-16.png?v=1788621491","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-56.jpg?v=1788611315","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9260.jpg?v=1788611315","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-61.jpg?v=1788611315","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9249.jpg?v=1788611315","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-57.jpg?v=1788611315","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-60.jpg?v=1788611315"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-58.jpg?v=1792961868","options":["Title"],"media":[{"alt":"Top-down view of Valerie Shelton ceramic bowl showing freehand-painted pink tulips radiating from centre on green foliage","id":54559807471775,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1670,"width":1670,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-58.jpg?v=1792961868"},"aspect_ratio":1.0,"height":1670,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-58.jpg?v=1792961868","width":1670},{"alt":"Ken and Valerie Shelton hand-painted studio pottery bowl with pink tulips and green leaves, side view, dark rim and foot","id":54559851413663,"position":2,"preview_image":{"aspect_ratio":0.996,"height":2817,"width":2806,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-62_934e652a-db6a-4075-a880-19108049bbf0.jpg?v=1788613082"},"aspect_ratio":0.996,"height":2817,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-62_934e652a-db6a-4075-a880-19108049bbf0.jpg?v=1788613082","width":2806},{"alt":null,"id":54560051593375,"position":3,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-16.png?v=1788621491"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-16.png?v=1788621491","width":4032},{"alt":"Interior view of Ken and Valerie Shelton pink tulip bowl showing hand-painted floral decoration with dark rim","id":54559807537311,"position":4,"preview_image":{"aspect_ratio":1.217,"height":2372,"width":2886,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-56.jpg?v=1788611315"},"aspect_ratio":1.217,"height":2372,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-56.jpg?v=1788611315","width":2886},{"alt":"Close-up of freehand underglaze painting on Valerie Shelton ceramic bowl — green leaf cluster at centre surrounded by pink tulip petals","id":54559807570079,"position":5,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9260.jpg?v=1788611315"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9260.jpg?v=1788611315","width":4032},{"alt":"Ken and Valerie Shelton pink tulip bowl, exterior view showing hand-painted tulips","id":54559807406239,"position":6,"preview_image":{"aspect_ratio":1.108,"height":2564,"width":2841,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-61.jpg?v=1788611315"},"aspect_ratio":1.108,"height":2564,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-61.jpg?v=1788611315","width":2841},{"alt":"Base of Valerie Shelton studio pottery bowl signed 'Valerie Shelton' in underglaze, unglazed foot ring","id":54559807602847,"position":7,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9249.jpg?v=1788611315"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9249.jpg?v=1788611315","width":3024},{"alt":"Base of Valerie Shelton studio pottery bowl signed 'Valerie Shelton' in underglaze, unglazed foot ring","id":54559807504543,"position":8,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-57.jpg?v=1788611315"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-57.jpg?v=1788611315","width":3024},{"alt":"Ken and Valerie Shelton pink tulip bowl, view into interior showing freehand-painted pink tulips amid green leaves, dark rim","id":54559807439007,"position":9,"preview_image":{"aspect_ratio":1.25,"height":2491,"width":3114,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-60.jpg?v=1788611315"},"aspect_ratio":1.25,"height":2491,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-60.jpg?v=1788611315","width":3114}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eKen and Valerie Shelton divide their work very clearly: Ken makes the pot and Valerie paints it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHere, Ken’s clean, flared bowl gives Valerie a broad surface for loose pink tulips and dense green leaves. Her brushwork is confident but controlled; the narrow black foot and dark rim give the exuberant painting a crisp graphic structure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eValerie trained in fashion and textiles, which is evident in her instinctive handling of pattern and colour. She paints entirely freehand, without transfers or guidelines, mixing her underglaze colours by eye. No two bowls are identical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSigned “Valerie Shelton” to the base.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDiameter 21 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight 10 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePerfect condition.\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003eCollector’s Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKen and Valerie Shelton have been Selected Members of the Craft Potters Association since 1997. Their work is made entirely by hand in their Cheshire studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eWorldwide Shipping: We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e"}
Top-down view of Valerie Shelton ceramic bowl showing freehand-painted pink tulips radiating from centre on green foliage

Ken and Valerie Shelton Pink Tulip Bowl

£110.00

Ken and Valerie Shelton divide their work very clearly: Ken makes the pot and Valerie paints it. Here, Ken’s clean, flared bowl gives Valerie a broad surface for loose pink tulips and dense green leaves. Her brushwork is confident but controlled; the narrow black foot and dark rim give the exuberant painting a crisp graphic structure. Valerie tr...


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{"id":10940670541983,"title":"Dartmouth Pottery Miniature Log Planter, Posy Trough, Devon, c. 1955–1965","handle":"dartmouth-pottery-log","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis vintage Dartmouth Pottery miniature log planter dates to approximately 1955–1965. Made in Devon from white-bodied earthenware, it has a rich glossy brown glaze, moulded bark detail and its original gold and black Dartmouth Pottery Devon foil label.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eDartmouth Pottery belongs very much to the optimistic world of post-war British ceramics. The pottery was established at Dartmouth in Devon in late 1948 by Howard Koppenhagen, with full production beginning the following year. During the 1950s the factory expanded rapidly, producing a remarkable variety of moulded decorative wares designed for the modern home. Flower arranging was enormously fashionable at the time, and Dartmouth responded with an extraordinary assortment of vases, troughs and planters in playful naturalistic forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis little log trough is a particularly appealing example. It is moulded from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewhite-bodied earthenware\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and covered in a rich glossy brown glaze. The tonal variation comes from the glaze being slightly thinner in places, allowing the modelling of the bark and growth rings to show more clearly. The moulding is quite clever: knots, broken branches and the cut ends of the log have all been worked into what is essentially a very practical little flower container.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDartmouth was especially prolific between the mid-1950s and around 1960, when a very large number of new moulded shapes were introduced. The naturalistic form, glossy glaze and purpose as a small posy or flower-arranging trough fit comfortably within that period, and I would date it to approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1955–1965\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is in very good condition, and particularly pleasingly it retains its original gold and black \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDARTMOUTH POTTERY DEVON\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e foil label. These paper and foil labels were easily lost through washing and use, so its survival adds considerably to the interest of the piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003eStyling note:\u003c\/strong\u003e \u003cstrong\u003et\u003c\/strong\u003e\u003cstrong\u003ehe third image in this listing is AI-generated to show how the planter might look with miniature succulents. The planter is based on the actual item; plants are not included. All other photographs show the actual piece for sale.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Dartmouth Pottery continued production until 2002, but it is the inventive wares of the 1950s and 1960s that seem to capture the factory at its most characteristic. This miniature log is not a grand piece of studio pottery, nor was it intended to be. Its charm lies in good industrial design: a small domestic object made amusing, useful and surprisingly convincing through a well-designed mould and a particularly rich glaze. The small scale and surviving factory label make this one rather more interesting than the larger examples more commonly encountered.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-24T14:50:25+01:00","created_at":"2026-10-20T20:44:35+01:00","vendor":"Eclectic Design ","type":"","tags":["British Pottery","Dartmouth Pottery","Log Planter","Mid Century Pottery","Miniature Planter"],"price":3000,"price_min":3000,"price_max":3000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62894033109151,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dartmouth Pottery Miniature Log Planter, Posy Trough, Devon, c. 1955–1965","public_title":null,"options":["Default Title"],"price":3000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2703.png?v=1792842524","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2709.png?v=1792842638","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/GlossyLogPlanterwithSucculents.png?v=1792846273","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2716.png?v=1792846709","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2700.png?v=1792842485","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2706.png?v=1792842596","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2744.png?v=1792846760"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2703.png?v=1792842524","options":["Title"],"media":[{"alt":"Dartmouth Pottery miniature log planter with glossy brown bark detail and original gold and black Devon foil label.\n","id":54632530477215,"position":1,"preview_image":{"aspect_ratio":1.005,"height":2701,"width":2714,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2703.png?v=1792842524"},"aspect_ratio":1.005,"height":2701,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2703.png?v=1792842524","width":2714},{"alt":"Angled view of Dartmouth Pottery log planter showing moulded branch stubs, growth rings and elongated planting opening.","id":54632530411679,"position":2,"preview_image":{"aspect_ratio":1.125,"height":2233,"width":2512,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2709.png?v=1792842638"},"aspect_ratio":1.125,"height":2233,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2709.png?v=1792842638","width":2512},{"alt":"AI-generated styling image of Dartmouth Pottery log planter filled with miniature succulents; plants not included.","id":54632553971871,"position":3,"preview_image":{"aspect_ratio":1.333,"height":1086,"width":1448,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/GlossyLogPlanterwithSucculents.png?v=1792846273"},"aspect_ratio":1.333,"height":1086,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/GlossyLogPlanterwithSucculents.png?v=1792846273","width":1448},{"alt":"Top view of Dartmouth Pottery miniature log planter showing the curved planting opening and brown glazed interior.","id":54632537161887,"position":4,"preview_image":{"aspect_ratio":1.358,"height":2404,"width":3264,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2716.png?v=1792846709"},"aspect_ratio":1.358,"height":2404,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2716.png?v=1792846709","width":3264},{"alt":"Side view of Dartmouth Pottery brown glazed log planter showing moulded bark, knots and cut-log end.","id":54632530444447,"position":5,"preview_image":{"aspect_ratio":1.333,"height":2768,"width":3689,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2700.png?v=1792842485"},"aspect_ratio":1.333,"height":2768,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2700.png?v=1792842485","width":3689},{"alt":"Side view of Dartmouth Pottery miniature log planter showing two projecting branch stubs and glossy brown glaze.","id":54632530378911,"position":6,"preview_image":{"aspect_ratio":1.332,"height":2561,"width":3412,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2706.png?v=1792842596"},"aspect_ratio":1.332,"height":2561,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2706.png?v=1792842596","width":3412},{"alt":"Underside of Dartmouth Pottery log planter showing the unglazed cream-coloured foot rim and recessed brown glazed base.","id":54632537129119,"position":7,"preview_image":{"aspect_ratio":1.332,"height":2443,"width":3254,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2744.png?v=1792846760"},"aspect_ratio":1.332,"height":2443,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2744.png?v=1792846760","width":3254}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis vintage Dartmouth Pottery miniature log planter dates to approximately 1955–1965. Made in Devon from white-bodied earthenware, it has a rich glossy brown glaze, moulded bark detail and its original gold and black Dartmouth Pottery Devon foil label.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eDartmouth Pottery belongs very much to the optimistic world of post-war British ceramics. The pottery was established at Dartmouth in Devon in late 1948 by Howard Koppenhagen, with full production beginning the following year. During the 1950s the factory expanded rapidly, producing a remarkable variety of moulded decorative wares designed for the modern home. Flower arranging was enormously fashionable at the time, and Dartmouth responded with an extraordinary assortment of vases, troughs and planters in playful naturalistic forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis little log trough is a particularly appealing example. It is moulded from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewhite-bodied earthenware\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and covered in a rich glossy brown glaze. The tonal variation comes from the glaze being slightly thinner in places, allowing the modelling of the bark and growth rings to show more clearly. The moulding is quite clever: knots, broken branches and the cut ends of the log have all been worked into what is essentially a very practical little flower container.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDartmouth was especially prolific between the mid-1950s and around 1960, when a very large number of new moulded shapes were introduced. The naturalistic form, glossy glaze and purpose as a small posy or flower-arranging trough fit comfortably within that period, and I would date it to approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1955–1965\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is in very good condition, and particularly pleasingly it retains its original gold and black \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDARTMOUTH POTTERY DEVON\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e foil label. These paper and foil labels were easily lost through washing and use, so its survival adds considerably to the interest of the piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003eStyling note:\u003c\/strong\u003e \u003cstrong\u003et\u003c\/strong\u003e\u003cstrong\u003ehe third image in this listing is AI-generated to show how the planter might look with miniature succulents. The planter is based on the actual item; plants are not included. All other photographs show the actual piece for sale.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Dartmouth Pottery continued production until 2002, but it is the inventive wares of the 1950s and 1960s that seem to capture the factory at its most characteristic. This miniature log is not a grand piece of studio pottery, nor was it intended to be. Its charm lies in good industrial design: a small domestic object made amusing, useful and surprisingly convincing through a well-designed mould and a particularly rich glaze. The small scale and surviving factory label make this one rather more interesting than the larger examples more commonly encountered.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
Dartmouth Pottery miniature log planter with glossy brown bark detail and original gold and black Devon foil label.

