{"id":10838407151775,"title":"Christopher Dresser for Linthorpe Art Pottery — Signed Vase, England, c.1880s","handle":"christopher-dresser-signed-vase-linthorpe-art-pottery-england-c-1880-authenticated","description":"\u003cp data-start=\"78\" data-end=\"237\"\u003eA signed ceramic work by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eChristopher Dresser\u003c\/span\u003e\u003c\/span\u003e, produced for Linthorpe Art Pottery, Middlesbrough, during the height of the Aesthetic Movement.\u003c\/p\u003e\n\u003cp data-start=\"239\" data-end=\"644\"\u003eStanding 16 cm high and approximately 13 cm wide, the vase exemplifies Dresser’s highly influential approach to form — combining architectural simplicity with richly expressive surface treatment. The flowing glaze moves through tones of deep umber, caramel, and golden ochre, with subtle tonal variations that reveal the handmade character of the piece and the experimental nature of Linthorpe production.\u003c\/p\u003e\n\u003cp data-start=\"646\" data-end=\"792\"\u003eA faint green kiln line on the base, created during the firing process, remains visible and forms part of the vase’s authentic studio character.\u003c\/p\u003e\n\u003cp data-start=\"794\" data-end=\"1057\"\u003eUnlike many surviving examples, this vase bears an incised Christopher Dresser signature beneath the glaze, together with the impressed Linthorpe mark — a particularly desirable feature for collectors of 19th-century British art pottery and design reform objects.\u003c\/p\u003e\n\u003cp data-start=\"1059\" data-end=\"1495\"\u003eChristopher Dresser (1834–1904) is widely regarded as one of the most influential designers of the Victorian period and among the earliest figures to unite art, industry, and modern manufacturing principles. His work for Linthorpe Art Pottery between 1879 and 1882 produced some of the most innovative ceramic forms of the late 19th century, combining Japanese influence, functional clarity, and a remarkably modern sense of proportion.\u003c\/p\u003e\n\u003ch3 data-start=\"1497\" data-end=\"1508\"\u003eDetails\u003c\/h3\u003e\n\u003cul data-start=\"1510\" data-end=\"1895\"\u003e\n\u003cli data-start=\"1510\" data-end=\"1543\"\u003eDesigner: Christopher Dresser\u003c\/li\u003e\n\u003cli data-start=\"1544\" data-end=\"1600\"\u003eMaker: Linthorpe Art Pottery, Middlesbrough, England\u003c\/li\u003e\n\u003cli data-start=\"1601\" data-end=\"1621\"\u003eDate: Circa 1880\u003c\/li\u003e\n\u003cli data-start=\"1622\" data-end=\"1654\"\u003eMaterial: Glazed earthenware\u003c\/li\u003e\n\u003cli data-start=\"1655\" data-end=\"1720\"\u003eMarks: Impressed Linthorpe mark and incised Dresser signature\u003c\/li\u003e\n\u003cli data-start=\"1721\" data-end=\"1774\"\u003eDimensions: 16 cm high × approximately 13 cm wide\u003c\/li\u003e\n\u003cli data-start=\"1775\" data-end=\"1895\"\u003eCondition: Excellent antique condition with no restorations; kiln and firing marks consistent with period production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1897\" data-end=\"1911\"\u003eProvenance\u003c\/h3\u003e\n\u003cp data-start=\"1913\" data-end=\"2023\"\u003eAuthenticated by a leading UK auction house as an original Christopher Dresser work for Linthorpe Art Pottery.\u003c\/p\u003e\n\u003cp data-start=\"2025\" data-end=\"2164\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA highly collectible example of late 19th-century British design reform, reflecting Dresser’s enduring influence on modern decorative arts.\u003c\/p\u003e","published_at":"2026-05-26T10:37:52+01:00","created_at":"2025-07-06T13:02:38+01:00","vendor":"Eclectic Design","type":"","tags":["19th Century Design","Aesthetic Movement","Antique Ceramics","British Art Pottery","Christopher 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align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eChristopher Dresser\u003c\/span\u003e\u003c\/span\u003e, produced for Linthorpe Art Pottery, Middlesbrough, during the height of the Aesthetic Movement.\u003c\/p\u003e\n\u003cp data-start=\"239\" data-end=\"644\"\u003eStanding 16 cm high and approximately 13 cm wide, the vase exemplifies Dresser’s highly influential approach to form — combining architectural simplicity with richly expressive surface treatment. The flowing glaze moves through tones of deep umber, caramel, and golden ochre, with subtle tonal variations that reveal the handmade character of the piece and the experimental nature of Linthorpe production.\u003c\/p\u003e\n\u003cp data-start=\"646\" data-end=\"792\"\u003eA faint green kiln line on the base, created during the firing process, remains visible and forms part of the vase’s authentic studio character.\u003c\/p\u003e\n\u003cp data-start=\"794\" data-end=\"1057\"\u003eUnlike many surviving examples, this vase bears an incised Christopher Dresser signature beneath the glaze, together with the impressed Linthorpe mark — a particularly desirable feature for collectors of 19th-century British art pottery and design reform objects.\u003c\/p\u003e\n\u003cp data-start=\"1059\" data-end=\"1495\"\u003eChristopher Dresser (1834–1904) is widely regarded as one of the most influential designers of the Victorian period and among the earliest figures to unite art, industry, and modern manufacturing principles. His work for Linthorpe Art Pottery between 1879 and 1882 produced some of the most innovative ceramic forms of the late 19th century, combining Japanese influence, functional clarity, and a remarkably modern sense of proportion.\u003c\/p\u003e\n\u003ch3 data-start=\"1497\" data-end=\"1508\"\u003eDetails\u003c\/h3\u003e\n\u003cul data-start=\"1510\" data-end=\"1895\"\u003e\n\u003cli data-start=\"1510\" data-end=\"1543\"\u003eDesigner: Christopher Dresser\u003c\/li\u003e\n\u003cli data-start=\"1544\" data-end=\"1600\"\u003eMaker: Linthorpe Art Pottery, Middlesbrough, England\u003c\/li\u003e\n\u003cli data-start=\"1601\" data-end=\"1621\"\u003eDate: Circa 1880\u003c\/li\u003e\n\u003cli data-start=\"1622\" data-end=\"1654\"\u003eMaterial: Glazed earthenware\u003c\/li\u003e\n\u003cli data-start=\"1655\" data-end=\"1720\"\u003eMarks: Impressed Linthorpe mark and incised Dresser signature\u003c\/li\u003e\n\u003cli data-start=\"1721\" data-end=\"1774\"\u003eDimensions: 16 cm high × approximately 13 cm wide\u003c\/li\u003e\n\u003cli data-start=\"1775\" data-end=\"1895\"\u003eCondition: Excellent antique condition with no restorations; kiln and firing marks consistent with period production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-start=\"1897\" data-end=\"1911\"\u003eProvenance\u003c\/h3\u003e\n\u003cp data-start=\"1913\" data-end=\"2023\"\u003eAuthenticated by a leading UK auction house as an original Christopher Dresser work for Linthorpe Art Pottery.\u003c\/p\u003e\n\u003cp data-start=\"2025\" data-end=\"2164\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA highly collectible example of late 19th-century British design reform, reflecting Dresser’s enduring influence on modern decorative arts.\u003c\/p\u003e"}

