S. Hancock & Sons Titian Ware Fruit Bowl, F. X. Abraham, 1930s

{"id":10942207787167,"title":"Antique Minton \u0026 Hollins TIPPOO Plate, c.1845–1860, BB New Stone, Victorian Staffordshire Transferware","handle":"tippoo-plate","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis early Victorian Minton \u0026amp; Hollins plate, probably dating to around 1845–1860, is decorated in the wonderfully named \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTIPPOO\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e pattern. Made in Staffordshire in Minton’s “BB New Stone” body, it combines deep flowing cobalt blue with hand-applied iron red and fresh green enamels, all set against a softly crazed white ground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTIPPOO belongs to a group of richly coloured Oriental-inspired patterns produced by Minton in the middle of the 19th century, when British potteries were looking increasingly towards Chinese, Japanese and Indian sources for ideas. Minton produced a number of patterns in this spirit, with names including \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePoonah\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eBombay Japan\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eAmherst Japan\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e. TIPPOO shares the same love of dense floral decoration, strong colour and an almost exotic abundance of ornament.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe name is particularly interesting. “Tippoo” was the spelling commonly used in Britain for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTipu Sultan of Mysore\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, who remained a famous and rather romanticised figure in 19th-century British culture. It is very tempting to read the pattern name as a reference to him, especially alongside Minton’s other Indian-inspired pattern names, although I have not found a surviving factory record that actually confirms why Minton chose the name. For that reason I would treat the connection as very likely rather than completely proven.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat I like here is how far removed this is from the restrained idea we sometimes have of Victorian tableware. The border is almost completely filled with scrolling green foliage, blue leaves and red-edged flowers, while the centre has its own wonderfully eccentric arrangement of flowers and a small ornamental vessel. There is a real looseness to the colouring too. The enamels do not sit with machine-like precision over the blue printing, which gives the whole plate a much more lively, handmade quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse is particularly useful. It carries the blue printed \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTIPPOO\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e pattern mark together with the impressed \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“BB \/ NEW STONE”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e mark. BB stood for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Best Body”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, one of Minton’s earthenware body designations. There is also a painted red \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e6096\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, very likely a factory pattern or decorating reference, although I have not found a surviving published register that allows me to identify that number with complete certainty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions Approximate: \u003c\/strong\u003eDiameter 9 1\/2\"(22cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Good antique condition for a piece approaching 170 years old. There is extensive fine crazing to the glaze, entirely consistent with age and clearly visible in the photographs. There are small areas of rubbing and minor age-related wear to the decoration, but no obvious major chips or cracks visible in the photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e What makes this plate interesting is not simply that it is early Minton, but that it captures the Victorian fascination with an imagined “Orient”. Pattern names such as TIPPOO turned historical figures and distant places into part of the language of the Victorian dining table. Today that makes the plate both a decorative object and a small piece of British social and design history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-31T21:32:37+00:00","created_at":"2026-10-31T20:05:24+00:00","vendor":"Eclectic Design ","type":"Antique Plate","tags":["Antique Plate","Minton \u0026 Hollins","Staffordshire Transferware","TIPPOO","Victorian"],"price":4200,"price_min":4200,"price_max":4200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62900953448607,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antique Minton \u0026 Hollins TIPPOO Plate, c.1845–1860, BB New Stone, Victorian Staffordshire Transferware","public_title":null,"options":["Default Title"],"price":4200,"weight":1000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0992.png?v=1793481707","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0994.png?v=1793481618","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0995.jpg?v=1793477072","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0996.png?v=1793481615","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0993.jpg?v=1793481783","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_1001.jpg?v=1793477072","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0997.png?v=1793481829","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0999.jpg?v=1793477072","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0998.jpg?v=1793477072","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0990.jpg?v=1793481873"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0992.png?v=1793481707","options":["Title"],"media":[{"alt":"Antique Minton \u0026 Hollins TIPPOO plate with cobalt blue foliage, iron-red flowers and green enamel decoration, circa 1845–1860.\n","id":54643966378143,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2802,"width":2802,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0992.png?v=1793481707"},"aspect_ratio":1.0,"height":2802,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0992.png?v=1793481707","width":2802},{"alt":"Close-up of the Minton TIPPOO plate’s floral border, showing iron-red petals, green leaves, cobalt blue printing and fine glaze crazing.","id":54643966607519,"position":2,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0994.png?v=1793481618"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0994.png?v=1793481618","width":3024},{"alt":"Detail of flowers and an ornamental vessel in the centre of the Minton TIPPOO plate, showing coloured enamels and crazed glaze.","id":54643954155679,"position":3,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0995.jpg?v=1793477072"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0995.jpg?v=1793477072","width":3024},{"alt":"Angled detail of the Minton TIPPOO plate’s rim, showing its shaped edge and blue, green and iron-red floral decoration.","id":54643966640287,"position":4,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0996.png?v=1793481615"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0996.png?v=1793481615","width":3024},{"alt":"Full front view of the antique Minton \u0026 Hollins TIPPOO plate on a wooden surface, with colourful floral decoration and a shaped rim.\n","id":54643954221215,"position":5,"preview_image":{"aspect_ratio":1.0,"height":2646,"width":2646,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0993.jpg?v=1793481783"},"aspect_ratio":1.0,"height":2646,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0993.jpg?v=1793481783","width":2646},{"alt":"Close-up of the blue printed TIPPOO pattern mark and hand-painted red number 6096 on the reverse of the Minton ","id":54643953991839,"position":6,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_1001.jpg?v=1793477072"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_1001.jpg?v=1793477072","width":3024},{"alt":"Reverse of the antique Minton TIPPOO plate, showing the raised foot ring, blue printed pattern mark and impressed body mark.","id":54643966673055,"position":7,"preview_image":{"aspect_ratio":1.0,"height":2857,"width":2857,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0997.png?v=1793481829"},"aspect_ratio":1.0,"height":2857,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0997.png?v=1793481829","width":2857},{"alt":"Minton plate reverse with blue floral TIPPOO mark, red painted number 6096 and impressed lettering above.","id":54643954024607,"position":8,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0999.jpg?v=1793477072"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0999.jpg?v=1793477072","width":3024},{"alt":"Detail of the Minton TIPPOO plate’s underside, showing printed and impressed marks BB NEW STONE beneath a finely crazed glaze.","id":54643954057375,"position":9,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0998.jpg?v=1793477072"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0998.jpg?v=1793477072","width":3024},{"alt":"Close-up of the impressed BB NEW STONE mark on the Minton plate, with part of the blue TIPPOO mark above.","id":54643954286751,"position":10,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0990.jpg?v=1793481873"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_0990.jpg?v=1793481873","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis early Victorian Minton \u0026amp; Hollins plate, probably dating to around 1845–1860, is decorated in the wonderfully named \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTIPPOO\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e pattern. Made in Staffordshire in Minton’s “BB New Stone” body, it combines deep flowing cobalt blue with hand-applied iron red and fresh green enamels, all set against a softly crazed white ground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTIPPOO belongs to a group of richly coloured Oriental-inspired patterns produced by Minton in the middle of the 19th century, when British potteries were looking increasingly towards Chinese, Japanese and Indian sources for ideas. Minton produced a number of patterns in this spirit, with names including \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePoonah\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eBombay Japan\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eAmherst Japan\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e. TIPPOO shares the same love of dense floral decoration, strong colour and an almost exotic abundance of ornament.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe name is particularly interesting. “Tippoo” was the spelling commonly used in Britain for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTipu Sultan of Mysore\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, who remained a famous and rather romanticised figure in 19th-century British culture. It is very tempting to read the pattern name as a reference to him, especially alongside Minton’s other Indian-inspired pattern names, although I have not found a surviving factory record that actually confirms why Minton chose the name. For that reason I would treat the connection as very likely rather than completely proven.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat I like here is how far removed this is from the restrained idea we sometimes have of Victorian tableware. The border is almost completely filled with scrolling green foliage, blue leaves and red-edged flowers, while the centre has its own wonderfully eccentric arrangement of flowers and a small ornamental vessel. There is a real looseness to the colouring too. The enamels do not sit with machine-like precision over the blue printing, which gives the whole plate a much more lively, handmade quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse is particularly useful. It carries the blue printed \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTIPPOO\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e pattern mark together with the impressed \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“BB \/ NEW STONE”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e mark. BB stood for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Best Body”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, one of Minton’s earthenware body designations. There is also a painted red \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e6096\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, very likely a factory pattern or decorating reference, although I have not found a surviving published register that allows me to identify that number with complete certainty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions Approximate: \u003c\/strong\u003eDiameter 9 1\/2\"(22cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Good antique condition for a piece approaching 170 years old. There is extensive fine crazing to the glaze, entirely consistent with age and clearly visible in the photographs. There are small areas of rubbing and minor age-related wear to the decoration, but no obvious major chips or cracks visible in the photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e What makes this plate interesting is not simply that it is early Minton, but that it captures the Victorian fascination with an imagined “Orient”. Pattern names such as TIPPOO turned historical figures and distant places into part of the language of the Victorian dining table. Today that makes the plate both a decorative object and a small piece of British social and design history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}