Dartmouth Pottery Miniature Log Planter, Posy Trough, Devon, c. 1955–1965

£30.00

This vintage Dartmouth Pottery miniature log planter dates to approximately 1955–1965. Made in Devon from white-bodied earthenware, it has a rich glossy brown glaze, moulded bark detail and its original gold and black Dartmouth Pottery Devon foil label. Dartmouth Pottery belongs very much to the optimistic world of post-war British ceramics. The...


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{"id":10941375840415,"title":"Chinese Canton Enamel Covered Jar, Late Qing to Early Republic, c. 1900–1930","handle":"canton-enamel-tea-caddy-republic-period","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eCanton enamel is a fascinating example of Chinese craftsmen taking a technique that arrived through European trade and transforming it into something distinctly their own. Painted enamel on copper developed as an important decorative art in Guangzhou, where artisans used the metal body almost like a porcelain surface, building up colour with fine brushes before firing the piece in a kiln.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe skill lies in that painted surface. Unlike cloisonné, where wires create compartments for the enamel, Canton enamel depends on the painter’s control of line, colour and firing. The copper body is thin, the enamel layers are delicate, and even a small object like this required considerable precision. The flowers and butterflies are painted with a looseness that gives the decoration life, but there is still a great deal of control behind it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe imagery is also very much part of the Chinese decorative tradition. Butterflies and flowers were commonly used as auspicious motifs, associated with happiness, longevity, prosperity and a flourishing life. Here they sit against a rich turquoise ground, a colour that became especially popular on enamel wares made for the export market.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe jar measures approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e7.7 cm high by 8 cm in diameter\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The interior and underside are also enamelled, with the exposed rims showing the underlying copper construction. It is in very good condition overall, with gentle age-related wear and patination to the metal rims, but \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eno enamel loss, except to base.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The worn red \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“CHINA”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e mark on the base confirms that the piece was made for export, although the mark itself should not be treated as an exact dating tool. Taking it together with the construction, palette and style of painting, I would date the jar to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecirca 1900–1930\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, around the transition from the late Qing dynasty into the early Republic period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes this piece appealing is not its grand scale, but the amount of traditional handwork concentrated into such a small object. It is a modest export piece, but a very accomplished one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-24T10:38:03+01:00","created_at":"2026-10-24T09:47:22+01:00","vendor":"Eclectic Design ","type":"Decorative Jar","tags":["Canton enamel","Chinese enamel","Chinese export","Covered jar","Enamel on copper"],"price":12000,"price_min":12000,"price_max":12000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62896114073759,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chinese Canton Enamel Covered Jar, Late Qing to Early Republic, c. 1900–1930","public_title":null,"options":["Default Title"],"price":12000,"weight":1000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4890.png?v=1792833235","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4894.png?v=1792833373","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4889.png?v=1792833193","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4897.png?v=1792833746","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4892.png?v=1792833327","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4891.png?v=1792833288","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4895.png?v=1792833475","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4893.png?v=1792831622"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4890.png?v=1792833235","options":["Title"],"media":[{"alt":"Chinese Canton enamel jar showing a painted butterfly, pink blossoms and fruit motifs beneath the matching fitted lid.","id":54632506163359,"position":1,"preview_image":{"aspect_ratio":0.996,"height":2413,"width":2403,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4890.png?v=1792833235"},"aspect_ratio":0.996,"height":2413,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4890.png?v=1792833235","width":2403},{"alt":"Top view of Canton enamel jar lid with a pink and blue butterfly surrounded by flowers and green foliage on turquoise.","id":54632506261663,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2030,"width":2030,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4894.png?v=1792833373"},"aspect_ratio":1.0,"height":2030,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4894.png?v=1792833373","width":2030},{"alt":"Chinese Canton enamel covered jar with pink flowers, green leaves and a butterfly on a turquoise ground, circa 1900–1930.","id":54632506130591,"position":3,"preview_image":{"aspect_ratio":1.0,"height":2407,"width":2407,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4889.png?v=1792833193"},"aspect_ratio":1.0,"height":2407,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4889.png?v=1792833193","width":2407},{"alt":"Canton enamel jar with lid resting alongside, showing the turquoise enamel interior, exposed copper rim and floral decoration.","id":54632506359967,"position":4,"preview_image":{"aspect_ratio":1.0,"height":2065,"width":2065,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4897.png?v=1792833746"},"aspect_ratio":1.0,"height":2065,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4897.png?v=1792833746","width":2065},{"alt":"Side view of Canton enamel covered jar with pink flowers and green foliage on turquoise, with a butterfly decorating the lid.\n","id":54632506228895,"position":5,"preview_image":{"aspect_ratio":1.0,"height":2301,"width":2301,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4892.png?v=1792833327"},"aspect_ratio":1.0,"height":2301,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4892.png?v=1792833327","width":2301},{"alt":"Alternate view of Chinese Canton enamel jar showing pink floral and fruit motifs, green leaves and dark copper rims.\n","id":54632506196127,"position":6,"preview_image":{"aspect_ratio":1.0,"height":2406,"width":2406,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4891.png?v=1792833288"},"aspect_ratio":1.0,"height":2406,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4891.png?v=1792833288","width":2406},{"alt":"Open Canton enamel jar and upturned lid showing their turquoise enamel interiors and age-related wear around the metal rims.","id":54632506294431,"position":7,"preview_image":{"aspect_ratio":0.69,"height":3675,"width":2535,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4895.png?v=1792833475"},"aspect_ratio":0.69,"height":3675,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4895.png?v=1792833475","width":2535},{"alt":"Turquoise enamel base of Chinese Canton jar showing a worn red CHINA export mark and two small areas of enamel loss.","id":54632506392735,"position":8,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4893.png?v=1792831622"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4893.png?v=1792831622","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eCanton enamel is a fascinating example of Chinese craftsmen taking a technique that arrived through European trade and transforming it into something distinctly their own. Painted enamel on copper developed as an important decorative art in Guangzhou, where artisans used the metal body almost like a porcelain surface, building up colour with fine brushes before firing the piece in a kiln.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe skill lies in that painted surface. Unlike cloisonné, where wires create compartments for the enamel, Canton enamel depends on the painter’s control of line, colour and firing. The copper body is thin, the enamel layers are delicate, and even a small object like this required considerable precision. The flowers and butterflies are painted with a looseness that gives the decoration life, but there is still a great deal of control behind it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe imagery is also very much part of the Chinese decorative tradition. Butterflies and flowers were commonly used as auspicious motifs, associated with happiness, longevity, prosperity and a flourishing life. Here they sit against a rich turquoise ground, a colour that became especially popular on enamel wares made for the export market.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe jar measures approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e7.7 cm high by 8 cm in diameter\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The interior and underside are also enamelled, with the exposed rims showing the underlying copper construction. It is in very good condition overall, with gentle age-related wear and patination to the metal rims, but \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eno enamel loss, except to base.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e The worn red \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“CHINA”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e mark on the base confirms that the piece was made for export, although the mark itself should not be treated as an exact dating tool. Taking it together with the construction, palette and style of painting, I would date the jar to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecirca 1900–1930\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, around the transition from the late Qing dynasty into the early Republic period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes this piece appealing is not its grand scale, but the amount of traditional handwork concentrated into such a small object. It is a modest export piece, but a very accomplished one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
Chinese Canton enamel jar showing a painted butterfly, pink blossoms and fruit motifs beneath the matching fitted lid.

Chinese Canton Enamel Covered Jar, Late Qing to Early Republic, c. 1900–1930

£120.00

Canton enamel is a fascinating example of Chinese craftsmen taking a technique that arrived through European trade and transforming it into something distinctly their own. Painted enamel on copper developed as an important decorative art in Guangzhou, where artisans used the metal body almost like a porcelain surface, building up colour with fin...


