{"id":10939829616799,"title":"Louise Reding Miniature Green Crystalline Glaze Porcelain Bud Vase.","handle":"celadon-greenrystalline-crystalline-glaze-reby-artist-louise-reding-from-the-san-diego-potters-guild","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eA little vase with flowers of its own, crystal blooms spread across a soft sage-green glaze, opening into fine, feathery starbursts. Its rounded shape invites you to turn it in your hand and follow the pattern around the body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWheel-thrown in porcelain by California potter Louise Reding, a member of the San Diego Potters' Guild, this miniature bud vase owes its distinctive surface to crystals grown within the glaze during firing. Careful control of temperature gives them time to develop, although their final arrangement remains individual to each piece. That balance between the potter’s skill and the behaviour of the glaze is much of its appeal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned “Reding” into the unglazed base. Approximately 10 cm high × 7 cm wide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLouise Reding began working with clay in 1969 while studying at the University of Alberta and became a full-time studio potter in 1974. She went on to make crystalline-glazed porcelain the focus of her work, developing vase shapes specifically to accommodate the crystal formations. 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sage-green glaze, opening into fine, feathery starbursts. Its rounded shape invites you to turn it in your hand and follow the pattern around the body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWheel-thrown in porcelain by California potter Louise Reding, a member of the San Diego Potters' Guild, this miniature bud vase owes its distinctive surface to crystals grown within the glaze during firing. Careful control of temperature gives them time to develop, although their final arrangement remains individual to each piece. That balance between the potter’s skill and the behaviour of the glaze is much of its appeal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSigned “Reding” into the unglazed base. Approximately 10 cm high × 7 cm wide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCollector’s Note\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLouise Reding began working with clay in 1969 while studying at the University of Alberta and became a full-time studio potter in 1974. She went on to make crystalline-glazed porcelain the focus of her work, developing vase shapes specifically to accommodate the crystal formations. The rounded form and intricate surface are considered together from the outset.\u003c\/span\u003e\u003c\/p\u003e"}

Louise Reding Miniature Green Crystalline Glaze Porcelain Bud Vase.

περιγραφή προϊόντος
£65.00
Συμπληρώθηκε η μέγιστη διαθέσιμη ποσότητα.

A little vase with flowers of its own, crystal blooms spread across a soft sage-green glaze, opening into fine, feathery starbursts. Its rounded shape invites you to turn it in your hand and follow the pattern around the body.

Wheel-thrown in porcelain by California potter Louise Reding, a member of the San Diego Potters' Guild, this miniature bud vase owes its distinctive surface to crystals grown within the glaze during firing. Careful control of temperature gives them time to develop, although their final arrangement remains individual to each piece. That balance between the potter’s skill and the behaviour of the glaze is much of its appeal.

Signed “Reding” into the unglazed base. Approximately 10 cm high × 7 cm wide.

Collector’s Note

Louise Reding began working with clay in 1969 while studying at the University of Alberta and became a full-time studio potter in 1974. She went on to make crystalline-glazed porcelain the focus of her work, developing vase shapes specifically to accommodate the crystal formations. The rounded form and intricate surface are considered together from the outset.

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