{"id":10939828961439,"title":"French Celadon Opaline Glass Soliflore Bud Vase, 19th-Century Aesthetic Movement","handle":"19th-century-french-green-opaline-glass-soliflore-or-single-flower-bud-vase","description":"\u003cp\u003e\u003cspan\u003eThe pleasure of this little French soliflore is in the details. Its flowers and leaves resolve into tiny painted dots, edged with gold, running over the rounded body and up the slender neck. The pale celadon glass has a soft, milky translucence, and the proportions are beautifully balanced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt belongs to the Aesthetic Movement period of the 19th century, with its enthusiasm for     \u003c\/span\u003e\u003cspan\u003eEast Asian art and the belief that beauty had a place in everyday life. Glass and ceramics were collected and enjoyed for their colour, form and workmanship. That appreciation of a well-made object feels just as relevant today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximately 17 cm high, 7 cm width. In good antique condition, holds water, no chips or cracks. With some wear to the gilding and factory indent on rim.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBone ash was an unexpected ingredient in traditional opaline glass recipes. Rich in calcium phosphate, it helped create the characteristic milky appearance, while metallic oxides supplied the colour. Decorating the finished glass called for another set of skills: French enamel painters drew on the traditions of porcelain decoration, adding fine flowers, foliage and gilding to these luminous surfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-17T14:21:13+01:00","created_at":"2026-10-11T10:40:33+01:00","vendor":"Eclectic Design ","type":"Bud Vase","tags":["19th Century","Aesthetic Movement","Bud Vase","Opaline Glass","Soliflore"],"price":12500,"price_min":12500,"price_max":12500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62890754801823,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"French Celadon Opaline Glass Soliflore Bud Vase, 19th-Century Aesthetic Movement","public_title":null,"options":["Default Title"],"price":12500,"weight":1000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9719.jpg?v=1792240293","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9709-2.jpg?v=1792242230","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9705.png?v=1792242295","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9708.png?v=1792241780","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9715.png?v=1792240767","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9718.png?v=1792241296","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9716.png?v=1792241190"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9719.jpg?v=1792240293","options":["Title"],"media":[{"alt":"19th-century French celadon opaline glass soliflore with a rounded body, slender neck and dotted gold floral decoration.","id":54621107781791,"position":1,"preview_image":{"aspect_ratio":0.744,"height":2798,"width":2082,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9719.jpg?v=1792240293"},"aspect_ratio":0.744,"height":2798,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9719.jpg?v=1792240293","width":2082},{"alt":"Angled view of the French opaline glass bud vase showing its flared opening, worn gilt rim and decorated neck.","id":54621106339999,"position":2,"preview_image":{"aspect_ratio":0.726,"height":3790,"width":2752,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9709-2.jpg?v=1792242230"},"aspect_ratio":0.726,"height":3790,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9709-2.jpg?v=1792242230","width":2752},{"alt":"Full-length view of the celadon opaline glass soliflore showing dotted flowers and leaves above a circular foot.","id":54621116563615,"position":3,"preview_image":{"aspect_ratio":0.513,"height":2642,"width":1356,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9705.png?v=1792242295"},"aspect_ratio":0.513,"height":2642,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9705.png?v=1792242295","width":1356},{"alt":"Another side of the French celadon glass bud vase showing its rounded body and trailing floral decoration.","id":54621116596383,"position":4,"preview_image":{"aspect_ratio":0.591,"height":2560,"width":1513,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9708.png?v=1792241780"},"aspect_ratio":0.591,"height":2560,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9708.png?v=1792241780","width":1513},{"alt":"Close-up of dotted flowers, fine gilt outlines and wear to the decoration on the celadon opaline glass vase.","id":54621108011167,"position":5,"preview_image":{"aspect_ratio":1.0,"height":2523,"width":2523,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9715.png?v=1792240767"},"aspect_ratio":1.0,"height":2523,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9715.png?v=1792240767","width":2523},{"alt":"French opaline glass vase lying on its side, showing the recessed base and floral decoration around the body.","id":54621108043935,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1679,"width":1679,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9718.png?v=1792241296"},"aspect_ratio":1.0,"height":1679,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9718.png?v=1792241296","width":1679},{"alt":"Close-up of the unmarked recessed base of the celadon opaline glass vase, showing light surface wear.","id":54621108076703,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1433,"width":1433,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9716.png?v=1792241190"},"aspect_ratio":1.0,"height":1433,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9716.png?v=1792241190","width":1433}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eThe pleasure of this little French soliflore is in the details. Its flowers and leaves resolve into tiny painted dots, edged with gold, running over the rounded body and up the slender neck. The pale celadon glass has a soft, milky translucence, and the proportions are beautifully balanced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt belongs to the Aesthetic Movement period of the 19th century, with its enthusiasm for     \u003c\/span\u003e\u003cspan\u003eEast Asian art and the belief that beauty had a place in everyday life. Glass and ceramics were collected and enjoyed for their colour, form and workmanship. That appreciation of a well-made object feels just as relevant today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximately 17 cm high, 7 cm width. In good antique condition, holds water, no chips or cracks. With some wear to the gilding and factory indent on rim.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBone ash was an unexpected ingredient in traditional opaline glass recipes. Rich in calcium phosphate, it helped create the characteristic milky appearance, while metallic oxides supplied the colour. Decorating the finished glass called for another set of skills: French enamel painters drew on the traditions of porcelain decoration, adding fine flowers, foliage and gilding to these luminous surfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}

{"id":10942752293023,"title":"Antique Victorian Pekin Pattern Syrup Jug with Pewter Lid, c.1860–1880","handle":"antique-victorian-pekin-pattern-syrup-jug-with-pewter-lid-c-1860-1880","description":"\u003cp\u003e\u003cimg\u003e\u003cimg\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThis handsome Victorian Staffordshire syrup jug, dating to around 1860–1880, is decorated in the colourful Chinoiserie Pekin pattern, associated with Beech \u0026amp; Hancock and later James Beech. Its elegant pear-shaped body is fitted with a substantial hinged pewter lid, while the decoration depicts an imagined Chinese garden scene in softly coloured enamels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ePekin belongs to the Victorian fascination with China and the wider East, when Staffordshire potteries produced romanticised scenes of distant places for British dining tables. These designs owed more to the European imagination than to everyday life in China, but they were enormously popular and often surprisingly elaborate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat I particularly like about this jug is the contrast between the delicate, almost theatrical scene and the substantial pewter lid. The colours remain wonderfully attractive, and the softly shaped body, with its narrow neck and generous rounded base, has a pleasing elegance. It is a decorative object in its own right, quite apart from its original purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe underside carries a small iron-red painted mark but no manufacturer's backstamp. Examples of the Pekin pattern are known both marked and unmarked, although the precise factory attribution of this jug remains uncertain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions Approximate: \u003c\/strong\u003eHeight\u003cstrong\u003e \u003c\/strong\u003e6 1\/2\" (16.5cm)  x Width 4 1\/2\" (11.5cm) from spout to handle. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Good antique condition with age-related discolouration, light staining and some wear to the decoration. The hinged pewter lid retains its attractive aged patina. A faint surface line is visible near the base, although its nature has not been established. The colourful decoration remains particularly well preserved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector's note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Victorian Chinoiserie tells us as much about British tastes as it does about the countries it was intended to represent. This jug is a particularly appealing survivor, combining colourful Staffordshire decoration with traditional pewter craftsmanship. More than 140 years on, it still has considerable presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-11-04T19:21:13+00:00","created_at":"2026-11-04T18:31:01+00:00","vendor":"Eclectic Design ","type":"Jug","tags":["19th Century","Antique","Antique Ceramics","Chinoiserie","Decorative Jug","Pekin Pattern","Pewter Lid","Staffordshire Pottery","Syrup Jug","Victorian"],"price":8000,"price_min":8000,"price_max":8000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62903042736287,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antique Victorian Pekin Pattern Syrup Jug with Pewter Lid, c.1860–1880","public_title":null,"options":["Default Title"],"price":8000,"weight":1500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4929.png?v=1793819065","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4939.png?v=1793819299","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4937.png?v=1793819363","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4912.png?v=1793819816","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4898.png?v=1793819113","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4901.png?v=1793819154","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926-2.png?v=1793819244","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4928.png?v=1793819209","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4946.png?v=1793819865","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4923_835158e6-cf26-4e45-b54d-bd7739a7a39f.png?v=1793819916"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4929.png?v=1793819065","options":["Title"],"media":[{"alt":"Victorian Pekin pattern syrup jug with colourful chinoiserie figures, palm trees, a geometric rim border and hinged pewter lid.","id":54648871649439,"position":1,"preview_image":{"aspect_ratio":0.75,"height":3836,"width":2877,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4929.png?v=1793819065"},"aspect_ratio":0.75,"height":3836,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4929.png?v=1793819065","width":2877},{"alt":"Spout-facing view of the Victorian Pekin syrup jug, showing its cream body, floral decoration and pewter lid.","id":54648872534175,"position":2,"preview_image":{"aspect_ratio":0.633,"height":3725,"width":2357,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4939.png?v=1793819299"},"aspect_ratio":0.633,"height":3725,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4939.png?v=1793819299","width":2357},{"alt":"Opposite side of the Victorian Pekin syrup jug, showing three chinoiserie figures beneath palm trees and a curved handle.","id":54648872501407,"position":3,"preview_image":{"aspect_ratio":0.75,"height":3740,"width":2805,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4937.png?v=1793819363"},"aspect_ratio":0.75,"height":3740,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4937.png?v=1793819363","width":2805},{"alt":"Rear view of the Pekin syrup jug, showing the dark geometric pattern along the handle and the closed pewter lid.","id":54648887509151,"position":4,"preview_image":{"aspect_ratio":0.794,"height":2453,"width":1948,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4912.png?v=1793819816"},"aspect_ratio":0.794,"height":2453,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4912.png?v=1793819816","width":1948},{"alt":"Top