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{"id":10914779005087,"title":"Exceptional Ruby Cased Freeform Art Glass Bowl - England c.1960s","handle":"exceptional-ruby-cased-art-glass-bowl-possibly-whitefriars-c-1960s","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExceptional large ruby cased art glass bowl, possibly Whitefriars, England, circa 1950s–1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA beautifully sculptural freeform bowl in deep ruby over clear cased glass, with substantial weight and a quiet architectural presence. The rich ruby casing catches the light beautifully, creating a soft luminous glow through the glass, while the organic asymmetric form gives the piece a distinctly modernist feel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA striking decorative object equally suited to contemporary, modernist, or eclectic interiors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExceptional heavy-quality hand-blown glass with polished pontil base.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCirca 1950s–1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDIMENSIONS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e39 cm × 38 cm × H 6 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCONDITION\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExcellent vintage condition with light surface wear to the base consistent with age and use. No chips or cracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWORLDWIDE SHIPPING \u003c\/span\u003e\u003cspan\u003eWorldwide shipping available. All our items are packed carefully for transit.\u003c\/span\u003e\u003cspan\u003e Please message for additional photographs or delivery information.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-28T08:40:47+01:00","created_at":"2026-05-28T08:15:38+01:00","vendor":"Eclectic Design ","type":"Bowl","tags":["1960s glass","art glass","art glass bowl","asymmetrical bowl","cased glass","collectible design","decorative object","freeform bowl","hand blown glass","heavy glass","interior styling","mid century glass","modernist decor","organic form","red glass bowl","statement bowl","studio glass","Whitefriars","Whitefriars style"],"price":18500,"price_min":18500,"price_max":18500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62803547291807,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Exceptional Ruby Cased Freeform Art Glass Bowl - England c.1960s","public_title":null,"options":["Default Title"],"price":18500,"weight":2000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/7A82536A-C819-4705-A4B3-04CE67CD11E2_1_105_c.jpg?v=1779952733","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2686.jpg?v=1779953392","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/F484ABD6-A6D8-4ABE-901D-36BB7E8AD061_1_105_c_1.jpg?v=1779953202","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/56999C06-825F-477E-B76A-07966E7698E0_1_105_c.jpg?v=1779953224","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/F484ABD6-A6D8-4ABE-901D-36BB7E8AD061_1_105_c.jpg?v=1779953204","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2661.jpg?v=1779953398","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6790.jpg?v=1779953397"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/7A82536A-C819-4705-A4B3-04CE67CD11E2_1_105_c.jpg?v=1779952733","options":["Title"],"media":[{"alt":null,"id":54348815171743,"position":1,"preview_image":{"aspect_ratio":1.248,"height":628,"width":784,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/7A82536A-C819-4705-A4B3-04CE67CD11E2_1_105_c.jpg?v=1779952733"},"aspect_ratio":1.248,"height":628,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/7A82536A-C819-4705-A4B3-04CE67CD11E2_1_105_c.jpg?v=1779952733","width":784},{"alt":null,"id":54348831621279,"position":2,"preview_image":{"aspect_ratio":1.331,"height":2643,"width":3518,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2686.jpg?v=1779953392"},"aspect_ratio":1.331,"height":2643,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2686.jpg?v=1779953392","width":3518},{"alt":null,"id":54348827263135,"position":3,"preview_image":{"aspect_ratio":1.0,"height":467,"width":467,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/F484ABD6-A6D8-4ABE-901D-36BB7E8AD061_1_105_c_1.jpg?v=1779953202"},"aspect_ratio":1.0,"height":467,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/F484ABD6-A6D8-4ABE-901D-36BB7E8AD061_1_105_c_1.jpg?v=1779953202","width":467},{"alt":null,"id":54348827951263,"position":4,"preview_image":{"aspect_ratio":1.398,"height":553,"width":773,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/56999C06-825F-477E-B76A-07966E7698E0_1_105_c.jpg?v=1779953224"},"aspect_ratio":1.398,"height":553,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/56999C06-825F-477E-B76A-07966E7698E0_1_105_c.jpg?v=1779953224","width":773},{"alt":null,"id":54348827295903,"position":5,"preview_image":{"aspect_ratio":1.319,"height":686,"width":905,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/F484ABD6-A6D8-4ABE-901D-36BB7E8AD061_1_105_c.jpg?v=1779953204"},"aspect_ratio":1.319,"height":686,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/F484ABD6-A6D8-4ABE-901D-36BB7E8AD061_1_105_c.jpg?v=1779953204","width":905},{"alt":null,"id":54348831686815,"position":6,"preview_image":{"aspect_ratio":1.313,"height":3012,"width":3955,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2661.jpg?v=1779953398"},"aspect_ratio":1.313,"height":3012,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2661.jpg?v=1779953398","width":3955},{"alt":null,"id":54348831654047,"position":7,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6790.jpg?v=1779953397"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6790.jpg?v=1779953397","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExceptional large ruby cased art glass bowl, possibly Whitefriars, England, circa 1950s–1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA beautifully sculptural freeform bowl in deep ruby over clear cased glass, with substantial weight and a quiet architectural presence. The rich ruby casing catches the light beautifully, creating a soft luminous glow through the glass, while the organic asymmetric form gives the piece a distinctly modernist feel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA striking decorative object equally suited to contemporary, modernist, or eclectic interiors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExceptional heavy-quality hand-blown glass with polished pontil base.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCirca 1950s–1960s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDIMENSIONS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e39 cm × 38 cm × H 6 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCONDITION\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExcellent vintage condition with light surface wear to the base consistent with age and use. No chips or cracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWORLDWIDE SHIPPING \u003c\/span\u003e\u003cspan\u003eWorldwide shipping available. All our items are packed carefully for transit.\u003c\/span\u003e\u003cspan\u003e Please message for additional photographs or delivery information.\u003c\/span\u003e\u003c\/p\u003e"}
Exceptional Ruby Cased Freeform Art Glass Bowl -  England c.1960s

Exceptional Ruby Cased Freeform Art Glass Bowl - England c.1960s

£185.00

Exceptional large ruby cased art glass bowl, possibly Whitefriars, England, circa 1950s–1960s. A beautifully sculptural freeform bowl in deep ruby over clear cased glass, with substantial weight and a quiet architectural presence. The rich ruby casing catches the light beautifully, creating a soft luminous glow through the glass, while the organ...


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{"id":10941381214367,"title":"Seven Antique English Lace Bobbins, 19th Century","handle":"seven-antique-english-lace-bobbins-19th-century","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis group of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eseven antique English lace bobbins\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dating largely to the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e19th century\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, brings together several regional forms associated with Britain’s historic lacemaking centres, including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire, Honiton, Downton and the East Midlands\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Turned in a variety of woods, the group includes heavier unspangled working bobbins, finer pointed forms and a particularly attractive \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003espangled East Midlands bobbin retaining its glass-bead decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eSeven small pieces of turned wood, but together they tell a much bigger story about English lace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLace bobbins were working tools first and foremost, and their different shapes were not simply decorative choices. Weight, length and profile all affected the way thread behaved in the hand. Different lacemaking districts developed their own preferences, which is why bobbins from Buckinghamshire, Devon, Wiltshire and the East Midlands can look surprisingly different despite performing essentially the same task.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two substantial bobbins at the left are most consistent with the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire tradition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. South Bucks bobbins were generally used without spangles, relying instead on the weight of the turned wood to maintain tension. Larger examples are often referred to by collectors as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“thumpers”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while particularly heavy bobbins could be used for thicker or gimp threads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheir weight makes an interesting contrast with the finer dark bobbin beside them. Its slender, pointed form is consistent with a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHoniton-type bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the sort of lightweight tool associated with the exceptionally fine lace made in Devon. The pale pointed example alongside it is rather more substantial and has similarities to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDownton bobbins from Wiltshire\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which can share something of the Honiton profile while being heavier in construction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe most immediately appealing piece in the group is the long \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEast Midlands spangled bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Spangles are closely associated with the lacemaking districts of Bedfordshire, Buckinghamshire and Northamptonshire, where loops of beads added weight to otherwise slender bobbins and also helped prevent them from rolling about on the lace pillow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis example retains its glass-bead spangle and fine wire decoration, which gives it considerably more character than an unadorned working bobbin. Beads, wires and attachments are easily lost over time, so their survival is always worth noting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes the group interesting is precisely this variation. English lacemaking was highly regional, and the tools preserve something of those local traditions in miniature. A Buckinghamshire lacemaker, a Honiton worker and an East Midlands lacemaker might all have been doing closely related work, but the bobbins in their hands could be quite different.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eIdentification, left to right:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-spread=\"false\" start=\"1\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire thumper or heavy lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, turned wood\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSouth Bucks thumper or gimp bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, substantial pear-shaped form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHoniton-type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, slender dark hardwood with pointed body\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDownton-type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, pale wood with long tapering form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEast Midlands spangled lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, wire decorated and retaining its original wire \u0026amp; glass-bead spangle\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDownton or South Bucks type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, long unspangled tapered form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUnusual English turned lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with deeply ring-turned weighted body\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eCollector’s note\u003c\/strong\u003e: I would describe the group broadly as 19th-century English lacemaking equipment\u003cspan\u003e, while allowing that individual bobbins may differ somewhat in age. The regional attributions are based on form, weight and traditional construction rather than maker’s marks, so some remain stylistic identifications rather than documented ones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-24T16:07:13+01:00","created_at":"2026-10-24T15:03:14+01:00","vendor":"Eclectic Design ","type":"Antique Lace Bobbins","tags":["19th Century","English Antiques","Lace Bobbins","Lacemaking","Sewing Collectables"],"price":6500,"price_min":6500,"price_max":6500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62896130588831,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seven Antique English Lace Bobbins, 19th Century","public_title":null,"options":["Default Title"],"price":6500,"weight":500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926.png?v=1792853242"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926.png?v=1792853242","options":["Title"],"media":[{"alt":"Seven antique English wooden lace bobbins in varied turned shapes, including one with a glass-bead spangle","id":54632574222495,"position":1,"preview_image":{"aspect_ratio":1.05,"height":2433,"width":2554,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926.png?v=1792853242"},"aspect_ratio":1.05,"height":2433,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926.png?v=1792853242","width":2554}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis group of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eseven antique English lace bobbins\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dating largely to the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e19th century\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, brings together several regional forms associated with Britain’s historic lacemaking centres, including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire, Honiton, Downton and the East Midlands\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Turned in a variety of woods, the group includes heavier unspangled working bobbins, finer pointed forms and a particularly attractive \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003espangled East Midlands bobbin retaining its glass-bead decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eSeven small pieces of turned wood, but together they tell a much bigger story about English lace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLace bobbins were working tools first and foremost, and their different shapes were not simply decorative choices. Weight, length and profile all affected the way thread behaved in the hand. Different lacemaking districts developed their own preferences, which is why bobbins from Buckinghamshire, Devon, Wiltshire and the East Midlands can look surprisingly different despite performing essentially the same task.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two substantial bobbins at the left are most consistent with the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire tradition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. South Bucks bobbins were generally used without spangles, relying instead on the weight of the turned wood to maintain tension. Larger examples are often referred to by collectors as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“thumpers”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while particularly heavy bobbins could be used for thicker or gimp threads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheir weight makes an interesting contrast with the finer dark bobbin beside them. Its slender, pointed form is consistent with a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHoniton-type bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the sort of lightweight tool associated with the exceptionally fine lace made in Devon. The pale pointed example alongside it is rather more substantial and has similarities to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDownton bobbins from Wiltshire\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which can share something of the Honiton profile while being heavier in construction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe most immediately appealing piece in the group is the long \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEast Midlands spangled bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Spangles are closely associated with the lacemaking districts of Bedfordshire, Buckinghamshire and Northamptonshire, where loops of beads added weight to otherwise slender bobbins and also helped prevent them from rolling about on the lace pillow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis example retains its glass-bead spangle and fine wire decoration, which gives it considerably more character than an unadorned working bobbin. Beads, wires and attachments are easily lost over time, so their survival is always worth noting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes the group interesting is precisely this variation. English lacemaking was highly regional, and the tools preserve something of those local traditions in miniature. A Buckinghamshire lacemaker, a Honiton worker and an East Midlands lacemaker might all have been doing closely related work, but the bobbins in their hands could be quite different.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eIdentification, left to right:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-spread=\"false\" start=\"1\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire thumper or heavy lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, turned wood\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSouth Bucks thumper or gimp bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, substantial pear-shaped form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHoniton-type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, slender dark hardwood with pointed body\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDownton-type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, pale wood with long tapering form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEast Midlands spangled lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, wire decorated and retaining its original wire \u0026amp; glass-bead spangle\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDownton or South Bucks type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, long unspangled tapered form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUnusual English turned lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with deeply ring-turned weighted body\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eCollector’s note\u003c\/strong\u003e: I would describe the group broadly as 19th-century English lacemaking equipment\u003cspan\u003e, while allowing that individual bobbins may differ somewhat in age. The regional attributions are based on form, weight and traditional construction rather than maker’s marks, so some remain stylistic identifications rather than documented ones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
Seven antique English wooden lace bobbins in varied turned shapes, including one with a glass-bead spangle