Christopher Dresser for Linthorpe Art Pottery — Signed Vase, England, c.1880s

περιγραφή προϊόντος
£1,750.00
Συμπληρώθηκε η μέγιστη διαθέσιμη ποσότητα.

A signed ceramic work by Christopher Dresser, produced for Linthorpe Art Pottery, Middlesbrough, during the height of the Aesthetic Movement.

Standing 16 cm high and approximately 13 cm wide, the vase exemplifies Dresser’s highly influential approach to form — combining architectural simplicity with richly expressive surface treatment. The flowing glaze moves through tones of deep umber, caramel, and golden ochre, with subtle tonal variations that reveal the handmade character of the piece and the experimental nature of Linthorpe production.

A faint green kiln line on the base, created during the firing process, remains visible and forms part of the vase’s authentic studio character.

Unlike many surviving examples, this vase bears an incised Christopher Dresser signature beneath the glaze, together with the impressed Linthorpe mark — a particularly desirable feature for collectors of 19th-century British art pottery and design reform objects.

Christopher Dresser (1834–1904) is widely regarded as one of the most influential designers of the Victorian period and among the earliest figures to unite art, industry, and modern manufacturing principles. His work for Linthorpe Art Pottery between 1879 and 1882 produced some of the most innovative ceramic forms of the late 19th century, combining Japanese influence, functional clarity, and a remarkably modern sense of proportion.

Details

  • Designer: Christopher Dresser
  • Maker: Linthorpe Art Pottery, Middlesbrough, England
  • Date: Circa 1880
  • Material: Glazed earthenware
  • Marks: Impressed Linthorpe mark and incised Dresser signature
  • Dimensions: 16 cm high × approximately 13 cm wide
  • Condition: Excellent antique condition with no restorations; kiln and firing marks consistent with period production

Provenance

Authenticated by a leading UK auction house as an original Christopher Dresser work for Linthorpe Art Pottery.

A highly collectible example of late 19th-century British design reform, reflecting Dresser’s enduring influence on modern decorative arts.

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