view of the syrup jug’s closed pewter lid, showing its shaped outline, decorative thumbpiece and hinge.","id":54648869978271,"position":5,"preview_image":{"aspect_ratio":0.75,"height":3296,"width":2472,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4898.png?v=1793819113"},"aspect_ratio":0.75,"height":3296,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4898.png?v=1793819113","width":2472},{"alt":"Victorian syrup jug with its hinged pewter lid raised, showing the cream interior, pouring spout and underside of the lid.","id":54648870371487,"position":6,"preview_image":{"aspect_ratio":0.75,"height":3784,"width":2838,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4901.png?v=1793819154"},"aspect_ratio":0.75,"height":3784,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4901.png?v=1793819154","width":2838},{"alt":"Close-up of the jug’s handle and upper attachment beside a seated chinoiserie figure and palm tree decoration.","id":54648870666399,"position":7,"preview_image":{"aspect_ratio":0.661,"height":4032,"width":2665,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926-2.png?v=1793819244"},"aspect_ratio":0.661,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926-2.png?v=1793819244","width":2665},{"alt":"Close-up of the opposite side of the jug’s curved handle, with floral decoration and a seated figure in pink.","id":54648871387295,"position":8,"preview_image":{"aspect_ratio":0.637,"height":4033,"width":2568,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4928.png?v=1793819209"},"aspect_ratio":0.637,"height":4033,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4928.png?v=1793819209","width":2568},{"alt":"Angled underside view of the Victorian Pekin syrup jug, showing the circular foot ring, surface wear and floral decoration.","id":54648887771295,"position":9,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4946.png?v=1793819865"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4946.png?v=1793819865","width":3024},{"alt":"Close-up of the syrup jug’s cream base, showing a small red painted mark and wear around the foot ring.","id":54648888000671,"position":10,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4923_835158e6-cf26-4e45-b54d-bd7739a7a39f.png?v=1793819916"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4923_835158e6-cf26-4e45-b54d-bd7739a7a39f.png?v=1793819916","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cimg\u003e\u003cimg\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThis handsome Victorian Staffordshire syrup jug, dating to around 1860–1880, is decorated in the colourful Chinoiserie Pekin pattern, associated with Beech \u0026amp; Hancock and later James Beech. Its elegant pear-shaped body is fitted with a substantial hinged pewter lid, while the decoration depicts an imagined Chinese garden scene in softly coloured enamels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ePekin belongs to the Victorian fascination with China and the wider East, when Staffordshire potteries produced romanticised scenes of distant places for British dining tables. These designs owed more to the European imagination than to everyday life in China, but they were enormously popular and often surprisingly elaborate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat I particularly like about this jug is the contrast between the delicate, almost theatrical scene and the substantial pewter lid. The colours remain wonderfully attractive, and the softly shaped body, with its narrow neck and generous rounded base, has a pleasing elegance. It is a decorative object in its own right, quite apart from its original purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe underside carries a small iron-red painted mark but no manufacturer's backstamp. Examples of the Pekin pattern are known both marked and unmarked, although the precise factory attribution of this jug remains uncertain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions Approximate: \u003c\/strong\u003eHeight\u003cstrong\u003e \u003c\/strong\u003e6 1\/2\" (16.5cm)  x Width 4 1\/2\" (11.5cm) from spout to handle. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Good antique condition with age-related discolouration, light staining and some wear to the decoration. The hinged pewter lid retains its attractive aged patina. A faint surface line is visible near the base, although its nature has not been established. The colourful decoration remains particularly well preserved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector's note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Victorian Chinoiserie tells us as much about British tastes as it does about the countries it was intended to represent. This jug is a particularly appealing survivor, combining colourful Staffordshire decoration with traditional pewter craftsmanship. More than 140 years on, it still has considerable presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}

{"id":10941381214367,"title":"Seven Antique English Lace Bobbins, 19th Century","handle":"seven-antique-english-lace-bobbins-19th-century","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis group of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eseven antique English lace bobbins\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dating largely to the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e19th century\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, brings together several regional forms associated with Britain’s historic lacemaking centres, including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire, Honiton, Downton and the East Midlands\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Turned in a variety of woods, the group includes heavier unspangled working bobbins, finer pointed forms and a particularly attractive \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003espangled East Midlands bobbin retaining its glass-bead decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eSeven small pieces of turned wood, but together they tell a much bigger story about English lace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLace bobbins were working tools first and foremost, and their different shapes were not simply decorative choices. Weight, length and profile all affected the way thread behaved in the hand. Different lacemaking districts developed their own preferences, which is why bobbins from Buckinghamshire, Devon, Wiltshire and the East Midlands can look surprisingly different despite performing essentially the same task.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two substantial bobbins at the left are most consistent with the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire tradition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. South Bucks bobbins were generally used without spangles, relying instead on the weight of the turned wood to maintain tension. Larger examples are often referred to by collectors as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“thumpers”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while particularly heavy bobbins could be used for thicker or gimp threads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheir weight makes an interesting contrast with the finer dark bobbin beside them. Its slender, pointed form is consistent with a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHoniton-type bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the sort of lightweight tool associated with the exceptionally fine lace made in Devon. The pale pointed example alongside it is rather more substantial and has similarities to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDownton bobbins from Wiltshire\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which can share something of the Honiton profile while being heavier in construction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe most immediately appealing piece in the group is the long \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEast Midlands spangled bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Spangles are closely associated with the lacemaking districts of Bedfordshire, Buckinghamshire and Northamptonshire, where loops of beads added weight to otherwise slender bobbins and also helped prevent them from rolling about on the lace pillow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis example retains its glass-bead spangle and fine wire decoration, which gives it considerably more character than an unadorned working bobbin. Beads, wires and attachments are easily lost over time, so their survival is always worth noting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes the group interesting is precisely this variation. English lacemaking was highly regional, and the tools preserve something of those local traditions in miniature. A Buckinghamshire lacemaker, a Honiton worker and an East Midlands lacemaker might all have been doing closely related work, but the bobbins in their hands could be quite different.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eIdentification, left to right:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-spread=\"false\" start=\"1\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire thumper or heavy lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, turned wood\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSouth Bucks thumper or gimp bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, substantial pear-shaped form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHoniton-type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, slender dark hardwood with pointed body\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDownton-type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, pale wood with long tapering form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEast Midlands spangled lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, wire decorated and retaining its original wire \u0026amp; glass-bead spangle\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDownton or South Bucks type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, long unspangled tapered form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUnusual English turned lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with deeply ring-turned weighted body\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eCollector’s note\u003c\/strong\u003e: I would describe the group broadly as 19th-century English lacemaking equipment\u003cspan\u003e, while allowing that individual bobbins may differ somewhat in age. The regional attributions are based on form, weight and traditional construction rather than maker’s marks, so some remain stylistic identifications rather than documented ones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-24T16:07:13+01:00","created_at":"2026-10-24T15:03:14+01:00","vendor":"Eclectic Design ","type":"Antique Lace Bobbins","tags":["19th Century","English Antiques","Lace Bobbins","Lacemaking","Sewing Collectables"],"price":6500,"price_min":6500,"price_max":6500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62896130588831,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seven Antique English Lace Bobbins, 19th Century","public_title":null,"options":["Default Title"],"price":6500,"weight":500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926.png?v=1792853242"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926.png?v=1792853242","options":["Title"],"media":[{"alt":"Seven antique English wooden lace bobbins in varied turned shapes, including one with a glass-bead spangle","id":54632574222495,"position":1,"preview_image":{"aspect_ratio":1.05,"height":2433,"width":2554,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926.png?v=1792853242"},"aspect_ratio":1.05,"height":2433,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4926.png?v=1792853242","width":2554}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis group of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eseven antique English lace bobbins\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dating largely to the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e19th century\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, brings together several regional forms associated with Britain’s historic lacemaking centres, including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire, Honiton, Downton and the East Midlands\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Turned in a variety of woods, the group includes heavier unspangled working bobbins, finer pointed forms and a particularly attractive \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003espangled East Midlands bobbin retaining its glass-bead decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eSeven small pieces of turned wood, but together they tell a much bigger story about English lace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLace bobbins were working tools first and foremost, and their different shapes were not simply decorative choices. Weight, length and profile all affected the way thread behaved in the hand. Different lacemaking districts developed their own preferences, which is why bobbins from Buckinghamshire, Devon, Wiltshire and the East Midlands can look surprisingly different despite performing essentially the same task.