Seven Antique English Lace Bobbins, 19th Century

£65.00

This group of seven antique English lace bobbins, dating largely to the 19th century, brings together several regional forms associated with Britain’s historic lacemaking centres, including South Buckinghamshire, Honiton, Downton and the East Midlands. Turned in a variety of woods, the group includes heavier unspangled working bobbins, finer poi...


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{"id":10737024860319,"title":"Monumental Desert Rose Crystal, Natural Sand Gypsum Mineral Specimen , 3.25 kg","handle":"natural-desert-rose-crystal-extra-large-sculptural-sand-gypsum-formation-3-25kg","description":"\u003cp data-end=\"778\" data-start=\"492\"\u003eFew natural formations are as striking as a Desert Rose. Formed over centuries as gypsum crystals develop around grains of sand, these remarkable mineral specimens take on the appearance of unfolding flower petals, creating sculptural forms that seem almost too intricate to be natural.\u003c\/p\u003e\n\u003cp data-end=\"1131\" data-start=\"780\"\u003eThis exceptional example weighs an impressive 3.25kg and displays beautifully defined rosettes with excellent depth and texture throughout. The soft sandy tones and architectural structure make it a compelling decorative object, equally at home in a contemporary interior, a curated cabinet of curiosities or a collection of natural history specimens.\u003c\/p\u003e\n\u003cp data-end=\"1396\" data-start=\"1133\"\u003eWhether displayed on a coffee table, console or bookshelf, its organic form brings texture, scale and visual interest to a space. Each Desert Rose is unique, shaped by the conditions of its environment over many years, ensuring no two examples are ever identical.\u003c\/p\u003e\n\u003ch4 data-end=\"1423\" data-start=\"1398\"\u003eDimensions \u0026amp; Details\u003c\/h4\u003e\n\u003cul data-end=\"1688\" data-start=\"1425\"\u003e\n\u003cli data-end=\"1442\" data-start=\"1425\"\u003eWeight: 3.25 kg\u003c\/li\u003e\n\u003cli data-end=\"1466\" data-start=\"1443\"\u003eSize: 30 x 18 x 15 cm\u003c\/li\u003e\n\u003cli data-end=\"1522\" data-start=\"1467\"\u003eMaterial: Natural gypsum crystal with sand inclusions\u003c\/li\u003e\n\u003cli data-end=\"1558\" data-start=\"1523\"\u003eColour: Natural sandy beige tones\u003c\/li\u003e\n\u003cli data-end=\"1599\" data-start=\"1559\"\u003eCondition: Excellent natural condition\u003c\/li\u003e\n\u003cli data-end=\"1688\" data-start=\"1600\"\u003eOrigin: Desert region (traditionally associated with the Sahara and Chihuahua deserts)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1832\" data-start=\"1690\"\u003eA fascinating example of nature's artistry, this monumental Desert Rose is both a geological wonder and a striking decorative statement piece.\u003c\/p\u003e\n\u003ch3 data-end=\"1854\" data-start=\"1834\"\u003eCollector's Note\u003c\/h3\u003e\n\u003cp data-end=\"2259\" data-start=\"1856\"\u003eDesert Rose is the name given to a naturally occurring gypsum crystal formation found in arid desert environments. As water evaporates, gypsum crystals grow around sand grains, gradually creating the distinctive petal-like rosettes that give the mineral its floral appearance. Larger specimens with well-defined formations are increasingly sought after by collectors of minerals and natural curiosities.\u003c\/p\u003e\n\u003cp data-end=\"2259\" data-start=\"1856\"\u003e\u003cspan\u003e\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-31T13:58:13+01:00","created_at":"2025-05-28T13:55:55+01:00","vendor":"Eclectic Design","type":"Mineral Specimen","tags":["Collector's Piece","Crystal Display","Crystal Formation","Curiosity Cabinet","Desert Rose","Desert Rose Crystal","Earthy Home Decor","Geological Specimen","Gift for Collectors","Gypsum Crystal","Healing Crystal","Home Decor Crystal","Interior Accent","Large Crystal Specimen","Meditation Stone","Mineral Specimen","Natural Desert Rose","Natural History","Natural Stone","Organic Decor","Raw Crystal","Sand Rose","Sculptural Decor","Spiritual Crystal","Statement Piece"],"price":29500,"price_min":29500,"price_max":29500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62189456523423,"title":"Default Title","option1":"Default 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specimen with layered petal formations, ideal for home decor or crystal collectors","id":53108888076447,"position":7,"preview_image":{"aspect_ratio":0.75,"height":1024,"width":768,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_ckl2_a79c4141-5105-4fab-9872-4d78495978af.jpg?v=1749110177"},"aspect_ratio":0.75,"height":1024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_ckl2_a79c4141-5105-4fab-9872-4d78495978af.jpg?v=1749110177","width":768},{"alt":"Monumental Desert Rose crystal, 3.25kg natural sand gypsum specimen with layered petal formations, ideal for home decor or crystal collectors","id":53108888469663,"position":8,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5322.jpg?v=1749110177"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5322.jpg?v=1749110177","width":3024},{"alt":"Monumental Desert Rose crystal, 3.25kg natural sand gypsum specimen with layered petal formations, ideal for home decor or crystal collectors","id":53108888109215,"position":9,"preview_image":{"aspect_ratio":1.371,"height":728,"width":998,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_1kg0.jpg?v=1749110177"},"aspect_ratio":1.371,"height":728,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_1kg0.jpg?v=1749110177","width":998},{"alt":"Monumental Desert Rose crystal, 3.25kg natural sand gypsum specimen with layered petal formations, ideal for home decor or crystal collectors","id":53108888535199,"position":10,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5323.jpg?v=1749110177"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5323.jpg?v=1749110177","width":3024},{"alt":"Monumental Desert Rose crystal, 3.25kg natural sand gypsum specimen with layered petal formations, ideal for home decor or crystal collectors","id":53110527230111,"position":11,"preview_image":{"aspect_ratio":1.333,"height":1536,"width":2048,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5357.jpg?v=1749110177"},"aspect_ratio":1.333,"height":1536,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5357.jpg?v=1749110177","width":2048}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-end=\"778\" data-start=\"492\"\u003eFew natural formations are as striking as a Desert Rose. Formed over centuries as gypsum crystals develop around grains of sand, these remarkable mineral specimens take on the appearance of unfolding flower petals, creating sculptural forms that seem almost too intricate to be natural.\u003c\/p\u003e\n\u003cp data-end=\"1131\" data-start=\"780\"\u003eThis exceptional example weighs an impressive 3.25kg and displays beautifully defined rosettes with excellent depth and texture throughout. The soft sandy tones and architectural structure make it a compelling decorative object, equally at home in a contemporary interior, a curated cabinet of curiosities or a collection of natural history specimens.\u003c\/p\u003e\n\u003cp data-end=\"1396\" data-start=\"1133\"\u003eWhether displayed on a coffee table, console or bookshelf, its organic form brings texture, scale and visual interest to a space. Each Desert Rose is unique, shaped by the conditions of its environment over many years, ensuring no two examples are ever identical.\u003c\/p\u003e\n\u003ch4 data-end=\"1423\" data-start=\"1398\"\u003eDimensions \u0026amp; Details\u003c\/h4\u003e\n\u003cul data-end=\"1688\" data-start=\"1425\"\u003e\n\u003cli data-end=\"1442\" data-start=\"1425\"\u003eWeight: 3.25 kg\u003c\/li\u003e\n\u003cli data-end=\"1466\" data-start=\"1443\"\u003eSize: 30 x 18 x 15 cm\u003c\/li\u003e\n\u003cli data-end=\"1522\" data-start=\"1467\"\u003eMaterial: Natural gypsum crystal with sand inclusions\u003c\/li\u003e\n\u003cli data-end=\"1558\" data-start=\"1523\"\u003eColour: Natural sandy beige tones\u003c\/li\u003e\n\u003cli data-end=\"1599\" data-start=\"1559\"\u003eCondition: Excellent natural condition\u003c\/li\u003e\n\u003cli data-end=\"1688\" data-start=\"1600\"\u003eOrigin: Desert region (traditionally associated with the Sahara and Chihuahua deserts)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1832\" data-start=\"1690\"\u003eA fascinating example of nature's artistry, this monumental Desert Rose is both a geological wonder and a striking decorative statement piece.\u003c\/p\u003e\n\u003ch3 data-end=\"1854\" data-start=\"1834\"\u003eCollector's Note\u003c\/h3\u003e\n\u003cp data-end=\"2259\" data-start=\"1856\"\u003eDesert Rose is the name given to a naturally occurring gypsum crystal formation found in arid desert environments. As water evaporates, gypsum crystals grow around sand grains, gradually creating the distinctive petal-like rosettes that give the mineral its floral appearance. Larger specimens with well-defined formations are increasingly sought after by collectors of minerals and natural curiosities.\u003c\/p\u003e\n\u003cp data-end=\"2259\" data-start=\"1856\"\u003e\u003cspan\u003e\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
Monumental Desert Rose crystal, 3.25kg natural sand gypsum specimen with layered petal formations, ideal for home decor or crystal collectors