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two substantial bobbins at the left are most consistent with the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire tradition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. South Bucks bobbins were generally used without spangles, relying instead on the weight of the turned wood to maintain tension. Larger examples are often referred to by collectors as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“thumpers”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while particularly heavy bobbins could be used for thicker or gimp threads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheir weight makes an interesting contrast with the finer dark bobbin beside them. Its slender, pointed form is consistent with a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHoniton-type bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the sort of lightweight tool associated with the exceptionally fine lace made in Devon. The pale pointed example alongside it is rather more substantial and has similarities to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDownton bobbins from Wiltshire\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which can share something of the Honiton profile while being heavier in construction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe most immediately appealing piece in the group is the long \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEast Midlands spangled bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Spangles are closely associated with the lacemaking districts of Bedfordshire, Buckinghamshire and Northamptonshire, where loops of beads added weight to otherwise slender bobbins and also helped prevent them from rolling about on the lace pillow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis example retains its glass-bead spangle and fine wire decoration, which gives it considerably more character than an unadorned working bobbin. Beads, wires and attachments are easily lost over time, so their survival is always worth noting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat makes the group interesting is precisely this variation. English lacemaking was highly regional, and the tools preserve something of those local traditions in miniature. A Buckinghamshire lacemaker, a Honiton worker and an East Midlands lacemaker might all have been doing closely related work, but the bobbins in their hands could be quite different.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eIdentification, left to right:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-spread=\"false\" start=\"1\"\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSouth Buckinghamshire thumper or heavy lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, turned wood\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSouth Bucks thumper or gimp bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, substantial pear-shaped form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHoniton-type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, slender dark hardwood with pointed body\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDownton-type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, pale wood with long tapering form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEast Midlands spangled lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, wire decorated and retaining its original wire \u0026amp; glass-bead spangle\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDownton or South Bucks type lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, long unspangled tapered form\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUnusual English turned lace bobbin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with deeply ring-turned weighted body\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eCollector’s note\u003c\/strong\u003e: I would describe the group broadly as 19th-century English lacemaking equipment\u003cspan\u003e, while allowing that individual bobbins may differ somewhat in age. The regional attributions are based on form, weight and traditional construction rather than maker’s marks, so some remain stylistic identifications rather than documented ones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003e\u003cspan\u003eWorldwide Shipping:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}

{"id":10931533349023,"title":"Antique Gouda N.P. Cachepot by Plateelbakkerij Zuid-Holland, 1922","handle":"gouda-vase","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePlateelbakkerij Zuid-Holland Gouda cachepot\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dated \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, is a particularly attractive example of the factory’s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eN.P. “New Porcelain” decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Hand-painted on a pale ground with stylised chrysanthemums, purple starburst flowers, long green stems and filled foliage, it has the lighter and more refined character that makes this part of Gouda production so appealing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlateelbakkerij Zuid-Holland introduced the N.P. range in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1908\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and it represents quite a different side of Gouda pottery from the darker, denser wares people often associate with the name. The pale ground gave the decorators room to work more delicately, and here the fine outlines, dotted detail and carefully filled leaves give the surface a real sense of movement without making it feel crowded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe form itself is low and broad, approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e15 cm in diameter and 10 cm high\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and that shape suits the decoration particularly well. The chrysanthemums and smaller purple flowers travel naturally around the body, with the long green stems helping to tie the composition together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base is especially satisfying because it tells us so much. The \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLazarus Gate\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e identifies Plateelbakkerij Zuid-Holland, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eN.P.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e marks t\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ehe decorative range, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1856\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is the shape number, and the small \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ediamond-shaped mark dates the piece to 1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. There is also a small painter’s monogram, but I would leave the decorator unidentified unless it can be matched securely to a factory list.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e This is the sort of Gouda piece I find particularly rewarding because the history is all there in the marks. We are not simply saying “early twentieth century” or “in the style of.” We can place it firmly at Zuid-Holland, within the N.P. range, and to the year \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The painting is restrained but very confident, and the floral decoration still carries something of the Art Nouveau taste from which the range developed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-25T10:18:13+00:00","created_at":"2026-08-31T10:16:22+01:00","vendor":"Eclectic Design ","type":"cachepot","tags":["Antique Cachepot","Art Nouveau","Dutch Pottery","Gouda Pottery","Plateelbakkerij Zuid-Holland"],"price":9000,"price_min":9000,"price_max":9000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62856741355679,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antique Gouda N.P. Cachepot by Plateelbakkerij Zuid-Holland, 1922","public_title":null,"options":["Default Title"],"price":9000,"weight":2000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4859.png?v=1792919608","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4862.png?v=1792919548","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4858.png?v=1792919740","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4860.png?v=1792919677","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4873.png?v=1792919262","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4868.png?v=1792919471"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4859.png?v=1792919608","options":["Title"],"media":[{"alt":"1922 Gouda N.P. cachepot by Plateelbakkerij Zuid-Holland, with hand-painted chrysanthemums, purple flowers and green foliage.","id":54632759951519,"position":1,"preview_image":{"aspect_ratio":1.286,"height":2373,"width":3051,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4859.png?v=1792919608"},"aspect_ratio":1.286,"height":2373,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4859.png?v=1792919608","width":3051},{"alt":"Side view of the Gouda cachepot showing ochre and rust-coloured chrysanthemums with curling green stems on a cream ground.","id":54632759918751,"position":2,"preview_image":{"aspect_ratio":1.332,"height":2315,"width":3083,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4862.png?v=1792919548"},"aspect_ratio":1.332,"height":2315,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4862.png?v=1792919548","width":3083},{"alt":"Rounded Gouda pottery cachepot with purple starburst flowers, ochre chrysanthemums and dark green leaves beneath a short flared rim.","id":54632760017055,"position":3,"preview_image":{"aspect_ratio":1.205,"height":2473,"width":2980,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4858.png?v=1792919740"},"aspect_ratio":1.205,"height":2473,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4858.png?v=1792919740","width":2980},{"alt":"Reverse view of the Gouda N.P. cachepot showing a hanging flower bud, scrolling stems and green and ochre leaves.","id":54632759984287,"position":4,"preview_image":{"aspect_ratio":1.22,"height":2440,"width":2977,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4860.png?v=1792919677"},"aspect_ratio":1.22,"height":2440,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4860.png?v=1792919677","width":2977},{"alt":"Top view of the Gouda cachepot showing its circular opening, cream-glazed interior and hand-painted floral decoration around the shoulder.","id":54632759689375,"position":5,"preview_image":{"aspect_ratio":0.999,"height":2655,"width":2653,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4873.png?v=1792919262"},"aspect_ratio":0.999,"height":2655,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4873.png?v=1792919262","width":2653},{"alt":"Underside of the Gouda cachepot showing the painted Lazarus Gate factory mark, N.P. initials, shape number 1856 and diamond date mark.","id":54632759885983,"position":6,"preview_image":{"aspect_ratio":1.0,"height":2658,"width":2657,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4868.png?v=1792919471"},"aspect_ratio":1.0,"height":2658,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_4868.png?v=1792919471","width":2657}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePlateelbakkerij Zuid-Holland Gouda cachepot\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dated \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, is a particularly attractive example of the factory’s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eN.P. “New Porcelain” decoration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Hand-painted on a pale ground with stylised chrysanthemums, purple starburst flowers, long green stems and filled foliage, it has the lighter and more refined character that makes this part of Gouda production so appealing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlateelbakkerij Zuid-Holland introduced the N.P. range in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1908\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and it represents quite a different side of Gouda pottery from the darker, denser wares people often associate with the name. The pale ground gave the decorators room to work more delicately, and here the fine outlines, dotted detail and carefully filled leaves give the surface a real sense of movement without making it feel crowded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe form itself is low and broad, approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e15 cm in diameter and 10 cm high\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and that shape suits the decoration particularly well. The chrysanthemums and smaller purple flowers travel naturally around the body, with the long green stems helping to tie the composition together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base is especially satisfying because it tells us so much. The \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLazarus Gate\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e identifies Plateelbakkerij Zuid-Holland, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eN.P.\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e marks t\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003ehe decorative range, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1856\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is the shape number, and the small \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ediamond-shaped mark dates the piece to 1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. There is also a small painter’s monogram, but I would leave the decorator unidentified unless it can be matched securely to a factory list.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s note:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e This is the sort of Gouda piece I find particularly rewarding because the history is all there in the marks. We are not simply saying “early twentieth century” or “in the style of.” We can place it firmly at Zuid-Holland, within the N.P. range, and to the year \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1922\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The painting is restrained but very confident, and the floral decoration still carries something of the Art Nouveau taste from which the range developed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e"}