Monumental Desert Rose Crystal, Natural Sand Gypsum Mineral Specimen , 3.25 kg

£295.00

Few natural formations are as striking as a Desert Rose. Formed over centuries as gypsum crystals develop around grains of sand, these remarkable mineral specimens take on the appearance of unfolding flower petals, creating sculptural forms that seem almost too intricate to be natural. This exceptional example weighs an impressive 3.25kg and dis...


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{"id":10940528984223,"title":"Attributed to Philippa Lee Norfolk Hand-Painted Apple Crumble Baking Dish, c.1990s","handle":"attributed-to-philippa-lee-norfolk-hand-painted-apple-crumble-baking-dish-c-1990s","description":"\u003ch3\u003e\u003cspan\u003eAttributed to Philippa Lee Norfolk Hand-Painted Apple Crumble Baking Dish, c.1990s\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThis is a wonderfully informal piece of British studio pottery, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eattributed to Norfolk potter Philippa Lee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Although it is unsigned, the form is identical to documented examples of her work, and the combination of red earthenware, cream glaze, loose painted decoration and handwritten lettering fits her style very closely.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe dish is wide and shallow, with two substantial side handles and a warm terracotta body left visible around the rim and exterior. Inside, three apples are painted in soft pink, yellow and green beneath the handwritten words \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“apple crumble”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with broad blue and dark green brushwork giving the composition a slightly irreverent, almost sketchbook quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat I like about it is that it never feels over-designed. The drawing is deliberately loose, the lettering is part of the decoration, and the whole thing has the easy character of pottery made for the kitchen and for a display cabinet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt approximately \u003c\/span\u003e29 cm wide × 6 cm high\u003cspan\u003e, it is a generous size for baking and serving. It is also the sort of dish that can go straight onto the table and do both jobs well. For me, there is something particularly appealing about serving a pudding from a hand-painted dish that was made for exactly that purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base is unmarked, so I would keep the attribution as \u003c\/span\u003ePhilippa Lee rather than definite\u003cspan\u003e, but the exact form and very close decorative language make the connection convincing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good vintage condition, no chips or cracks.,Please see images.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Philippa Lee’s work is rooted in useful domestic pottery, often with hand-painted food-related decoration and an intentionally relaxed finish. This dish captures that particularly well. The fact that it says exactly what it is for — \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eapple crumble\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — gives it a bit of wit without turning it into novelty ware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-19T07:58:25+01:00","created_at":"2026-10-18T22:04:59+01:00","vendor":"Eclectic Design ","type":"Pie Dish","tags":["1990s","Apple Crumble Dish","British Pottery","Hand-Painted Pottery","Phillipa Lee","Studio Pottery"],"price":4500,"price_min":4500,"price_max":4500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62893486243999,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Attributed to Philippa Lee Norfolk Hand-Painted Apple Crumble Baking Dish, c.1990s","public_title":null,"options":["Default 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apple crumble dish attributed to Philippa Lee, with apple decoration, cream glaze and two side handles.\n","id":54623769460895,"position":2,"preview_image":{"aspect_ratio":1.285,"height":2996,"width":3850,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7604_99aebc4d-01fe-434e-80a4-c1588ef737f5.jpg?v=1792391428"},"aspect_ratio":1.285,"height":2996,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7604_99aebc4d-01fe-434e-80a4-c1588ef737f5.jpg?v=1792391428","width":3850},{"alt":"Close-up of hand-painted apples and apple crumble lettering inside the cream-glazed pottery dish.","id":54623556337823,"position":3,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7601.jpg?v=1792357548"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7601.jpg?v=1792357548","width":4032},{"alt":"Angled view of the apple crumble dish showing its terracotta exterior, glazed rim and side handle.\n","id":54623556108447,"position":4,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7608.jpg?v=1792357548"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7608.jpg?v=1792357548","width":4032},{"alt":"Detail of the apple crumble dish interior showing loose hand-painted fruit decoration and lettering.","id":54623556075679,"position":5,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7609.jpg?v=1792357548"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7609.jpg?v=1792357548","width":4032},{"alt":"Detail of the apple crumble lettering and painted decoration inside the vintage pottery dish.","id":54623556173983,"position":6,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7606.jpg?v=1792357548"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7606.jpg?v=1792357548","width":4032},{"alt":"Detail of the apple crumble lettering and painted decoration inside the vintage pottery dish.","id":54623556305055,"position":7,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7602.jpg?v=1792357548"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7602.jpg?v=1792357548","width":4032},{"alt":"Underside of the apple crumble dish showing its plain, red clay unmarked base.","id":54623556010143,"position":8,"preview_image":{"aspect_ratio":1.08,"height":2798,"width":3022,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7611.jpg?v=1792391623"},"aspect_ratio":1.08,"height":2798,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_7611.jpg?v=1792391623","width":3022}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch3\u003e\u003cspan\u003eAttributed to Philippa Lee Norfolk Hand-Painted Apple Crumble Baking Dish, c.1990s\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThis is a wonderfully informal piece of British studio pottery, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eattributed to Norfolk potter Philippa Lee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Although it is unsigned, the form is identical to documented examples of her work, and the combination of red earthenware, cream glaze, loose painted decoration and handwritten lettering fits her style very closely.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe dish is wide and shallow, with two substantial side handles and a warm terracotta body left visible around the rim and exterior. Inside, three apples are painted in soft pink, yellow and green beneath the handwritten words \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“apple crumble”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with broad blue and dark green brushwork giving the composition a slightly irreverent, almost sketchbook quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat I like about it is that it never feels over-designed. The drawing is deliberately loose, the lettering is part of the decoration, and the whole thing has the easy character of pottery made for the kitchen and for a display cabinet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt approximately \u003c\/span\u003e29 cm wide × 6 cm high\u003cspan\u003e, it is a generous size for baking and serving. It is also the sort of dish that can go straight onto the table and do both jobs well. For me, there is something particularly appealing about serving a pudding from a hand-painted dish that was made for exactly that purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base is unmarked, so I would keep the attribution as \u003c\/span\u003ePhilippa Lee rather than definite\u003cspan\u003e, but the exact form and very close decorative language make the connection convincing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVery good vintage condition, no chips or cracks.,Please see images.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Philippa Lee’s work is rooted in useful domestic pottery, often with hand-painted food-related decoration and an intentionally relaxed finish. This dish captures that particularly well. The fact that it says exactly what it is for — \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eapple crumble\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — gives it a bit of wit without turning it into novelty ware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
Attributed to Philippa Lee Norfolk Hand-Painted Apple Crumble Baking Dish, c.1990s

Attributed to Philippa Lee Norfolk Hand-Painted Apple Crumble Baking Dish, c.1990s

£45.00

Attributed to Philippa Lee Norfolk Hand-Painted Apple Crumble Baking Dish, c.1990s This is a wonderfully informal piece of British studio pottery, attributed to Norfolk potter Philippa Lee. Although it is unsigned, the form is identical to documented examples of her work, and the combination of red earthenware, cream glaze, loose painted decorat...


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Approximately 6.5 × 6.5 cm, measuring 5 cm high at the back.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePerfect condition, with no chips.\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFire \u0026amp; Light began in 1995 as a partnership between the Arcata Community Recycling Center and local investors. John and Natali McClurg took over the business in 1999.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReusing things was part of everyday workshop life: old beer kegs from local breweries served as vats for cooling the glassworkers’ ladles. The studio continued making its distinctive coloured glass until production ended in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-17T15:18:45+01:00","created_at":"2026-10-11T11:22:06+01:00","vendor":"Eclectic Design ","type":"Paperweight","tags":["American Studio Glass","Fire \u0026 Light","Glass Paperweight","Heart Paperweight","Recycled Glass"],"price":4900,"price_min":4900,"price_max":4900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62890756735135,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fire \u0026 Light Green Glass Heart Paperweight – Signed 2000","public_title":null,"options":["Default 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\u0026 Light green glass heart paperweight, angled view showing rounded edges and rippled sides.","id":54621136552095,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1649,"width":1649,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9729.png?v=1792245816"},"aspect_ratio":1.0,"height":1649,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9729.png?v=1792245816","width":1649},{"alt":"Close-up of signature and the rippled surface and tiny bubbles in the Fire \u0026 Light green glass heart paperweight.\n","id":54621136388255,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1181,"width":1181,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9735.png?v=1792245593"},"aspect_ratio":1.0,"height":1181,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9735.png?v=1792245593","width":1181},{"alt":"Fire \u0026 Light green glass heart paperweight viewed from above at an angle, showing its smooth face and thick sides.","id":54621136519327,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1633,"width":1633,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9730.png?v=1792245764"},"aspect_ratio":1.0,"height":1633,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9730.png?v=1792245764","width":1633},{"alt":"Side view of the Fire \u0026 Light green glass heart paperweight showing its depth and rounded lobes.","id":54621136453791,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1675,"width":1675,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9732.png?v=1792245681"},"aspect_ratio":1.0,"height":1675,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9732.png?v=1792245681","width":1675},{"alt":"Fire \u0026 Light green glass heart paperweight viewed from the lobed end, showing its curved outline and textured sides.\n","id":54621136486559,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1734,"width":1734,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9731.png?v=1792245722"},"aspect_ratio":1.0,"height":1734,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9731.png?v=1792245722","width":1734},{"alt":"Angled close-up of the Fire \u0026 Light green glass heart paperweight showing its rippled glass surface.","id":54621136421023,"position":6,"preview_image":{"aspect_ratio":1.0,"height":2371,"width":2371,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9734.png?v=1792245645"},"aspect_ratio":1.0,"height":2371,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9734.png?v=1792245645","width":2371},{"alt":"Low side view of the Fire \u0026 Light green glass heart paperweight showing its thick profile , signature, and uneven surface 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This green glass heart was made by Fire \u0026amp; Light in Arcata, California, where recycled bottles and jars became colourful glass for the home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-poured into a mould, it is a pleasingly solid little piece, with softly rounded edges and tiny bubbles caught within the glass. The green deepens through the thickest parts, while light catches the gentle ripples along the sides. A rather nice way to keep a few letters in order.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEtched with the Fire \u0026amp; Light name and dated 2000. Approximately 6.5 × 6.5 cm, measuring 5 cm high at the back.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePerfect condition, with no chips.\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFire \u0026amp; Light began in 1995 as a partnership between the Arcata Community Recycling Center and local investors. John and Natali McClurg took over the business in 1999.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReusing things was part of everyday workshop life: old beer kegs from local breweries served as vats for cooling the glassworkers’ ladles. 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Fire & Light green glass heart paperweight, angled view showing rounded edges and rippled sides.

Fire & Light Green Glass Heart Paperweight – Signed 2000

£49.00

An old bottle can have a rather good second life. This green glass heart was made by Fire & Light in Arcata, California, where recycled bottles and jars became colourful glass for the home. Hand-poured into a mould, it is a pleasingly solid little piece, with softly rounded edges and tiny bubbles caught within the glass. The green deepens th...


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{"id":10940517974175,"title":"Jane Hamlyn British Salt-Glazed Stoneware Casserole, 1990s","handle":"jane-hamlyn-british-salt-glazed-stoneware-casserole-1990s","description":"\u003cp\u003e\u003cspan\u003eThis is the sort of piece that explains why \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJane Hamlyn’s functional pottery is so sought after\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. It is clearly made to be used, but the throwing, glaze and surface decoration give it far more character than ordinary kitchenware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe broad body, fitted lid and generous handles are practical, but nothing feels purely functional. The grey-blue and muted olive salt glaze moves across the surface in soft, uneven tones, with warmer brown appearing where the glaze thins over the ridges and impressed decoration. 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Cooking and serving food from something hand-thrown makes the whole process feel a little more special, while the pot itself remains a thing of beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHamlyn’s work is especially good at that balance. The form is simple, but the surface never is. The glaze, the throwing lines and the impressed decoration all vary just enough to make the piece individual, without anything feeling added for effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approximately 20 cm diameter × 15 cm high\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eWeight:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approximately 1.7 kg\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMaterial:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Salt-glazed stoneware\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e c.1990s\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Excellent vintage condition. It appears to have seen very little use, if any.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jane Hamlyn is one of the important names in modern British salt-glazed pottery, and her functional work shows why. Her pieces were intended to be part of everyday life, but the individual qualities of the throwing, glazing and firing mean that no two are quite alike. This casserole is a particularly good example of that balance between use and individuality \u003cmeta charset=\"UTF-8\"\u003e— \u003cstrong\u003efar too good to disappear into a kitchen cupboard.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-19T08:59:05+01:00","created_at":"2026-10-18T15:53:33+01:00","vendor":"Eclectic Design ","type":"Casserole Dish","tags":["1990s","British Studio Pottery","Casserole Dish","Jane Hamlyn","Salt-Glazed Stoneware"],"price":12000,"price_min":12000,"price_max":12000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62893426180255,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jane Hamlyn British Salt-Glazed Stoneware Casserole, 1990s","public_title":null,"options":["Default Title"],"price":12000,"weight":3000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6873.png?v=1792919852","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6873_856245ab-9f9b-4f06-9aa2-eb925d62a8a5.jpg?v=1792395239","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6872.jpg?v=1792394639","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6880_564638d8-3a1c-4766-8088-462374b768ca.jpg?v=1792394990","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6890.jpg?v=1792394492","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6878.jpg?v=1792394572","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6875_f2fb3ad4-0806-49af-9ab8-af9f106aa694.jpg?v=1792395681","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6884_63a673c7-2d7f-4034-bc3d-97cf2185d90f.jpg?v=1792394946","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6885_242f0eb8-6cf0-4137-a33b-f4c7bc1a137d.jpg?v=1792394799"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6873.png?v=1792919852","options":["Title"],"media":[{"alt":"Jane Hamlyn salt-glazed stoneware casserole with mottled blue-grey glaze, fitted lid and chevron-patterned handles, on white background.","id":54632760869023,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2834,"width":2834,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6873.png?v=1792919852"},"aspect_ratio":1.0,"height":2834,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6873.png?v=1792919852","width":2834},{"alt":"Jane Hamlyn salt-glazed stoneware casserole with mottled blue-grey glaze, fitted lid and chevron-patterned handles.","id":54623803048095,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2834,"width":2834,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6873_856245ab-9f9b-4f06-9aa2-eb925d62a8a5.jpg?v=1792395239"},"aspect_ratio":1.0,"height":2834,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6873_856245ab-9f9b-4f06-9aa2-eb925d62a8a5.jpg?v=1792395239","width":2834},{"alt":"Angled view of Jane Hamlyn stoneware casserole showing the domed lid, patterned handle and textured salt glaze.","id":54622875156639,"position":3,"preview_image":{"aspect_ratio":1.0,"height":2994,"width":2994,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6872.jpg?v=1792394639"},"aspect_ratio":1.0,"height":2994,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6872.jpg?v=1792394639","width":2994},{"alt":"Lid leaning beside pot: Jane Hamlyn stoneware casserole with lid leaning against the pot, showing its blue-grey glaze and chevron lid handle.\n","id":54623799247007,"position":4,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6880_564638d8-3a1c-4766-8088-462374b768ca.jpg?v=1792394990"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6880_564638d8-3a1c-4766-8088-462374b768ca.jpg?v=1792394990","width":3024},{"alt":"Side view of Jane Hamlyn salt-glazed casserole showing the chevron-patterned side handle and horizontal decorative bands.","id":54622875058335,"position":5,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6890.jpg?v=1792394492"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6890.jpg?v=1792394492","width":3024},{"alt":" Open Jane Hamlyn stoneware casserole showing the warm brown interior, with the blue-grey lid resting against the front.","id":54622875091103,"position":6,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6878.jpg?v=1792394572"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6878.jpg?v=1792394572","width":3024},{"alt":"Overhead view of Jane Hamlyn casserole with concentric decoration on the lid and a raised chevron-patterned handle.","id":54623803736223,"position":7,"preview_image":{"aspect_ratio":1.06,"height":2922,"width":3098,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6875_f2fb3ad4-0806-49af-9ab8-af9f106aa694.jpg?v=1792395681"},"aspect_ratio":1.06,"height":2922,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6875_f2fb3ad4-0806-49af-9ab8-af9f106aa694.jpg?v=1792395681","width":3098},{"alt":"Open Jane Hamlyn casserole beside its upturned lid, showing the brown-glazed interior and cream and russet lid underside.","id":54623799115935,"position":8,"preview_image":{"aspect_ratio":1.029,"height":3025,"width":3113,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6884_63a673c7-2d7f-4034-bc3d-97cf2185d90f.jpg?v=1792394946"},"aspect_ratio":1.029,"height":3025,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6884_63a673c7-2d7f-4034-bc3d-97cf2185d90f.jpg?v=1792394946","width":3113},{"alt":"Jane Hamlyn stoneware casserole with the lid inverted on top, showing its cream and russet glazed underside","id":54623799083167,"position":9,"preview_image":{"aspect_ratio":1.051,"height":2941,"width":3091,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6885_242f0eb8-6cf0-4137-a33b-f4c7bc1a137d.jpg?v=1792394799"},"aspect_ratio":1.051,"height":2941,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6885_242f0eb8-6cf0-4137-a33b-f4c7bc1a137d.jpg?v=1792394799","width":3091}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eThis is the sort of piece that explains why \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJane Hamlyn’s functional pottery is so sought after\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. It is clearly made to be used, but the throwing, glaze and surface decoration give it far more character than ordinary kitchenware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe broad body, fitted lid and generous handles are practical, but nothing feels purely functional. The grey-blue and muted olive salt glaze moves across the surface in soft, uneven tones, with warmer brown appearing where the glaze thins over the ridges and impressed decoration. The salt firing has left the slightly dimpled, almost pebbled surface that gives Hamlyn’s work such a distinctive feel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e20 cm in diameter and 15 cm high\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and weighing around \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1.7 kg\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, it is a substantial casserole. There is a reassuring solidity to it: the handles are generous, the lid sits well, and it feels made for carrying straight from kitchen to table.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor me, that is part of the appeal of good functional studio pottery. Cooking and serving food from something hand-thrown makes the whole process feel a little more special, while the pot itself remains a thing of beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHamlyn’s work is especially good at that balance. The form is simple, but the surface never is. The glaze, the throwing lines and the impressed decoration all vary just enough to make the piece individual, without anything feeling added for effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approximately 20 cm diameter × 15 cm high\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eWeight:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e approximately 1.7 kg\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMaterial:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Salt-glazed stoneware\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e c.1990s\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Excellent vintage condition. It appears to have seen very little use, if any.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Jane Hamlyn is one of the important names in modern British salt-glazed pottery, and her functional work shows why. Her pieces were intended to be part of everyday life, but the individual qualities of the throwing, glazing and firing mean that no two are quite alike. This casserole is a particularly good example of that balance between use and individuality \u003cmeta charset=\"UTF-8\"\u003e— \u003cstrong\u003efar too good to disappear into a kitchen cupboard.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e"}
Jane Hamlyn salt-glazed stoneware casserole with mottled blue-grey glaze, fitted lid and chevron-patterned handles, on white background.