{"id":10940299870367,"title":"Henry Matthews Victorian Silver Perfume Bottle, Chester 1896","handle":"henry-matthews-victorian-silver-scent-bottle-chester-1896","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThe silver top is every bit as decorative as the glass beneath it. Embossed flowers and scrolling foliage cover its domed surface, above a rounded body of hobnail-cut glass. Larger polished facets catch the light between the close cutting, and even the underside is finished with a cut star.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eBy Henry Matthews and hallmarked Chester 1896, this late Victorian sterling silver and glass perfume bottle is a generous dressing-table size. The silver top unscrews to reveal the original glass stopper, which remains a snug fit. The top is gilded inside, too—one of those less visible details that says much about the quality of a piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximate dimensions: 11 cm high × 9 cm wide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe glass is in excellent condition, with no chips or cracks. There are some pinprick holes in the silver top, and the hallmarks show rubbing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHenry Matthews worked from Vittoria Street in Birmingham, producing silver dressing-table pieces including scent bottles, mirrors and vanity jars. He registered his distinctive HM maker’s mark at Chester in November 1894, two years before this bottle was hallmarked there. Chester marks hold particular interest for collectors of English silver; the assay office closed in 1962.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2026-10-17T07:00:55+01:00","created_at":"2026-10-16T10:54:53+01:00","vendor":"Eclectic Design ","type":"Antique Scent Bottles","tags":["Antique Scent Bottle","Chester Silver 1896","Cut Glass Perfume Bottle","Henry Matthews","Victorian Silver"],"price":15900,"price_min":15900,"price_max":15900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62892598001823,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Henry Matthews Victorian Silver Perfume Bottle, Chester 1896","public_title":null,"options":["Default Title"],"price":15900,"weight":2000,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5946.png?v=1792144431","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9724.png?v=1792233424","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5951.png?v=1792144288","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9723.png?v=1792233386","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5947.png?v=1792144174","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5948.png?v=1792144224","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9727.png?v=1792233476","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5945.png?v=1792144128","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9722.png?v=1792233520"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5946.png?v=1792144431","options":["Title"],"media":[{"alt":"Henry Matthews Victorian scent bottle with hobnail-cut glass body and embossed silver lid decorated with flowers and scrollwork.","id":54620244213919,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2083,"width":2083,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5946.png?v=1792144431"},"aspect_ratio":1.0,"height":2083,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5946.png?v=1792144431","width":2083},{"alt":null,"id":54621004398751,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2018,"width":2018,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9724.png?v=1792233424"},"aspect_ratio":1.0,"height":2018,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9724.png?v=1792233424","width":2018},{"alt":"Star-cut base of the Victorian glass scent bottle, with the detached hallmarked silver screw cap beside it.","id":54620244377759,"position":3,"preview_image":{"aspect_ratio":1.0,"height":2073,"width":2073,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5951.png?v=1792144288"},"aspect_ratio":1.0,"height":2073,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5951.png?v=1792144288","width":2073},{"alt":null,"id":54621004333215,"position":4,"preview_image":{"aspect_ratio":0.999,"height":2375,"width":2373,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9723.png?v=1792233386"},"aspect_ratio":0.999,"height":2375,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9723.png?v=1792233386","width":2373},{"alt":"Victorian silver and cut-glass scent bottle showing the floral embossed lid and hallmarks on the silver collar.","id":54620244279455,"position":5,"preview_image":{"aspect_ratio":1.0,"height":2434,"width":2434,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5947.png?v=1792144174"},"aspect_ratio":1.0,"height":2434,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5947.png?v=1792144174","width":2434},{"alt":"Antique cut-glass scent bottle with its original glass stopper exposed and decorative silver screw cap placed alongside.","id":54620244312223,"position":6,"preview_image":{"aspect_ratio":1.0,"height":2428,"width":2428,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5948.png?v=1792144224"},"aspect_ratio":1.0,"height":2428,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5948.png?v=1792144224","width":2428},{"alt":null,"id":54621004464287,"position":7,"preview_image":{"aspect_ratio":1.0,"height":2557,"width":2557,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9727.png?v=1792233476"},"aspect_ratio":1.0,"height":2557,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9727.png?v=1792233476","width":2557},{"alt":"Henry Matthews silver scent bottle, Chester 1896, with a rounded hobnail-cut glass body and domed floral silver cap.","id":54620244246687,"position":8,"preview_image":{"aspect_ratio":1.0,"height":2576,"width":2576,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5945.png?v=1792144128"},"aspect_ratio":1.0,"height":2576,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_5945.png?v=1792144128","width":2576},{"alt":null,"id":54621004431519,"position":9,"preview_image":{"aspect_ratio":1.0,"height":2098,"width":2098,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9722.png?v=1792233520"},"aspect_ratio":1.0,"height":2098,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_9722.png?v=1792233520","width":2098}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eThe silver top is every bit as decorative as the glass beneath it. Embossed flowers and scrolling foliage cover its domed surface, above a rounded body of hobnail-cut glass. Larger polished facets catch the light between the close cutting, and even the underside is finished with a cut star.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eBy Henry Matthews and hallmarked Chester 1896, this late Victorian sterling silver and glass perfume bottle is a generous dressing-table size. The silver top unscrews to reveal the original glass stopper, which remains a snug fit. The top is gilded inside, too—one of those less visible details that says much about the quality of a piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApproximate dimensions: 11 cm high × 9 cm wide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe glass is in excellent condition, with no chips or cracks. There are some pinprick holes in the silver top, and the hallmarks show rubbing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHenry Matthews worked from Vittoria Street in Birmingham, producing silver dressing-table pieces including scent bottles, mirrors and vanity jars. He registered his distinctive HM maker’s mark at Chester in November 1894, two years before this bottle was hallmarked there. Chester marks hold particular interest for collectors of English silver; the assay office closed in 1962.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003eWorldwide Shipping:\u003c\/strong\u003e We are always happy to ship worldwide. Your piece will be  packed with great care and sent tracked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":10923317493919,"title":"Victorian Wedgwood Green Majolica Strawberry Leaf Sweetmeat Serving Dish, c.1880","handle":"victorian-wedgwood-green-majolica-strawberry-leaf-sweetmeat-dish","description":"\u003cp data-start=\"78\" data-end=\"205\" class=\"PDq2pG_selectionAnchorContainer\"\u003eA particularly fine Victorian Wedgwood majolica sweetmeat dish, produced in England during the latter part of the 19th century.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"207\" data-end=\"399\"\u003eMoulded with overlapping strawberry leaves around a central basketweave motif, the dish is finished in a deep green glaze that pools within the recesses, bringing out the detail of the design.\u003c\/p\u003e\n\u003cp data-start=\"401\" data-end=\"625\"\u003eOriginally intended for serving sweetmeats or small desserts, the dish is both practical and decorative. The rich green colour and sculptural surface work equally well within traditional, contemporary and eclectic interiors.\u003c\/p\u003e\n\u003cp data-start=\"627\" data-end=\"800\"\u003eImpressed WEDGWOOD to the reverse. The absence of an ENGLAND mark supports a date before 1891. Three small sagger marks beneath are original to the Victorian firing process.\u003c\/p\u003e\n\u003cp data-start=\"802\" data-end=\"815\"\u003e\u003cstrong data-start=\"802\" data-end=\"815\"\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"817\" data-end=\"951\"\u003eExcellent antique condition. Free from chips, cracks, repairs or restoration. The glaze remains rich and exceptionally well preserved.\u003c\/p\u003e\n\u003cp data-start=\"953\" data-end=\"967\"\u003e\u003cstrong data-start=\"953\" data-end=\"967\"\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"969\" data-end=\"979\"\u003e28 × 23 cm approximate\u003c\/p\u003e\n\u003cp data-start=\"981\" data-end=\"991\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"981\" data-end=\"991\"\u003eOrigin\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1017\"\u003eEngland, circa 1870–1890\u003c\/p\u003e\n\u003cp data-start=\"1019\" data-end=\"1194\"\u003e\u003cstrong data-start=\"1019\" data-end=\"1041\"\u003eWORLDWIDE SHIPPING\u003c\/strong\u003e Worldwide shipping available. All our fragile items are packed carefully for transit. Please message for additional photographs or delivery information.\u003c\/p\u003e\n\u003cp data-start=\"1196\" data-end=\"1216\"\u003e\u003cstrong data-start=\"1196\" data-end=\"1216\"\u003eCollector’s Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1218\" data-end=\"1496\"\u003eWedgwood began producing majolica in 1861, and by the 1870s it had become one of the factory’s most important decorative lines. During the peak years of 1875–1880, Wedgwood introduced an extraordinary number of new designs, many inspired by leaves, fruit and woven basket forms.\u003c\/p\u003e\n\u003cp data-start=\"1498\" data-end=\"1708\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWedgwood grouped many of its naturalistic leaf designs under the name Leafage. Its 1878 catalogue also includes a Strawberry Dish, placing this form firmly within the factory’s peak period of majolica production.\u003c\/span\u003e The larger oblong sweetmeat dish is less frequently encountered than Wedgwood’s familiar round leaf plates, particularly in this condition\u003c\/p\u003e","published_at":"2026-07-18T16:35:21+01:00","created_at":"2026-07-18T15:56:23+01:00","vendor":"Wedgwood","type":"Serving Platter","tags":["Antique","Ceramics","Majolica","Victorian","Wedgwood"],"price":18500,"price_min":18500,"price_max":18500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62832408166559,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Victorian Wedgwood Green Majolica Strawberry Leaf Sweetmeat Serving Dish, c.1880","public_title":null,"options":["Default Title"],"price":18500,"weight":500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-2.jpg?v=1784385967","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-3.jpg?v=1784388627"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-2.jpg?v=1784385967","options":["Title"],"media":[{"alt":"Victorian Wedgwood green majolica Strawberry Leaf sweetmeat serving dish","id":54428906979487,"position":1,"preview_image":{"aspect_ratio":1.166,"height":3024,"width":3527,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-2.jpg?v=1784385967"},"aspect_ratio":1.166,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-2.jpg?v=1784385967","width":3527},{"alt":"Reverse of Wedgwood majolica serving dish with impressed WEDGWOOD mark","id":54428980838559,"position":2,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-3.jpg?v=1784388627"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-3.jpg?v=1784388627","width":4032}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-start=\"78\" data-end=\"205\" class=\"PDq2pG_selectionAnchorContainer\"\u003eA particularly fine Victorian Wedgwood majolica sweetmeat dish, produced in England during the latter part of the 19th century.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"207\" data-end=\"399\"\u003eMoulded with overlapping strawberry leaves around a central basketweave motif, the dish is finished in a deep green glaze that pools within the recesses, bringing out the detail of the design.\u003c\/p\u003e\n\u003cp data-start=\"401\" data-end=\"625\"\u003eOriginally intended for serving sweetmeats or small desserts, the dish is both practical and decorative. The rich green colour and sculptural surface work equally well within traditional, contemporary and eclectic interiors.\u003c\/p\u003e\n\u003cp data-start=\"627\" data-end=\"800\"\u003eImpressed WEDGWOOD to the reverse. The absence of an ENGLAND mark supports a date before 1891. Three small sagger marks beneath are original to the Victorian firing process.\u003c\/p\u003e\n\u003cp data-start=\"802\" data-end=\"815\"\u003e\u003cstrong data-start=\"802\" data-end=\"815\"\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"817\" data-end=\"951\"\u003eExcellent antique condition. Free from chips, cracks, repairs or restoration. The glaze remains rich and exceptionally well preserved.\u003c\/p\u003e\n\u003cp data-start=\"953\" data-end=\"967\"\u003e\u003cstrong data-start=\"953\" data-end=\"967\"\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"969\" data-end=\"979\"\u003e28 × 23 cm approximate\u003c\/p\u003e\n\u003cp data-start=\"981\" data-end=\"991\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"981\" data-end=\"991\"\u003eOrigin\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1017\"\u003eEngland, circa 1870–1890\u003c\/p\u003e\n\u003cp data-start=\"1019\" data-end=\"1194\"\u003e\u003cstrong data-start=\"1019\" data-end=\"1041\"\u003eWORLDWIDE SHIPPING\u003c\/strong\u003e Worldwide shipping available. All our fragile items are packed carefully for transit. Please message for additional photographs or delivery information.\u003c\/p\u003e\n\u003cp data-start=\"1196\" data-end=\"1216\"\u003e\u003cstrong data-start=\"1196\" data-end=\"1216\"\u003eCollector’s Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1218\" data-end=\"1496\"\u003eWedgwood began producing majolica in 1861, and by the 1870s it had become one of the factory’s most important decorative lines. During the peak years of 1875–1880, Wedgwood introduced an extraordinary number of new designs, many inspired by leaves, fruit and woven basket forms.\u003c\/p\u003e\n\u003cp data-start=\"1498\" data-end=\"1708\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWedgwood grouped many of its naturalistic leaf designs under the name Leafage. Its 1878 catalogue also includes a Strawberry Dish, placing this form firmly within the factory’s peak period of majolica production.\u003c\/span\u003e The larger oblong sweetmeat dish is less frequently encountered than Wedgwood’s familiar round leaf plates, particularly in this condition\u003c\/p\u003e"}

{"id":9243710324895,"title":"Δύο μπαούλα ατμομάγειρας από καμβά αντίκες Bentwood με δερμάτινα χερούλια","handle":"two-antique-elm-bentwood-cobered-with-canvas-stemer-trunk-with-leather-handles","description":"\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Δύο μπαούλα ατμόπλοιου από λυγισμένο ξύλο και καμβά αντίκες σε καλή αρχική κατάσταση.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003eΚαι οι δύο κορμοί είναι καλυμμένοι με καμβά και έχουν όλες τις χοντρές δερμάτινες λαβές τους ανέπαφες. Ο μικρότερος κορμός έχει μερικές πρωτότυπες ετικέτες και ο μεγαλύτερος κορμός έχει τα αρχικά του πρώην ιδιοκτήτη MW με διάτρητο μαύρο και στα δύο άκρα.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Παραδοσιακά δεμένα με φτελιά και οξιά, και τα δύο πορτ μπαγκάζ έχουν δύο μεγάλες ασφαλείς κλειδαριές μοχλού με κουμπώματα και στο κέντρο του μεγαλύτερου κορμού υπάρχει ένα μάνδαλο ανύψωσης, όλα σε κατάσταση λειτουργίας. \u003cspan style=\"font-size: 0.875rem;\"\u003eΤο πίσω μέρος και των δύο πορτμπαγκάζ έχει δερμάτινο μεντεσέ σε όλο το μήκος που ασφαλίζεται με ατσάλινα πριτσίνια. Και οι δύο κορμοί έχουν το αρχικό εσωτερικό τους, συμπεριλαμβανομένων των επάνω δίσκων. Είναι όμορφα κατασκευασμένα και τόσο στιβαρά σήμερα όσο την ημέρα που κατασκευάστηκαν.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Αυτά τα μπαούλα είναι σε καλή αρχική κατάσταση και η τιμή αντικατοπτρίζει αυτό. Είμαστε στην ευχάριστη θέση να τα αποκαταστήσουμε πλήρως με επιπλέον κόστος που θα συμφωνηθεί, και μπορούμε επίσης να προσφέρουμε\/παρέχουμε το ποτήρι της πλάκας για να τα μετατρέψουμε σε τραπεζάκια σαλονιού.\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003eΕίμαστε πάντα πρόθυμοι να απαντήσουμε σε οποιεσδήποτε ερωτήσεις ή να στείλουμε περαιτέρω φωτογραφίες.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Μικρότερος κορμός: Ύψος: 34 cm, 13,1\/2\" Πλάτος: 70 cm, 27 1\/2\" Βάθος: 48,5 cm, 19\" Κατά προσέγγιση εξωτερική μέτρηση στο φαρδύτερο σημείο\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Κορμός Lager: Ύψος: 34 cm, 13 1\/2\" Πλάτος: 92 cm, 36\" Βάθος: 52 cm, 201\/2\" Κατά προσέγγιση εξωτερική μέτρηση στο φαρδύτερο σημείο\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" 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Handles","id":32124801613983,"position":16,"preview_image":{"aspect_ratio":1.217,"height":750,"width":913,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_7nue.jpg?v=1712777129"},"aspect_ratio":1.217,"height":750,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_7nue.jpg?v=1712777129","width":913},{"alt":"Antique Bentwood Canvas Steamer Trunks with Leather Handles","id":32124801745055,"position":17,"preview_image":{"aspect_ratio":1.333,"height":768,"width":1024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_4nhm.png?v=1712776968"},"aspect_ratio":1.333,"height":768,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_4nhm.png?v=1712776968","width":1024},{"alt":"Antique Bentwood Canvas Steamer Trunks with Leather Handles","id":32124801548447,"position":18,"preview_image":{"aspect_ratio":1.12,"height":1785,"width":2000,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_7sad.jpg?v=1712777129"},"aspect_ratio":1.12,"height":1785,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_7sad.jpg?v=1712777129","width":2000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Δύο μπαούλα ατμόπλοιου από λυγισμένο ξύλο και καμβά αντίκες σε καλή αρχική κατάσταση.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003eΚαι οι δύο κορμοί είναι καλυμμένοι με καμβά και έχουν όλες τις χοντρές δερμάτινες λαβές τους ανέπαφες. Ο μικρότερος κορμός έχει μερικές πρωτότυπες ετικέτες και ο μεγαλύτερος κορμός έχει τα αρχικά του πρώην ιδιοκτήτη MW με διάτρητο μαύρο και στα δύο άκρα.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Παραδοσιακά δεμένα με φτελιά και οξιά, και τα δύο πορτ μπαγκάζ έχουν δύο μεγάλες ασφαλείς κλειδαριές μοχλού με κουμπώματα και στο κέντρο του μεγαλύτερου κορμού υπάρχει ένα μάνδαλο ανύψωσης, όλα σε κατάσταση λειτουργίας. \u003cspan style=\"font-size: 0.875rem;\"\u003eΤο πίσω μέρος και των δύο πορτμπαγκάζ έχει δερμάτινο μεντεσέ σε όλο το μήκος που ασφαλίζεται με ατσάλινα πριτσίνια. Και οι δύο κορμοί έχουν το αρχικό εσωτερικό τους, συμπεριλαμβανομένων των επάνω δίσκων. Είναι όμορφα κατασκευασμένα και τόσο στιβαρά σήμερα όσο την ημέρα που κατασκευάστηκαν.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Αυτά τα μπαούλα είναι σε καλή αρχική κατάσταση και η τιμή αντικατοπτρίζει αυτό. Είμαστε στην ευχάριστη θέση να τα αποκαταστήσουμε πλήρως με επιπλέον κόστος που θα συμφωνηθεί, και μπορούμε επίσης να προσφέρουμε\/παρέχουμε το ποτήρι της πλάκας για να τα μετατρέψουμε σε τραπεζάκια σαλονιού.\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003eΕίμαστε πάντα πρόθυμοι να απαντήσουμε σε οποιεσδήποτε ερωτήσεις ή να στείλουμε περαιτέρω φωτογραφίες.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Μικρότερος κορμός: Ύψος: 34 cm, 13,1\/2\" Πλάτος: 70 cm, 27 1\/2\" Βάθος: 48,5 cm, 19\" Κατά προσέγγιση εξωτερική μέτρηση στο φαρδύτερο σημείο\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e Κορμός Lager: Ύψος: 34 cm, 13 1\/2\" Πλάτος: 92 cm, 36\" Βάθος: 52 cm, 201\/2\" Κατά προσέγγιση εξωτερική μέτρηση στο φαρδύτερο σημείο\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e\u003c\/p\u003e"}

{"id":10838407151775,"title":"Christopher Dresser for Linthorpe Art Pottery — Signed Vase, England, c.1880s","handle":"christopher-dresser-signed-vase-linthorpe-art-pottery-england-c-1880-authenticated","description":"\u003cp data-end=\"237\" data-start=\"78\"\u003eA signed ceramic work by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eChristopher Dresser\u003c\/span\u003e\u003c\/span\u003e, produced for Linthorpe Art Pottery, Middlesbrough, during the height of the Aesthetic Movement.\u003c\/p\u003e\n\u003cp data-end=\"644\" data-start=\"239\"\u003eStanding 16 cm high and approximately 13 cm wide, the vase exemplifies Dresser’s highly influential approach to form — combining architectural simplicity with richly expressive surface treatment. The flowing glaze moves through tones of deep umber, caramel, and golden ochre, with subtle tonal variations that reveal the handmade character of the piece and the experimental nature of Linthorpe production.\u003c\/p\u003e\n\u003cp data-end=\"792\" data-start=\"646\"\u003eA faint green kiln line on the base, created during the firing process, remains visible and forms part of the vase’s authentic studio character.\u003c\/p\u003e\n\u003cp data-end=\"1057\" data-start=\"794\"\u003eUnlike many surviving examples, this vase bears an incised Christopher Dresser signature beneath the glaze, together with the impressed Linthorpe mark — a particularly desirable feature for collectors of 19th-century British art pottery and design reform objects.\u003c\/p\u003e\n\u003cp data-end=\"1495\" data-start=\"1059\"\u003eChristopher Dresser (1834–1904) is widely regarded as one of the most influential designers of the Victorian period and among the earliest figures to unite art, industry, and modern manufacturing principles. His work for Linthorpe Art Pottery between 1879 and 1882 produced some of the most innovative ceramic forms of the late 19th century, combining Japanese influence, functional clarity, and a remarkably modern sense of proportion.\u003c\/p\u003e\n\u003ch3 data-end=\"1508\" data-start=\"1497\"\u003eDetails\u003c\/h3\u003e\n\u003cul data-end=\"1895\" data-start=\"1510\"\u003e\n\u003cli data-end=\"1543\" data-start=\"1510\"\u003eDesigner: Christopher Dresser\u003c\/li\u003e\n\u003cli data-end=\"1600\" data-start=\"1544\"\u003eMaker: Linthorpe Art Pottery, Middlesbrough, England\u003c\/li\u003e\n\u003cli data-end=\"1621\" data-start=\"1601\"\u003eDate: Circa 1880\u003c\/li\u003e\n\u003cli data-end=\"1654\" data-start=\"1622\"\u003eMaterial: Glazed earthenware\u003c\/li\u003e\n\u003cli data-end=\"1720\" data-start=\"1655\"\u003eMarks: Impressed Linthorpe mark and incised Dresser signature\u003c\/li\u003e\n\u003cli data-end=\"1774\" data-start=\"1721\"\u003eDimensions: 16 cm high × approximately 13 cm wide\u003c\/li\u003e\n\u003cli data-end=\"1895\" data-start=\"1775\"\u003eCondition: Excellent antique condition with no restorations; kiln and firing marks consistent with period production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"1911\" data-start=\"1897\"\u003eProvenance\u003c\/h3\u003e\n\u003cp data-end=\"2023\" data-start=\"1913\"\u003eAuthenticated by a leading UK auction house as an original Christopher Dresser work for Linthorpe Art Pottery.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2164\" data-start=\"2025\"\u003eA highly collectible example of late 19th-century British design reform, reflecting Dresser’s enduring influence on modern decorative arts.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2164\" data-start=\"2025\"\u003e\u003cspan\u003eWORLDWIDE SHIPPING \u003c\/span\u003e\u003cspan\u003eWorldwide shipping available. All our fragile items are packed carefully for transit.\u003c\/span\u003e\u003cspan\u003e Please message for additional photographs or delivery information.