Jane Hamlyn British Salt-Glazed Stoneware Casserole, 1990s

£120.00

This is the sort of piece that explains why Jane Hamlyn’s functional pottery is so sought after. It is clearly made to be used, but the throwing, glaze and surface decoration give it far more character than ordinary kitchenware. The broad body, fitted lid and generous handles are practical, but nothing feels purely functional. The grey-blue and ...


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{"id":10939828961439,"title":"French Celadon Opaline Glass Soliflore Bud Vase, 19th-Century Aesthetic Movement","handle":"19th-century-french-green-opaline-glass-soliflore-or-single-flower-bud-vase","description":"\u003cp\u003e\u003cspan\u003eThe pleasure of this little French soliflore is in the details. Its flowers and leaves resolve into tiny painted dots, edged with gold, running over the rounded body and up the slender neck. The pale celadon glass has a soft, milky translucence, and the proportions are beautifully balanced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt belongs to the Aesthetic Movement period of the 19th century, with its enthusiasm for     \u003c\/span\u003e\u003cspan\u003eEast Asian art and the belief that beauty had a place in everyday life. Glass and ceramics were collected and enjoyed for their colour, form and workmanship. That appreciation of a well-made object feels just as relevant today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximately 17 cm high, 7 cm width. In good antique condition, holds water, no chips or cracks. With some wear to the gilding and factory indent on rim.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBone ash was an unexpected ingredient in traditional opaline glass recipes. Rich in calcium phosphate, it helped create the characteristic milky appearance, while metallic oxides supplied the colour. Decorating the finished glass called for another set of skills: French enamel painters drew on the traditions of porcelain decoration, adding fine flowers, foliage and gilding to these luminous surfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-17T14:21:13+01:00","created_at":"2026-10-11T10:40:33+01:00","vendor":"Eclectic Design ","type":"Bud Vase","tags":["19th Century","Aesthetic Movement","Bud Vase","Opaline Glass","Soliflore"],"price":12500,"price_min":12500,"price_max":12500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62890754801823,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"French Celadon Opaline Glass Soliflore Bud Vase, 19th-Century Aesthetic Movement","public_title":null,"options":["Default Title"],"price":12500,"weight":1000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9719.jpg?v=1792240293","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9709-2.jpg?v=1792242230","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9705.png?v=1792242295","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9708.png?v=1792241780","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9715.png?v=1792240767","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9718.png?v=1792241296","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9716.png?v=1792241190"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9719.jpg?v=1792240293","options":["Title"],"media":[{"alt":"19th-century French celadon opaline glass soliflore with a rounded body, slender neck and dotted gold floral decoration.","id":54621107781791,"position":1,"preview_image":{"aspect_ratio":0.744,"height":2798,"width":2082,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9719.jpg?v=1792240293"},"aspect_ratio":0.744,"height":2798,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9719.jpg?v=1792240293","width":2082},{"alt":"Angled view of the French opaline glass bud vase showing its flared opening, worn gilt rim and decorated neck.","id":54621106339999,"position":2,"preview_image":{"aspect_ratio":0.726,"height":3790,"width":2752,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9709-2.jpg?v=1792242230"},"aspect_ratio":0.726,"height":3790,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9709-2.jpg?v=1792242230","width":2752},{"alt":"Full-length view of the celadon opaline glass soliflore showing dotted flowers and leaves above a circular foot.","id":54621116563615,"position":3,"preview_image":{"aspect_ratio":0.513,"height":2642,"width":1356,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9705.png?v=1792242295"},"aspect_ratio":0.513,"height":2642,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9705.png?v=1792242295","width":1356},{"alt":"Another side of the French celadon glass bud vase showing its rounded body and trailing floral decoration.","id":54621116596383,"position":4,"preview_image":{"aspect_ratio":0.591,"height":2560,"width":1513,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9708.png?v=1792241780"},"aspect_ratio":0.591,"height":2560,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9708.png?v=1792241780","width":1513},{"alt":"Close-up of dotted flowers, fine gilt outlines and wear to the decoration on the celadon opaline glass vase.","id":54621108011167,"position":5,"preview_image":{"aspect_ratio":1.0,"height":2523,"width":2523,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9715.png?v=1792240767"},"aspect_ratio":1.0,"height":2523,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9715.png?v=1792240767","width":2523},{"alt":"French opaline glass vase lying on its side, showing the recessed base and floral decoration around the body.","id":54621108043935,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1679,"width":1679,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9718.png?v=1792241296"},"aspect_ratio":1.0,"height":1679,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9718.png?v=1792241296","width":1679},{"alt":"Close-up of the unmarked recessed base of the celadon opaline glass vase, showing light surface wear.","id":54621108076703,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1433,"width":1433,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9716.png?v=1792241190"},"aspect_ratio":1.0,"height":1433,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9716.png?v=1792241190","width":1433}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eThe pleasure of this little French soliflore is in the details. Its flowers and leaves resolve into tiny painted dots, edged with gold, running over the rounded body and up the slender neck. The pale celadon glass has a soft, milky translucence, and the proportions are beautifully balanced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt belongs to the Aesthetic Movement period of the 19th century, with its enthusiasm for     \u003c\/span\u003e\u003cspan\u003eEast Asian art and the belief that beauty had a place in everyday life. Glass and ceramics were collected and enjoyed for their colour, form and workmanship. That appreciation of a well-made object feels just as relevant today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximately 17 cm high, 7 cm width. In good antique condition, holds water, no chips or cracks. With some wear to the gilding and factory indent on rim.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBone ash was an unexpected ingredient in traditional opaline glass recipes. Rich in calcium phosphate, it helped create the characteristic milky appearance, while metallic oxides supplied the colour. Decorating the finished glass called for another set of skills: French enamel painters drew on the traditions of porcelain decoration, adding fine flowers, foliage and gilding to these luminous surfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}
19th-century French celadon opaline glass soliflore with a rounded body, slender neck and dotted  gold floral decoration.

French Celadon Opaline Glass Soliflore Bud Vase, 19th-Century Aesthetic Movement

£125.00

The pleasure of this little French soliflore is in the details. Its flowers and leaves resolve into tiny painted dots, edged with gold, running over the rounded body and up the slender neck. The pale celadon glass has a soft, milky translucence, and the proportions are beautifully balanced. It belongs to the Aesthetic Movement period of the 19th...


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{"id":10930044731551,"title":"1970s SylvaC Harmony Green Glazed Planter Bowl","handle":"1970s-sylvac-harmony-green-glazed-planter-bowl","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eNot everything from the 1970s has aged well. This has. The low oval shape, glossy olive-green glaze and oversized spiral decoration are unapologetically retro, but the effect is graphic rather than kitsch. Deep green gathers around the raised pattern, giving it real depth, while the smoother sections at either end prevent the design from becoming too busy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel 4310 was introduced in 1968 as part of SylvaC’s Harmony range. The factory began adding glossy finishes to its ranges around 1970, so this version is best dated to the 1970s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOriginally intended as a small planter or posy bowl, it is a good size for bulbs, a succulent or short-stemmed flowers. It also looks rather good empty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExcellent vintage condition, with no chips or cracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e16 × 12 × 8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eOrigin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLongton, Stoke-on-Trent, England\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1970s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eWORLDWIDE SHIPPING\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. The planter will be wrapped in several protective layers and packed securely in a sturdy outer box. Please contact us for a shipping quote if your destination is not shown at checkout.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSylvaC was the trade name used by Shaw \u0026amp; Copestake, founded in Longton in 1894. The name was formed from the company’s Sylvan Works and the “C” from Copestake. The factory became known for its colourful animal figures, novelty kitchenware and an extraordinary variety of decorative vases and planters, continuing production until 1982.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2026-08-16T17:18:44+01:00","created_at":"2026-08-16T16:28:54+01:00","vendor":"Eclectic Design ","type":"Planter","tags":["1970s ceramics","british pottery","green glazed pottery","Harmony range","model 4310","posy bowl","Stoke-on-Trent pottery","SylvaC","vintage planter"],"price":3500,"price_min":3500,"price_max":3500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62850872410271,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"1970s SylvaC Harmony Green Glazed Planter Bowl","public_title":null,"options":["Default Title"],"price":3500,"weight":500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-54.jpg?v=1786895732","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-52.jpg?v=1786895792","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-50.jpg?v=1786895845","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-49.jpg?v=1786895938","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-51.jpg?v=1786895992","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-53.jpg?v=1786896071"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-54.jpg?v=1786895732","options":["Title"],"media":[{"alt":"1970s SylvaC Harmony green glazed ceramic planter bowl, front view showing embossed swirl pattern","id":54530984673439,"position":1,"preview_image":{"aspect_ratio":1.355,"height":2050,"width":2778,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-54.jpg?v=1786895732"},"aspect_ratio":1.355,"height":2050,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-54.jpg?v=1786895732","width":2778},{"alt":"Base of 1970s SylvaC Harmony planter bowl showing impressed mark: 4310 SylvaC Made in England","id":54530984509599,"position":2,"preview_image":{"aspect_ratio":1.214,"height":2368,"width":2874,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-52.jpg?v=1786895792"},"aspect_ratio":1.214,"height":2368,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-52.jpg?v=1786895792","width":2874},{"alt":"1970s SylvaC Harmony green glazed planter bowl, three-quarter view highlighting raised swirl relief decoration","id":54530984542367,"position":3,"preview_image":{"aspect_ratio":1.281,"height":2185,"width":2800,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-50.jpg?v=1786895845"},"aspect_ratio":1.281,"height":2185,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-50.jpg?v=1786895845","width":2800},{"alt":"Close-up of embossed swirl and scroll relief pattern on 1970s SylvaC Harmony green glazed planter bowl","id":54530984575135,"position":4,"preview_image":{"aspect_ratio":1.38,"height":2057,"width":2839,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-49.jpg?v=1786895938"},"aspect_ratio":1.38,"height":2057,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-49.jpg?v=1786895938","width":2839},{"alt":"1970s SylvaC Harmony green glazed planter bowl viewed from above, showing deep open interior and raised scroll exterior","id":54530984640671,"position":5,"preview_image":{"aspect_ratio":0.999,"height":2389,"width":2387,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-51.jpg?v=1786895992"},"aspect_ratio":0.999,"height":2389,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-51.jpg?v=1786895992","width":2387},{"alt":"Interior view of 1970s SylvaC Harmony green glazed ceramic planter bowl, showing smooth green glaze and oval base","id":54530984607903,"position":6,"preview_image":{"aspect_ratio":1.208,"height":2667,"width":3223,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-53.jpg?v=1786896071"},"aspect_ratio":1.208,"height":2667,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-53.jpg?v=1786896071","width":3223}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eNot everything from the 1970s has aged well. This has. The low oval shape, glossy olive-green glaze and oversized spiral decoration are unapologetically retro, but the effect is graphic rather than kitsch. Deep green gathers around the raised pattern, giving it real depth, while the smoother sections at either end prevent the design from becoming too busy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel 4310 was introduced in 1968 as part of SylvaC’s Harmony range. The factory began adding glossy finishes to its ranges around 1970, so this version is best dated to the 1970s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOriginally intended as a small planter or posy bowl, it is a good size for bulbs, a succulent or short-stemmed flowers. It also looks rather good empty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExcellent vintage condition, with no chips or cracks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e16 × 12 × 8 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eOrigin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eLongton, Stoke-on-Trent, England\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1970s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eWORLDWIDE SHIPPING\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. The planter will be wrapped in several protective layers and packed securely in a sturdy outer box. Please contact us for a shipping quote if your destination is not shown at checkout.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSylvaC was the trade name used by Shaw \u0026amp; Copestake, founded in Longton in 1894. The name was formed from the company’s Sylvan Works and the “C” from Copestake. The factory became known for its colourful animal figures, novelty kitchenware and an extraordinary variety of decorative vases and planters, continuing production until 1982.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
1970s SylvaC Harmony green glazed ceramic planter bowl, front view showing embossed swirl pattern