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-26T10:37:52+01:00","created_at":"2025-07-06T13:02:38+01:00","vendor":"Eclectic Design","type":"Vase","tags":["19th Century Design","Aesthetic Movement","Antique Ceramics","British Art Pottery","Christopher Dresser","Christopher Dresser Vase","Collectable Design","Design Reform","Linthorpe Art Pottery","Linthorpe Pottery","Minimalist Decor","Signed Pottery","Victorian Ceramics"],"price":175000,"price_min":175000,"price_max":175000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62376733507743,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christopher Dresser for Linthorpe Art Pottery — Signed Vase, England, c.1880s","public_title":null,"options":["Default Title"],"price":175000,"weight":500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2561_1.jpg?v=1779787391","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3778.png?v=1779786621","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3786.png?v=1779787189","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3788.png?v=1779787091","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3791.png?v=1779787283","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3778-3.png?v=1779786622","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3782-2.png?v=1779786621","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3781.png?v=1779787482","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3778-2.png?v=1779786622","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3782.png?v=1779786621"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2561_1.jpg?v=1779787391","options":["Title"],"media":[{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326624927,"position":1,"preview_image":{"aspect_ratio":0.725,"height":2005,"width":1454,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2561_1.jpg?v=1779787391"},"aspect_ratio":0.725,"height":2005,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2561_1.jpg?v=1779787391","width":1454},{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326559391,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3778.png?v=1779786621"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3778.png?v=1779786621","width":3024},{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326919839,"position":3,"preview_image":{"aspect_ratio":1.0,"height":3017,"width":3016,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3786.png?v=1779787189"},"aspect_ratio":1.0,"height":3017,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3786.png?v=1779787189","width":3016},{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326952607,"position":4,"preview_image":{"aspect_ratio":0.849,"height":3561,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3788.png?v=1779787091"},"aspect_ratio":0.849,"height":3561,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3788.png?v=1779787091","width":3024},{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326821535,"position":5,"preview_image":{"aspect_ratio":0.928,"height":3260,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3791.png?v=1779787283"},"aspect_ratio":0.928,"height":3260,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3791.png?v=1779787283","width":3024},{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326723231,"position":6,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3778-3.png?v=1779786622"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3778-3.png?v=1779786622","width":3024},{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326854303,"position":7,"preview_image":{"aspect_ratio":0.748,"height":3832,"width":2865,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3782-2.png?v=1779786621"},"aspect_ratio":0.748,"height":3832,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3782-2.png?v=1779786621","width":2865},{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326755999,"position":8,"preview_image":{"aspect_ratio":0.745,"height":3776,"width":2814,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3781.png?v=1779787482"},"aspect_ratio":0.745,"height":3776,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3781.png?v=1779787482","width":2814},{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326690463,"position":9,"preview_image":{"aspect_ratio":0.757,"height":3994,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3778-2.png?v=1779786622"},"aspect_ratio":0.757,"height":3994,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3778-2.png?v=1779786622","width":3024},{"alt":"Christopher Dresser Signed Vase | Linthorpe Art Pottery | England, c.1880 |","id":54345326887071,"position":10,"preview_image":{"aspect_ratio":0.748,"height":3832,"width":2865,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3782.png?v=1779786621"},"aspect_ratio":0.748,"height":3832,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_3782.png?v=1779786621","width":2865}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-end=\"237\" data-start=\"78\"\u003eA signed ceramic work by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eChristopher Dresser\u003c\/span\u003e\u003c\/span\u003e, produced for Linthorpe Art Pottery, Middlesbrough, during the height of the Aesthetic Movement.\u003c\/p\u003e\n\u003cp data-end=\"644\" data-start=\"239\"\u003eStanding 16 cm high and approximately 13 cm wide, the vase exemplifies Dresser’s highly influential approach to form — combining architectural simplicity with richly expressive surface treatment. The flowing glaze moves through tones of deep umber, caramel, and golden ochre, with subtle tonal variations that reveal the handmade character of the piece and the experimental nature of Linthorpe production.\u003c\/p\u003e\n\u003cp data-end=\"792\" data-start=\"646\"\u003eA faint green kiln line on the base, created during the firing process, remains visible and forms part of the vase’s authentic studio character.\u003c\/p\u003e\n\u003cp data-end=\"1057\" data-start=\"794\"\u003eUnlike many surviving examples, this vase bears an incised Christopher Dresser signature beneath the glaze, together with the impressed Linthorpe mark — a particularly desirable feature for collectors of 19th-century British art pottery and design reform objects.\u003c\/p\u003e\n\u003cp data-end=\"1495\" data-start=\"1059\"\u003eChristopher Dresser (1834–1904) is widely regarded as one of the most influential designers of the Victorian period and among the earliest figures to unite art, industry, and modern manufacturing principles. His work for Linthorpe Art Pottery between 1879 and 1882 produced some of the most innovative ceramic forms of the late 19th century, combining Japanese influence, functional clarity, and a remarkably modern sense of proportion.\u003c\/p\u003e\n\u003ch3 data-end=\"1508\" data-start=\"1497\"\u003eDetails\u003c\/h3\u003e\n\u003cul data-end=\"1895\" data-start=\"1510\"\u003e\n\u003cli data-end=\"1543\" data-start=\"1510\"\u003eDesigner: Christopher Dresser\u003c\/li\u003e\n\u003cli data-end=\"1600\" data-start=\"1544\"\u003eMaker: Linthorpe Art Pottery, Middlesbrough, England\u003c\/li\u003e\n\u003cli data-end=\"1621\" data-start=\"1601\"\u003eDate: Circa 1880\u003c\/li\u003e\n\u003cli data-end=\"1654\" data-start=\"1622\"\u003eMaterial: Glazed earthenware\u003c\/li\u003e\n\u003cli data-end=\"1720\" data-start=\"1655\"\u003eMarks: Impressed Linthorpe mark and incised Dresser signature\u003c\/li\u003e\n\u003cli data-end=\"1774\" data-start=\"1721\"\u003eDimensions: 16 cm high × approximately 13 cm wide\u003c\/li\u003e\n\u003cli data-end=\"1895\" data-start=\"1775\"\u003eCondition: Excellent antique condition with no restorations; kiln and firing marks consistent with period production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"1911\" data-start=\"1897\"\u003eProvenance\u003c\/h3\u003e\n\u003cp data-end=\"2023\" data-start=\"1913\"\u003eAuthenticated by a leading UK auction house as an original Christopher Dresser work for Linthorpe Art Pottery.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2164\" data-start=\"2025\"\u003eA highly collectible example of late 19th-century British design reform, reflecting Dresser’s enduring influence on modern decorative arts.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"2164\" data-start=\"2025\"\u003e\u003cspan\u003eWORLDWIDE SHIPPING \u003c\/span\u003e\u003cspan\u003eWorldwide shipping available. All our fragile items are packed carefully for transit.\u003c\/span\u003e\u003cspan\u003e Please message for additional photographs or delivery information.\u003c\/span\u003e\u003c\/p\u003e"}

{"id":10923368415391,"title":"Pair of Victorian Wedgwood Green Majolica Sunflower Plates","handle":"pair-wedgwood-green-majolica-sunflower-plates","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\" data-end=\"61\" data-start=\"0\"\u003ePair of Victorian Wedgwood Green Majolica Sunflower Plates\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-start=\"237\" data-end=\"536\"\u003eThese two Victorian Wedgwood plates are from the Sunflower pattern, one of the factory’s earliest and most recognisable majolica designs. Each is deeply moulded with a large flower head surrounded by a basketweave border, with the translucent green glaze bringing out the detail of the design.\u003c\/p\u003e\n\u003cp data-start=\"538\" data-end=\"876\"\u003eMade in 1878 and 1879, the plates share closely matched deep green glazes. \u003cspan\u003eOn the 1879 plate, the glaze has pooled more heavily across the edge of the well, creating a circle of deeper, almost black-green colour.\u003c\/span\u003e This original firing variation gives each plate its own character while allowing them to sit naturally as a pair.\u003c\/p\u003e\n\u003cp data-end=\"589\" data-start=\"576\"\u003e\u003cstrong data-end=\"589\" data-start=\"576\"\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"712\" data-start=\"591\"\u003eExcellent antique condition. Both plates are free from chips, cracks, repairs or restoration, and the glaze remains rich.\u003c\/p\u003e\n\u003cp data-end=\"728\" data-start=\"714\"\u003e\u003cstrong data-end=\"728\" data-start=\"714\"\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"764\" data-start=\"730\"\u003eApproximately 22 cm diameter each.\u003c\/p\u003e\n\u003cp data-end=\"776\" data-start=\"766\"\u003e\u003cstrong data-end=\"776\" data-start=\"766\"\u003eOrigin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"811\" data-start=\"778\"\u003eWedgwood, England, 1878 and 1879.\u003c\/p\u003e\n\u003cp data-end=\"835\" data-start=\"813\"\u003e\u003cstrong data-end=\"835\" data-start=\"813\"\u003eWORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"929\" data-start=\"837\"\u003eWorldwide shipping is available. Each piece is carefully packed to ensure it arrives safely.\u003c\/p\u003e\n\u003cp data-end=\"951\" data-start=\"931\"\u003e\u003cstrong data-end=\"951\" data-start=\"931\"\u003eCollector’s Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1274\" data-start=\"953\"\u003eWedgwood introduced the Sunflower pattern in 1860, during the first year of the factory’s majolica production. By the late 1870s, the sunflower had become closely associated with the Aesthetic Movement and its interest in bold, natural forms. \u003c\/p\u003e","published_at":"2026-07-19T15:25:38+01:00","created_at":"2026-07-19T09:51:56+01:00","vendor":"Eclectic Design ","type":"Plate","tags":["antique-plates","majolica","sunflower","victorian","wedgwood"],"price":18500,"price_min":18500,"price_max":18500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":62832482386079,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pair of Victorian Wedgwood Green Majolica Sunflower Plates","public_title":null,"options":["Default Title"],"price":18500,"weight":500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-13.jpg?v=1784468738","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-8.jpg?v=1784454862","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-7.jpg?v=1784454369","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-9.jpg?v=1784454947","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_8768.jpg?v=1784454524","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-15.jpg?v=1784469355","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-2.png?v=1784469417","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_8697.jpg?v=1784469476","\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-14.jpg?v=1784468799"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-13.jpg?v=1784468738","options":["Title"],"media":[{"alt":"Pair of Victorian Wedgwood green majolica Sunflower plates, 1878 and 1879, deeply moulded with flower heads and basketweave borders","id":54429379494047,"position":1,"preview_image":{"aspect_ratio":1.664,"height":2177,"width":3623,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-13.jpg?v=1784468738"},"aspect_ratio":1.664,"height":2177,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-13.jpg?v=1784468738","width":3623},{"alt":"Victorian Wedgwood green majolica Sunflower plates, deeply moulded with flower heads and basketweave borders","id":54429362520223,"position":2,"preview_image":{"aspect_ratio":0.921,"height":3209,"width":2957,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-8.jpg?v=1784454862"},"aspect_ratio":0.921,"height":3209,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-8.jpg?v=1784454862","width":2957},{"alt":"Close-up of translucent green majolica glaze on Victorian Wedgwood Sunflower plate showing pooled deep green tones, circa 1879\n","id":54429362487455,"position":3,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-7.jpg?v=1784454369"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-7.jpg?v=1784454369","width":3024},{"alt":"Victorian Wedgwood green majolica Sunflower plates, 1878 and 1879, Wedgwood and date stamp","id":54429362552991,"position":4,"preview_image":{"aspect_ratio":0.994,"height":2946,"width":2928,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-9.jpg?v=1784454947"},"aspect_ratio":0.994,"height":2946,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-9.jpg?v=1784454947","width":2928},{"alt":"Close-up of translucent green majolica glaze on Victorian Wedgwood Sunflower plate showing pooled deep green tones, circa 1879\n","id":54429362684063,"position":5,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_8768.jpg?v=1784454524"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_8768.jpg?v=1784454524","width":3024},{"alt":"Victorian