1970s SylvaC Harmony Green Glazed Planter Bowl

£35.00

Not everything from the 1970s has aged well. This has. The low oval shape, glossy olive-green glaze and oversized spiral decoration are unapologetically retro, but the effect is graphic rather than kitsch. Deep green gathers around the raised pattern, giving it real depth, while the smoother sections at either end prevent the design from becomin...


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{"id":10940524167327,"title":"Alan Brough Newlyn Pottery Stoneware Lidded Casserole, Cornwall, 1970s–80s","handle":"alan-brough-newlyn-pottery-stoneware-lidded-casserole-cornwall-1970s-80s","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThis is a particularly good piece of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAlan Brough’s functional stoneware\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, made at his pottery in Newlyn, Cornwall. It has all the qualities that make his domestic work so appealing: a strong hand-thrown form, confident brushwork and the sense that it was made to be used rather than simply looked at.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe casserole is substantial, measuring approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/strong\u003e3 cm wide × 17 cm high\u003cspan\u003e, with a domed lid, small side handles and a deep glossy dark brown interior glaze. Against the pale buff stoneware body, the broad sweep of dark brown glaze around the outside feels almost calligraphic. It has been applied freely rather than mechanically, so the decoration changes as you turn the pot and gives the piece a very individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is something especially satisfying about using pottery like this. It has real weight in the hands and enough presence to go straight from kitchen to table. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrough worked at the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLeach Pottery in St Ives from 1968\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, before establishing his own pottery at \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNewlyn in 1972\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. That background can be seen in the emphasis on useful forms, honest materials and decoration that grows naturally out of the making process rather than being added afterwards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base carries Brough’s impressed \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAB potter’s mark\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe casserole is in very good vintage condition, with the surface variation and small firing marks that are part of its handmade character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Alan Brough’s Newlyn pottery combined the principles of the British studio pottery movement with genuinely usable domestic ware. This casserole is a particularly successful example: practical enough for the kitchen, but with enough individuality in the throwing and brushwork to stand comfortably on its own as a piece of studio pottery. I would date it to the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1970s–80s\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","published_at":"2026-10-19T15:44:32+01:00","created_at":"2026-10-18T20:01:14+01:00","vendor":"Eclectic Design ","type":"Casserole Dish","tags":["Alan Brough","British Studio Pottery","Casserole Dish","Newlyn Pottery","Stoneware"],"price":7900,"price_min":7900,"price_max":7900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62893462880415,"title":"Default Title","option1":"Default 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Brough Newlyn Pottery stoneware casserole with domed brown lid, pale buff body and broad dark brown brushwork, on white background.","id":54632761229471,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2806,"width":2806,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6915.png?v=1792920390"},"aspect_ratio":1.0,"height":2806,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6915.png?v=1792920390","width":2806},{"alt":"Alan Brough Newlyn Pottery stoneware casserole with domed brown lid, pale buff body and broad dark brown brushwork.","id":54623331778719,"position":2,"preview_image":{"aspect_ratio":0.921,"height":3187,"width":2936,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6915.jpg?v=1792419542"},"aspect_ratio":0.921,"height":3187,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6915.jpg?v=1792419542","width":2936},{"alt":"Alan Brough lidded stoneware casserole showing sweeping dark brown decoration and a small side handle.","id":54623331418271,"position":3,"preview_image":{"aspect_ratio":0.999,"height":2608,"width":2605,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6926.jpg?v=1792418949"},"aspect_ratio":0.999,"height":2608,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6926.jpg?v=1792418949","width":2605},{"alt":"Overhead view inside Alan Brough stoneware casserole showing the glossy dark brown glaze and circular throwing lines.","id":54623331713183,"position":4,"preview_image":{"aspect_ratio":1.0,"height":2943,"width":2943,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6917.jpg?v=1792421061"},"aspect_ratio":1.0,"height":2943,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6917.jpg?v=1792421061","width":2943},{"alt":"Angled view of Alan Brough casserole showing the mottled brown lid, raised knob and dark brushwork on the buff body.","id":54623331451039,"position":5,"preview_image":{"aspect_ratio":0.97,"height":2706,"width":2626,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6925.jpg?v=1792419023"},"aspect_ratio":0.97,"height":2706,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6925.jpg?v=1792419023","width":2626},{"alt":"Alan Brough casserole resting on its side, showing the broad dark brown brushstroke and impressed AB mark near the base.","id":54623331582111,"position":6,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6921.jpg?v=1792419184"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6921.jpg?v=1792419184","width":3024},{"alt":"Close-up of Alan Brough stoneware casserole showing the pale speckled clay, horizontal throwing lines and side handle.","id":54623331516575,"position":7,"preview_image":{"aspect_ratio":1.236,"height":3024,"width":3739,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6923.jpg?v=1792419107"},"aspect_ratio":1.236,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6923.jpg?v=1792419107","width":3739},{"alt":"Photo 7, side and mark: Alan Brough casserole resting on its side, showing the broad dark brown brushstroke and impressed AB mark","id":54623331680415,"position":8,"preview_image":{"aspect_ratio":1.304,"height":2812,"width":3666,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6918.jpg?v=1792420486"},"aspect_ratio":1.304,"height":2812,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6918.jpg?v=1792420486","width":3666},{"alt":"Detail of Alan Brough casserole showing a small applied side handle, textured buff stoneware and dark glaze trail.","id":54623331549343,"position":9,"preview_image":{"aspect_ratio":1.26,"height":3024,"width":3811,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6922.jpg?v=1792419145"},"aspect_ratio":1.26,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6922.jpg?v=1792419145","width":3811},{"alt":"Side view of Alan Brough stoneware casserole showing glossy dark brown brushwork above the impressed AB maker’s mark.","id":54623331647647,"position":10,"preview_image":{"aspect_ratio":1.11,"height":2882,"width":3200,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6919.jpg?v=1792419264"},"aspect_ratio":1.11,"height":2882,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6919.jpg?v=1792419264","width":3200},{"alt":"Alan Brough Newlyn Pottery casserole with fitted domed lid, small side handles and contrasting brown and buff surfaces.","id":54623331745951,"position":11,"preview_image":{"aspect_ratio":0.905,"height":3272,"width":2962,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6916.jpg?v=1792419478"},"aspect_ratio":0.905,"height":3272,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6916.jpg?v=1792419478","width":2962},{"alt":"Detailed view of the impressed AB monogram on Alan Brough’s casserole, showing the surrounding textured stoneware.","id":54623331614879,"position":12,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6920.jpg?v=1792419217"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6920.jpg?v=1792419217","width":3024},{"alt":"Underside of Alan Brough stoneware casserole showing the unglazed textured base and impressed AB mark at the edge.\n","id":54623331483807,"position":13,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6924.jpg?v=1792419053"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_6924.jpg?v=1792419053","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThis is a particularly good piece of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAlan Brough’s functional stoneware\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, made at his pottery in Newlyn, Cornwall. It has all the qualities that make his domestic work so appealing: a strong hand-thrown form, confident brushwork and the sense that it was made to be used rather than simply looked at.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe casserole is substantial, measuring approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/strong\u003e3 cm wide × 17 cm high\u003cspan\u003e, with a domed lid, small side handles and a deep glossy dark brown interior glaze. Against the pale buff stoneware body, the broad sweep of dark brown glaze around the outside feels almost calligraphic. It has been applied freely rather than mechanically, so the decoration changes as you turn the pot and gives the piece a very individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is something especially satisfying about using pottery like this. It has real weight in the hands and enough presence to go straight from kitchen to table. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrough worked at the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLeach Pottery in St Ives from 1968\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, before establishing his own pottery at \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNewlyn in 1972\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. That background can be seen in the emphasis on useful forms, honest materials and decoration that grows naturally out of the making process rather than being added afterwards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base carries Brough’s impressed \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAB potter’s mark\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe casserole is in very good vintage condition, with the surface variation and small firing marks that are part of its handmade character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Alan Brough’s Newlyn pottery combined the principles of the British studio pottery movement with genuinely usable domestic ware. This casserole is a particularly successful example: practical enough for the kitchen, but with enough individuality in the throwing and brushwork to stand comfortably on its own as a piece of studio pottery. I would date it to the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1970s–80s\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e"}
Alan Brough Newlyn Pottery stoneware casserole with domed brown lid, pale buff body and broad dark brown brushwork, on white background.

Alan Brough Newlyn Pottery Stoneware Lidded Casserole, Cornwall, 1970s–80s

£79.00

This is a particularly good piece of Alan Brough’s functional stoneware, made at his pottery in Newlyn, Cornwall. It has all the qualities that make his domestic work so appealing: a strong hand-thrown form, confident brushwork and the sense that it was made to be used rather than simply looked at. The casserole is substantial, measur...


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