Wedgwood green majolica Sunflower plates, deeply moulded with flower heads and basketweave borders","id":54429379690655,"position":6,"preview_image":{"aspect_ratio":0.833,"height":3404,"width":2835,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-15.jpg?v=1784469355"},"aspect_ratio":0.833,"height":3404,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-15.jpg?v=1784469355","width":2835},{"alt":"Close-up of translucent green majolica glaze on Victorian Wedgwood Sunflower plate showing pooled deep green tones, circa 1879\n","id":54429379723423,"position":7,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-2.png?v=1784469417"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-2.png?v=1784469417","width":3024},{"alt":"Close-up of translucent green majolica glaze on Victorian Wedgwood Sunflower plate showing pooled deep green tones, circa 1879\n","id":54429379264671,"position":8,"preview_image":{"aspect_ratio":1.118,"height":3024,"width":3382,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_8697.jpg?v=1784469476"},"aspect_ratio":1.118,"height":3024,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_8697.jpg?v=1784469476","width":3382},{"alt":"Pair of Victorian Wedgwood green majolica Sunflower plates, 1878 and 1879, showing Wedgwood and date stamps","id":54429379526815,"position":9,"preview_image":{"aspect_ratio":1.64,"height":2378,"width":3901,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-14.jpg?v=1784468799"},"aspect_ratio":1.64,"height":2378,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/edited-photo-14.jpg?v=1784468799","width":3901}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\" data-end=\"61\" data-start=\"0\"\u003ePair of Victorian Wedgwood Green Majolica Sunflower Plates\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-start=\"237\" data-end=\"536\"\u003eThese two Victorian Wedgwood plates are from the Sunflower pattern, one of the factory’s earliest and most recognisable majolica designs. Each is deeply moulded with a large flower head surrounded by a basketweave border, with the translucent green glaze bringing out the detail of the design.\u003c\/p\u003e\n\u003cp data-start=\"538\" data-end=\"876\"\u003eMade in 1878 and 1879, the plates share closely matched deep green glazes. \u003cspan\u003eOn the 1879 plate, the glaze has pooled more heavily across the edge of the well, creating a circle of deeper, almost black-green colour.\u003c\/span\u003e This original firing variation gives each plate its own character while allowing them to sit naturally as a pair.\u003c\/p\u003e\n\u003cp data-end=\"589\" data-start=\"576\"\u003e\u003cstrong data-end=\"589\" data-start=\"576\"\u003eCondition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"712\" data-start=\"591\"\u003eExcellent antique condition. Both plates are free from chips, cracks, repairs or restoration, and the glaze remains rich.\u003c\/p\u003e\n\u003cp data-end=\"728\" data-start=\"714\"\u003e\u003cstrong data-end=\"728\" data-start=\"714\"\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"764\" data-start=\"730\"\u003eApproximately 22 cm diameter each.\u003c\/p\u003e\n\u003cp data-end=\"776\" data-start=\"766\"\u003e\u003cstrong data-end=\"776\" data-start=\"766\"\u003eOrigin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"811\" data-start=\"778\"\u003eWedgwood, England, 1878 and 1879.\u003c\/p\u003e\n\u003cp data-end=\"835\" data-start=\"813\"\u003e\u003cstrong data-end=\"835\" data-start=\"813\"\u003eWORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"929\" data-start=\"837\"\u003eWorldwide shipping is available. Each piece is carefully packed to ensure it arrives safely.\u003c\/p\u003e\n\u003cp data-end=\"951\" data-start=\"931\"\u003e\u003cstrong data-end=\"951\" data-start=\"931\"\u003eCollector’s Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"1274\" data-start=\"953\"\u003eWedgwood introduced the Sunflower pattern in 1860, during the first year of the factory’s majolica production. By the late 1870s, the sunflower had become closely associated with the Aesthetic Movement and its interest in bold, natural forms. \u003c\/p\u003e"}

{"id":7646380753055,"title":"Ιαπωνικό πιάτο Kutani Yokohama της δεκαετίας του 1930, Vintage. Ζωγραφισμένο στο χέρι σε λεπτή πορσελάνη","handle":"kutani","description":"\u003cp\u003e Όμορφο vintage ιαπωνικό πιάτο Kutani Yokohama της δεκαετίας του 1930. Εξαιρετικά ζωγραφισμένο στο χέρι σε λεπτή πορσελάνη, σε πολύ καλή κατάσταση χωρίς τσιπς ή ρωγμές.\u003c\/p\u003e\n\n\u003cp\u003e Κατά προσέγγιση διάμετρος: 18,5 cm \/ 7 1\/4 ίντσες\u003c\/p\u003e","published_at":"2023-02-18T22:01:05+00:00","created_at":"2023-02-18T17:52:30+00:00","vendor":"Eclectic Design","type":"Plate","tags":["Antique Japanese","Antique Porcelain","Asian Antiques","Cabinet Plate","Display Plate","Gilt Decoration","Japanese Ceramics","Japanese Kutani","Kutani","Meiji Period","Oriental Decor","plate"],"price":6500,"price_min":6500,"price_max":6500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42969798607007,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ιαπωνικό πιάτο Kutani Yokohama της δεκαετίας του 1930, Vintage. Ζωγραφισμένο στο χέρι σε λεπτή πορσελάνη","public_title":null,"options":["Default Title"],"price":6500,"weight":500,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58072_1.jpg?v=1676742754","\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58103.jpg?v=1676742753","\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58123.jpg?v=1676742753","\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_5813.jpg?v=1676742754","\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58142_1.jpg?v=1676742752","\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58153.jpg?v=1676742753"],"featured_image":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58072_1.jpg?v=1676742754","options":["Τίτλος"],"media":[{"alt":"1930s Kutani Yokohama Plate","id":27554038579359,"position":1,"preview_image":{"aspect_ratio":0.919,"height":3153,"width":2899,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58072_1.jpg?v=1676742754"},"aspect_ratio":0.919,"height":3153,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58072_1.jpg?v=1676742754","width":2899},{"alt":"1930s Kutani Yokohama Plate","id":27554038612127,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58103.jpg?v=1676742753"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58103.jpg?v=1676742753","width":3024},{"alt":"1930s Kutani Yokohama Plate","id":27554038644895,"position":3,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58123.jpg?v=1676742753"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58123.jpg?v=1676742753","width":3024},{"alt":"1930s Kutani Yokohama Plate","id":27554038677663,"position":4,"preview_image":{"aspect_ratio":1.663,"height":2190,"width":3641,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_5813.jpg?v=1676742754"},"aspect_ratio":1.663,"height":2190,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_5813.jpg?v=1676742754","width":3641},{"alt":"1930s Kutani Yokohama Plate","id":27554038710431,"position":5,"preview_image":{"aspect_ratio":0.966,"height":3052,"width":2947,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58142_1.jpg?v=1676742752"},"aspect_ratio":0.966,"height":3052,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58142_1.jpg?v=1676742752","width":2947},{"alt":"1930s Kutani Yokohama Plate","id":27554038743199,"position":6,"preview_image":{"aspect_ratio":1.05,"height":1204,"width":1264,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58153.jpg?v=1676742753"},"aspect_ratio":1.05,"height":1204,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/products\/IMG_58153.jpg?v=1676742753","width":1264}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e Όμορφο vintage ιαπωνικό πιάτο Kutani Yokohama της δεκαετίας του 1930. Εξαιρετικά ζωγραφισμένο στο χέρι σε λεπτή πορσελάνη, σε πολύ καλή κατάσταση χωρίς τσιπς ή ρωγμές.\u003c\/p\u003e\n\n\u003cp\u003e Κατά προσέγγιση διάμετρος: 18,5 cm \/ 7 1\/4 ίντσες\u003c\/p\u003e"}

{"id":9168319840415,"title":"Βάζο Opaline Art Nouveau, Γυαλί γάλακτος, Πρεσαριστό Γυαλί, Πράσινο","handle":"french","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eΈνα πρώιμο βάζο με οπαλίνα ή \"γυάλινο γάλα\" που απεικονίζει έναν σκίουρο σε έναν κορμό δέντρου πλεγμένο με κισσό. Η μορφή και το θέμα είναι Art Nouveau που χρονολογείται από τις αρχές του 1900, μάλλον είναι γαλλικό, αλλά δεν υπάρχουν σημάδια.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eΧωρίς τσιπς ή ρωγμές\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eΑυτό είναι ένα υπέροχο βάζο, πολύ ασυνήθιστο, ένα πραγματικό συλλεκτικό κομμάτι.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Διαστάσεις κατά προσέγγιση\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eΎψος: 22 cm \/\/ 8 7\/8\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eΔιάμετρος βάσης: 11,5 cm \/\/ 4 1\/2\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e Διάμετρος ζάντας: 6,7 \u003cspan data-mce-fragment=\"1\"\u003ecm \/\/ 2 5\/8\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan data-mce-fragment=\"1\"\u003eΠαρακαλώ προσέξτε...\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eόταν αγοράζετε vintage ή αντίκες γυάλινα σκεύη, θα πρέπει να περιμένετε κάποια σημάδια φθοράς που σχετίζονται με την ηλικία, όπως λεπτές επιφανειακές γρατσουνιές\/σημάδια. Επίσης, πολλά από τα αντικείμενα είναι χειροποίητα, μπορεί να έχουν μικρές ατέλειες όπως φυσαλίδες, εγκλείσματα και σβώλους μέσα στο γυαλί και συχνά τα σημάδια του εργαλείου από το σημείο που έχουν διαμορφωθεί και δουλευτεί στη διαδικασία κατασκευής. Αυτά συνήθως δεν θεωρούνται από τους συλλέκτες ως ελαττώματα ή ζημιές, αλλά ως μέρος του χαρακτήρα του χειροποίητου γυαλιού και συνήθως δεν αναφέρονται στην περιγραφή. Η Eclectic Design είναι στην ευχάριστη θέση να παρέχει περαιτέρω εικόνες κατόπιν αιτήματος.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-02-12T17:54:43+00:00","created_at":"2024-02-12T12:45:40+00:00","vendor":"eclecticdesignlondon","type":"Vase","tags":["Art Nouveau","Art Nouveau Vase","design","eclectic","eclecticdesignlondon","French opaline vase","london","Milk Glass","Milk Glass Art Nouveau Vase","Milk Glass Green","Opaline Vase","Opaline Art Nouveau","Opaline Art Nouveau Vase","Pressed Glass Vase 1900s"],"price":16500,"price_min":16500,"price_max":16500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44928841777311,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Βάζο Opaline Art Nouveau, Γυαλί γάλακτος, Πρεσαριστό Γυαλί, Πράσινο","public_title":null,"options":["Default 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Green","id":30344765866143,"position":6,"preview_image":{"aspect_ratio":0.437,"height":1690,"width":739,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_0a50_3cc5c755-989b-4fcb-a4c4-1064ab7933c4.jpg?v=1707759260"},"aspect_ratio":0.437,"height":1690,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_0a50_3cc5c755-989b-4fcb-a4c4-1064ab7933c4.jpg?v=1707759260","width":739},{"alt":null,"id":30367599722655,"position":7,"preview_image":{"aspect_ratio":1.187,"height":1199,"width":1423,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_zb9i.jpg?v=1708110409"},"aspect_ratio":1.187,"height":1199,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/AICutout_zb9i.jpg?v=1708110409","width":1423},{"alt":null,"id":54342453002399,"position":8,"preview_image":{"aspect_ratio":0.658,"height":2048,"width":1348,"src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2643.jpg?v=1779707251"},"aspect_ratio":0.658,"height":2048,"media_type":"image","src":"\/\/eclecticdesignlondon.com\/cdn\/shop\/files\/IMG_2643.jpg?v=1779707251","width":1348}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eΈνα πρώιμο βάζο με οπαλίνα ή \"γυάλινο γάλα\" που απεικονίζει έναν σκίουρο σε έναν κορμό δέντρου πλεγμένο με κισσό. Η μορφή και το θέμα είναι Art Nouveau που χρονολογείται από τις αρχές του 1900, μάλλον είναι γαλλικό, αλλά δεν υπάρχουν σημάδια.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eΧωρίς τσιπς ή ρωγμές\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eΑυτό είναι ένα υπέροχο βάζο, πολύ ασυνήθιστο, ένα πραγματικό συλλεκτικό κομμάτι.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Διαστάσεις κατά προσέγγιση\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eΎψος: 22 cm \/\/ 8 7\/8\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eΔιάμετρος βάσης: 11,5 cm \/\/ 4 1\/2\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e Διάμετρος ζάντας: 6,7 \u003cspan data-mce-fragment=\"1\"\u003ecm \/\/ 2 5\/8\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan data-mce-fragment=\"1\"\u003eΠαρακαλώ προσέξτε...\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eόταν αγοράζετε vintage ή αντίκες γυάλινα σκεύη, θα πρέπει να περιμένετε κάποια σημάδια φθοράς που σχετίζονται με την ηλικία, όπως λεπτές επιφανειακές γρατσουνιές\/σημάδια. Επίσης, πολλά από τα αντικείμενα είναι χειροποίητα, μπορεί να έχουν μικρές ατέλειες όπως φυσαλίδες, εγκλείσματα και σβώλους μέσα στο γυαλί και συχνά τα σημάδια του εργαλείου από το σημείο που έχουν διαμορφωθεί και δουλευτεί στη διαδικασία κατασκευής. Αυτά συνήθως δεν θεωρούνται από τους συλλέκτες ως ελαττώματα ή ζημιές, αλλά ως μέρος του χαρακτήρα του χειροποίητου γυαλιού και συνήθως δεν αναφέρονται στην περιγραφή. Η Eclectic Design είναι στην ευχάριστη θέση να παρέχει περαιτέρω εικόνες κατόπιν αιτήματος.\u003c\/span\u003e\u003c\/p\u003e"}